This is a banner for a review of the film If I were Alive. Image courtesy of the filmmakers.

‘Se Eu Fosse Vivo…Vivia’ Film Review: Another Charming Slice-of-Life by André Novais Oliveira

Filmes de Plástico is one of the most fascinating production companies in Brazil. In a sense, it is more of a collective than a traditional film producer. Composed by André Novais Oliveira, Gabriel Martins, Maurilio Martins, and Thiago Macêdo Correia, the group took the creative process from the capital, usually …

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‘D’ici là’ Film Review: An Imbalanced Triptych

The French filmmaker Sarah Leonor returns to the Locarno competition after seventeen years, when her A Real Life (Au voleur) was in the running for the Golden Leopard. Now, she presents D’ici là, a contemplative film about three different individuals living in the Vosges valley, in France. Firstly, Lucien (Frank …

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This is a banner for a review of the movie Agata the Writer. Image courtesy of the filmmakers.

The Awkward Thoughtfulness of ‘Agata the Writer’ (Venice 2026 Film Review)

The question of how you tell an untellable story is at the heart of Agata the Writer, which was evidently a passion project for writer-director-cinematographer-editor-composer Kuba Dorabialski (who also plays the small part of Janek). Its awkward thoughtfulness sets an unusual tone that will not resonate with a lot of …

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‘The Basics of Philosophy’ is Better Than Nothing (Venice 2026 Film Review)

It’s always interesting, though not always for the right reasons, when a director on a publicity tour manages to undermine his own movie. At this year’s Venice Film Festival the headlines about Paul Schrader were not about The Basics of Philosophy, the movie receiving its world premiere. Oh no, he …

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‘Tomorrow a Long Time Ago’ Film Review: A Contemplative Sophomore Feature

In her sophomore feature, Luise Donschen attended the Locarno Film Festival’s Cineasti del Presente section to present Tomorrow a Long Time Ago, Morgen vor langer Zeit. After Casanova Gene, which screened at the Berlinale Forum, the German filmmaker introduces her second film to audiences. Set in 1990, in the middle of …

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‘Bloody Tennis’ Film Review: A Disappointing Blood Bath

The director Nikias Chryssos presents in his Bloody Tennis a tale of competitive sports. Sophie (Sandra Guldberg Kampp), an American tennis player, is offered the opportunity to attend a camp in Europe. It is a highly exclusive club, where six players practice at a high level. Mary (Elina Löwensohn) is …

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The Terrible, Horrible, No Good, Very Entertaining ‘Father Joe’ (Venice 2026 Film Review)

Father Joe is dumber than a box of rocks and more entertaining than a box of frogs. There is nothing to recommend Father Joe except for its commitment to being the stupidest possible piece of action entertainment. Luc Besson, who wrote and produced the film for director Barthélémy Grossmann, clearly …

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All the Beauty and the Bloodshed in ‘The Black Ball / La Bola Negra’ (Cannes 2026 Film Review)

In The Black Ball directors Javier Ambrossi and Javier Calvo (known as Los Javis) and cinematographer Gris Jordana have created an unusually beautiful work of art. The Black Ball is kind and tender, very clear-eyed about the trauma of war and the misery of addiction. But above all it is …

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‘Avatar Aang: The Last Airbender’ Film Review – Routine in Story But Stellar in Visual and Thematic Depth

Regardless of one’s takeaway from Avatar Aang: The Last Airbender, it’s hard for any normal person not to feel sorry for the crew. First the planned cinema release was scrapped in favour of unceremonious streaming on Paramount+. Then the whole film was leaked by a hacker, which is likely why …

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The Loving but Angry Heart of ‘Ben’Imana’ (Cannes 2026 Film Review)

Rwandan filmmaker Marie Clémentine Dusabejambo won the Camera d’Or – the prize for best debut feature in any of the festival’s competition strands – at this year’s Cannes Film Festival for Ben’Imana. This is a double achievement as Ben’Imana is also the first Rwandan film ever to compete at Cannes …

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‘At Night’ Film Review: The Fascinating Atmospheric Feature Debut of Beatrice Gibson

Beatrice Gibson has been a fascinating voice in the film community for a while. Her work has been featured at major events worldwide, including I Hope I’m Loud When I’m Dead and Someplace In Your Mouth, both of which were screened at TIFF. Those works blur the line between autofiction …

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This is a banner for a review of the film The Cutting Edge 3: Chasing the Dream. Images courtesy of MGM.

‘The Cutting Edge: Chasing the Dream’ Review – Matt Lanter, Francia Raisa, and Peak ABC Family Movies

The algorithm recently recommended that I watch the third The Cutting Edge movie, Chasing the Dream. It’s a little strange to suggest a deep cut like that, but since I’m on my umpteenth rewatch of Timeless (starring Matt Lanter, among others) and recently finished Off-Campus, it’s a little less crazy. …

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‘Nowhere to Lay My Eyes’ Film Review: Hong Sang-Soo’s Latest Observation of Common Life

In the festival circuit, with each announcement of a major festival, there is a name that people expect to hear: Hong Sang-soo. In February, he premiered The Day She Returns , which played at the Berlinale’s Panorama. Six months later, the Korean master is back with his latest, Nowhere to …

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You don't belong here recently played at the Locarno Film Festival. Image courtesy of the filmmakers/Fantascope.

‘You Don’t Belong Here’ – Questioning Morals in a Failed Society (Locarno Film Review)

In a small Romanian town, Marius (Adrian Văncică) is the medical chief at the local hospital. He just lost his wife, and his son, Ioan (Teodor Butănescu), is almost finished with high school. This is the setting of You Don’t Belong Here (Nu e locul tau aici) by Florin Şerban. …

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