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‘Reacher’ Review – Season 4, Episode 1: City of Brotherly Love

It’s been eighteen months since Season Three of Reacher and the series’ appeal is more valuable than ever. The character of Reacher – ex-military brat, ex-military police, now a keenly observant drifter with no living family, no possessions, no way of being traced as he moves through the world, and …

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‘The Last House’ Movie Review: Louis Leterrier Builds a Remarkable House But Story Misses its Furnishing

I confess I went into The Last House with a strange kind of curiosity that had nothing to do with horror and everything to do with career pivots. Louis Leterrier has spent the better part of two decades making things go fast and loud — muscle cars, magic tricks, superhero …

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‘Titanic Ocean’ Film Review: The Visually Intriguing Debut by Konstantina Kotzamani

The Greek director Konstantina Kotzamani has a massive short film haul in her career, most of which have played at the world’s central events. Washingtonia premiered at the Berlinale. Yellow Fieber and What Mary Didn’t Know were at Locarno. Electric Swam was at the Venice Film Festival, and Limbo was …

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‘Via Negativa’ is Lonely and Lovely (Tribeca 2026 Film Review)

Some writers might use subtext. Others have the main female character ask the male lead, “So you’re on a f*cked-up American pilgrimage?” It never hurts to spell things out, but Via Negativa ricochets quite a bit between overly explaining things and letting Young Mazino’s handsome face do all the work. …

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‘Wasteman’ Film Review: Gritty Prison Drama Showcases Lead Performances

Wasteman follows the great British cinema tradition of bringing no-holds barred, gritty stories to life. Cal McMau’s feature debut casts a sceptical eye on the British prison system and questions how effective it realistically is. The drama follows Taylor (David Jonsson) who is mere weeks away from being released on …

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Josephine Articulates the Unspeakable (Berlinale 2026 Film Review)

Content warning: sexual assault, child-centric trauma Writer-director Beth de Araújo has been open that Josephine is based on a true incident from her childhood. The trouble is that knowing this fact hampers the ability to speak critically about the film. Anything negative might feel like a personal attack against the …

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‘Mother’s Baby’ Film Review: Great Performances Can’t Save Dull Postpartum Drama

The baby horror film hasn’t really evolved since Roman Polanski’s Rosemary’s Baby. While still an influential text for many burgeoning filmmakers – despite Polanski’s persona non grata status within the creative community these days (and for good reason) – they seem only interested in ripping it off or creating their …

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‘Fuze’ Movie Review: David Mackenzie Misses Again

If you thought that David Mackenzie’s previous film, Relay, was stupid, you haven’t seen anything yet. In his latest disaster, Fuze, Mackenzie, and screenwriter Ben Hopkins somehow screw up a tried-and-true pressure-cooker that should elicit strong popcorn thrills and not total bewilderment. However, instead of sticking to the film’s original …

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‘Outcome’ Film Review: Jonah Hill’s Star-Studded Misfire

It’s been a while since such a well-mounted cast failed to meet the moment in an ensemble comedy quite like Jonah Hill’s Outcome, the actor’s sophomore outing into fiction filmmaking after his breakout directorial debut, Mid90s. That movie was (very) well received. This one will get the polar opposite reaction. …

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‘Exit 8’ Review – Horror Film Reminds Us Why We Need Smaller Stories

The instructions are simple: Do not overlook any anomalies.  If you find an anomaly, turn back immediately.  If you do not find any anomalies, do not turn back.  Go out from Exit 8. The instructions hang on the wall, where all who enter the switchback tunnels of this particular subway …

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‘Dead Lover’ Film Review: a Gutsy and Glorious Paean to Love, With all its Smells and Squelches

Grace Glowicki’s Dead Lover arrives as Frankenstein tales are having a real cultural moment. With Guillermo del Toro’s film released last autumn (and picking up three Oscars) and Maggie Gyllenhaal’s The Bride currently in cinemas, Glowicki’s picture as director, co-writer (with Ben Petrie, who also stars) and star may not …

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