This is a banner for a review of Reacher Season 4, Episode 2 - Cage Fight. Image courtesy of Prime Video.

‘Reacher’ Review – Season 4, Episode 2: Cage Fight

Alan Ritchson’s gift for stillness and subtle facial expressions is put to exceptional use in “Cage Fight.” There is also some audience pandering – screengrabs of which are all over social media already, but it would be churlish to spoil that fun – that makes it clear this season really …

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‘Woman Unknown’ is the Lady or the Tiger (Venice 2026 Film Review)

Films festivals normally only reward a movie one single prize. If your movie wins, say, best actress, then it can’t also win the main festival award. But the jury led by Maggie Gyllenhaal at this year’s Venice Film Festival broke that rule for Woman Unknown: its lead actress Mathilde Arcel …

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Modern Folktale ‘Minotaur / Минотавр’ is So Very Brave (Cannes 2026 Film Review)

We must congratulate director Andrey Zvyagintsev both for winning the Grand Prix at this year’s Cannes Film Festival, and for using his thank-you speech to ask Putin to stop the carnage of the war in Ukraine. Mr Zvyagintsev now lives in exile in France thanks to his political beliefs, but …

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‘The Birthday Party’ is Nothing to Celebrate (Cannes 2026 Film Review)

The absence of any major American films from this year’s Cannes Film Festival competition allowed room for some French films to sneak in. The Birthday Party aka Histoires de la Nuit is a film which would have never otherwise been allowed to compete for the Palme d’Or. It’s the kind …

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‘Reacher’ Review – Season 4, Episode 1: City of Brotherly Love

It’s been eighteen months since Season Three of Reacher and the series’ appeal is more valuable than ever. The character of Reacher – ex-military brat, ex-military police, now a keenly observant drifter with no living family, no possessions, no way of being traced as he moves through the world, and …

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‘The Last House’ Movie Review: Louis Leterrier Builds a Remarkable House But Story Misses its Furnishing

I confess I went into The Last House with a strange kind of curiosity that had nothing to do with horror and everything to do with career pivots. Louis Leterrier has spent the better part of two decades making things go fast and loud — muscle cars, magic tricks, superhero …

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‘Titanic Ocean’ Film Review: The Visually Intriguing Debut by Konstantina Kotzamani

The Greek director Konstantina Kotzamani has a massive short film haul in her career, most of which have played at the world’s central events. Washingtonia premiered at the Berlinale. Yellow Fieber and What Mary Didn’t Know were at Locarno. Electric Swam was at the Venice Film Festival, and Limbo was …

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‘Via Negativa’ is Lonely and Lovely (Tribeca 2026 Film Review)

Some writers might use subtext. Others have the main female character ask the male lead, “So you’re on a f*cked-up American pilgrimage?” It never hurts to spell things out, but Via Negativa ricochets quite a bit between overly explaining things and letting Young Mazino’s handsome face do all the work. …

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‘Wasteman’ Film Review: Gritty Prison Drama Showcases Lead Performances

Wasteman follows the great British cinema tradition of bringing no-holds barred, gritty stories to life. Cal McMau’s feature debut casts a sceptical eye on the British prison system and questions how effective it realistically is. The drama follows Taylor (David Jonsson) who is mere weeks away from being released on …

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Josephine Articulates the Unspeakable (Berlinale 2026 Film Review)

Content warning: sexual assault, child-centric trauma Writer-director Beth de Araújo has been open that Josephine is based on a true incident from her childhood. The trouble is that knowing this fact hampers the ability to speak critically about the film. Anything negative might feel like a personal attack against the …

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‘Mother’s Baby’ Film Review: Great Performances Can’t Save Dull Postpartum Drama

The baby horror film hasn’t really evolved since Roman Polanski’s Rosemary’s Baby. While still an influential text for many burgeoning filmmakers – despite Polanski’s persona non grata status within the creative community these days (and for good reason) – they seem only interested in ripping it off or creating their …

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