Following his 2021 Filmmakers of the Present debut Streams, Tunisian director and screenwriter Mehdi Hmili made his return at this year’s Locarno Film Festival, with the out-of-competition title Exile, which functions as part revenge thriller and part grief and social drama stylized in a way that evokes visual poetry and …
Cinema has the power to drag us into the depths of conflicts we’d rather ignore in real life. The driving force behind Anniversary started for me long before the movie itself: in its brilliant ensemble. Someone had the fantastic idea of bringing together some of the most promising and underrated …
The expectations surrounding A House of Dynamite, Kathryn Bigelow’s new and highly anticipated film, were understandably stratospheric. After military tension and psychological analysis masterworks like The Hurt Locker and Zero Dark Thirty, the prospect of Bigelow returning to a theme of war and existential crisis — dealing with the nuclear …
Following the intense and visceral rawness of All Quiet on the Western Front and the meticulous religious intrigue of Conclave — both of which are among my absolute favorites from their respective release years — the mere idea of Edward Berger tackling a psychological thriller focused on addiction and moral …
My expectations for Luca Guadagnino’s After the Hunt were, I confess, moderate, but they leaned toward cautious optimism. I like most of his films, with Challengers being my favorite, and I generally admire his work, even if I don’t consider myself an unconditional fan. However, the initial reception of this …
There is a fascinating new trend in cinema gathering steam: action movies with hardly any dialogue. Finland’s Sisu from 2022 shows Nazis being slaughtered without saying much about it, while America’s No One Will Save You from 2023 has a young woman fighting off an alien attack. And now Detroit …
The formula established in Knives Out and Glass Onion has been changed in Wake Up Dead Man. The series of good old-fashioned murder mysteries solved by gentleman detective Benoit Blanc (Daniel Craig) has been a roaring success because they were mostly about fabulously wealthy people being held to account. Tweaking the …
Jude Law’s first appearance as Vladimir Putin is so eerily accurate the Venice Film Festival audience around me laughed in surprise. Who would have thought he could do it? Well congratulations to director Olivier Assayas and his casting director Antoinette Boulat, because the performance Mr. Law gives here is one …
We don’t choose our family. Love them, hate them, they are our families, and we are stuck with them. Some of us are blessed with living, supportive ones; others not so much, and the rest fall somewhere in between. Black Rabbit is a story of brothers who fall somewhere in …
Comedian Mae Martin’s (Feel Good) first venture into drama is a confused exploration of a dysfunctional town with a mysterious school. What has the potential to be a Lynchian mystery falls flat as it struggles to combine two perspectives. Told through two separate viewpoints, Wayward follows cop Alex Dempsey (Martin) …
Of all the hype bubbles that form around the first reactions to a new release, One Battle After Another generated some of the most effusive of this century. And I mean that almost literally, since many of those reactions contained the pull-quote-ready taglines that marketing departments love so much — …
The Cut, starring Orlando Bloom, is an intense film about all the psychological drama that goes on behind the scenes of a boxer determined to make weight and redeem himself. It’s gritty and massively thrilling and one of the most interesting films of the past year. That’s why I was …
Ron Howard is one of the most prolific directors working today. His films, like Apollo 13 and A Beautiful Mind, have stood the test of time. Whereas even with those winners, Howard has delivered misfires like In The Heart of The Sea and Hillbilly Elegy. It’s a varied career that, …
No deer longs for the hunter’s arrow, and no art designed to maintain the status quo is ever as good as it thinks it is. Say what you will about Luca Guadagnino, he has made three solid movies in the last eighteen months, a level of career output rarely seen since …
Juror #2 could not have come out at a stranger time in world events towards the end of 2024. As a director, Clint Eastwood’s interests have been captured by the contradictions of life and justice in the United States: there are often clear-cut guilty and innocent parties, but who prevails …
Nicholas Hoult had a theme in 2024. The Order, director Justin Kurzel’s latest dramatic feature based on true events, puts his character in a very similar situation as in Clint Eastwood’s Juror #2. Both Bob Mathews (The Order) and Justin Kemp (Juror #2) are morally compromised men making bad (desperate, …
Before watching a new Ron Howard film, I always carry with me a certain map of expectations. The filmmaker behind A Beautiful Mind (2001) and Apollo 13 (1995) has built a career marked by human stories with strong emotional appeal, coupled with a classical, assured direction that’s rarely devoid of …
Toronto-based filmmaker Grace Glowicki is no stranger to the bizarre. Recently she, along with husband Ben Petrie, starred in the schlocky, romantic gothic horror Honey Bunch which premiered at Berlin in 2025. Her feature debut, Tito, was an offbeat comedy where she herself played an agoraphobic man whose world is …
A movie can be bad and a wildly entertaining watch, as is the case here War 2. The fight scenes are so impossible that the opening night audience was laughing at them, and yet we were all riveted in our seats delighting at how each pow-bam-boom spectacle kept upping the …
When Night Always Comes opens with news reports and radio shows hammering the housing crisis – wages too low to cover rent and basic expenses, evictions looming – the promise is clear: a direct plunge into a reality that pushes people to the edge. As the protagonist heads out to …