‘The Only Living Pickpocket in New York’ Movie Review: John Turturro Carries a Warm, Old-School Crime Drama

Every opinion I came across about The Only Living Pickpocket in New York before seeing it was positive. I didn’t see a single negative take, and with nothing else to go on, that consensus was carrying all of my expectations. I’m unfamiliar with Noah Segan as a director, as I …

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Loneliness and Yearning in ‘Company’ (Venice 2026 Film Review)

Company is directed by Casey Affleck, whose reputation as an actor is not unblemished, and whose reputation as a director will not be helped by the fact there are eight (eight!) credited cinematographers on Company, including himself. It is also not necessarily a positive thing that two of the movie’s …

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‘The Social Reckoning’ Movie Review: Aaron Sorkin Turns the Facebook Files Into an Infuriating, Essential Wake-Up Call

I almost skipped this one. The press screening for The Social Reckoning was early in the morning, I was exhausted, and a follow-up to The Social Network without David Fincher (Se7en) directing or Jesse Eisenberg (A Real Pain) playing Mark Zuckerberg didn’t sound urgent enough to drag myself out of …

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‘Disclosure Day’ is Quintessential Spielberg (Film Review)

Steven Spielberg is, inarguably, one of America’s most recognizable filmmakers in cinema history. This is not always indicative of a particular level of quality. We have all talked about the auteur theory to death, but all levels of talent can be recognized by visual style. Visuals are not the only …

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‘Parallel Tales / Histoires Parallèles’ Falls Apart (Cannes 2026 Film Review)

The most shocking thing in Parallel Tales is Isabelle Huppert lighting a cigarette with a toaster. There’s a sense of unpredictability in that one moment that the rest of Parallel Tales was aiming for and somehow didn’t achieve. It’s hard to say why it falls so flat, since there is …

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Interview: How Director Matt Sukkar Filmed Gritty Indie Crime Thriller ‘The Deputy’ in 3 Weeks

Director Matt Sukkar is probably best known for the acclaimed documentary short, Durango, but he has recently turned his eye to features. In Sukkar‘s debut, The Deputy, viewers follow Toby, a very unprepared small-town lawman. Over the course of an endless night that starts with a missing dead body, he …

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‘Titanic Ocean’ Should Be Left to Drown (Cannes 2026 Film Review)

The end credits confirm genAI was used for parts of Titanic Ocean. This is a disgraceful choice by writer-director Konstantina Kotzamani because it insults all the hard work of her cast and crews. This is especially unforgivable because the young actresses had to do a large amount of underwater work …

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‘Nobody’s Violence’ Film Review – The Discussion of Death in Denis Côté’s Bleak World

The oeuvre of Denis Côté is uncomfortable, answerless. His multiple works approach the mundane, the psyche, leaning towards complicated places. Paul, his latest film, is a documentary on a simp, a man who pleasures himself through humiliation from women. Now, he returns to the Locarno Film Festival with an intriguing …

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‘Greenland 2’ Film Review – The Garrity Family Returns

Before discussing Greenland 2: Migration, it’s best to take this review a step back in time. As in, taking viewers back to 2020, when Greenland was released during the COVID-19 pandemic. Upon release, the film’s core ideology was a Gerard Butler action movie that mostly succeeded. Yet in the pantheon …

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The Terrible, Horrible, No Good, Very Entertaining ‘Father Joe’ (Venice 2026 Film Review)

Father Joe is dumber than a box of rocks and more entertaining than a box of frogs. There is nothing to recommend Father Joe except for its commitment to being the stupidest possible piece of action entertainment. Luc Besson, who wrote and produced the film for director Barthélémy Grossmann, clearly …

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