What do you believe in? It seems like a simple enough question to answer; however, when you begin to break it down, there are many ways to interpret it. What beliefs are we talking about? Religion, perhaps? Are we talking about which God we pray to and what religious standards …
Based on the bestselling book by Patrick Radden Keefe, Say Nothing rockets viewers back to 1972 Belfast with an explosive opening scene. The miniseries employs different framing devices to Keefe’s nonfiction tome, but both work to great effect. Widowed mother of ten Jean McConville (Judith Roddy) sends her eldest daughter …
Among all streaming services, Apple TV+ is the one that comes closest to the motto “quality over quantity.” Compared to Netflix, Max, Disney+, or Prime Video, the “apple network” doesn’t produce as much content – ugh, hate that word – but the average quality of its films and series is …
It may be unrealistic to suggest that zombies will rise from graves or aliens will flood the sky, but a lot of films and TV shows, like War of the Worlds and The Walking Dead, provide an insight into what might happen in those situations. They beg the question: what …
After opening with a quote from Herman Hesse’s famous novel of social and spiritual isolation, Steppenwolf – the latest from director Adilkhan Yerzhanov – moves away from the German-Swiss author’s work that shares its name into another interpretation of “a wolf of the steppes.” This takes the form of an …
One of the quintessential members of the newest Brazilian cinema, the movement of authors, was the renovation of filmmakers working with diverse topics and smaller budgets. Karim Aïnouz built a reputation for himself. His melodramatic tropes resembling Douglas Sirk and Fassbinder added to his decisive colors and narrative construction of …
It’s a difficult thing to create and maintain dread in a narrative. Horror takes many shapes and approaches, but the best of horror films can dig in under your skin, and take hold of a part of you. Cuckoo is a film like this, that slowly but surely digs into …
In mega-popular franchises like Alien, it’s common to have a primary filmmaker whose role can either be to continue as a director or to shift into a producer role, serving as a sort of supervisor of the original vision of the saga. Ridley Scott is that person, starting in 1979 …
About two weeks ago, Netflix released yet another original flick titled The Union. In my review of that film, I mentioned that it exemplified the worst characteristics often associated with the term “Netflix flick,” which carries a rather negative connotation, at least in the online world. This problem isn’t exclusive …
“Nature has a way of showing you who you really are.” It’s a simple truth, if a little on the nose for a survival horror film that pits people against nature with bloody consequences, but it’s still true. It’s also a fair way to describe director Adam MacDonald’s latest film, …
“The most detestable habit in all modern cinema is the homage. I don’t want to see another goddamn homage in anybody’s movie. There are enough of them when you’re unconscious.” – Orson Welles, 1982 Fede Alvarez’s Alien: Romulus is a competently made movie. It has some of the most stunning cinematography …
The term “Netflix flick” doesn’t usually carry a positive connotation – quite the opposite. It’s typically used to describe yet another generic film lacking creativity or innovation, without even memorable moments through impressive action set pieces, hilarious jokes, or, at the very least, outstanding performances. That said, the streaming service …
The performances in He Ain’t Heavy are so emotional that it takes a while to notice the movie is essentially a three-hander, between Jade (Leila George), her little brother Max (Sam Corlett), and their mother Bev (Greta Scacchi, Ms. George’s real-life mother). They live in Perth in western Australia and …
Strange Darling is a strange film indeed. I was advised by a colleague of mine to go into my viewing as blind as possible. That’s something I’m rarely able to accomplish with the nature of my job demanding a strong knowledge of upcoming releases and my curious nature leading me …
Ridley Scott’s 1979 masterpiece Alien was a tremendous achievement; A low-fi monolith of science-fiction horror that changed the landscape of film as we know it. From Ridley Scott’s lean and elegant direction to HR Giger’s phallic and genitalia-inspired character and set design, one which now feels fused into the very …
It’s a shame when one of your most anticipated films of the year winds up also being one of the biggest disappointments. Unfortunately, that was my experience with Alien: Romulus, the highly anticipated return to the horrors of space from Fede Álvarez. Álvarez has made a name for himself within …
In 2020, director Lee Isaac Chung made Minari, the story of an immigrant family in Arkansas with dialogue almost entirely in Korean. An extremely insulting debate sprang up about whether the movie was American, only possible because the immigrants weren’t white and not speaking English. Mr. Chung has now responded …
Not since 1999’s The Blair Witch Project has a horror campaign been quite as effective as the one Neon have instigated for Oswald Perkins’ horror Longlegs. The campaign that tore the internet apart at the turn of the millennium was based on the idea that the titular Blair Witch was …
Ripley is the latest adaptation of Talented Mr. Ripley, this time starring Andrew Scott in the lead role; as Tom Ripley, a man who is introduced to Dickie Greenleaf’s leisurely lifestyle and quickly gets under his skin and eventually kills him – taking over his identity in a bid to become Greenleaf. It’s a queer …
Someday, a movie in which a man defeats an attacking spaceship with a single punch will get a negative review, but today is not that day. Kalki 2898 AD is not only the most expensive Indian movie ever made, but also the first in a planned series of movies – …