This is a banner for a review of the movie Barrio Triste. Image courtesy of the filmmakers.

‘Barrio Triste’ Film Review: Finding Footage Through Violence

One of the most culturally talked-about moments of 2026 was the Super Bowl Halftime Show performed by Bad Bunny. Despite the political opposition from the far-right groups, who considered his choice as non-American (even if Puerto Rico is a territory of the United States), the fifteen-minute show was a success. …

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‘Titanic Ocean’ Should Be Left to Drown (Cannes 2026 Film Review)

The end credits confirm genAI was used for parts of Titanic Ocean. This is a disgraceful choice by writer-director Konstantina Kotzamani because it insults all the hard work of her cast and crews. This is especially unforgivable because the young actresses had to do a large amount of underwater work …

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Beauty and Beasts Collide in ‘The Difficult Bride’ (Venice 2026 Film Review)

The Difficult Bride is rare on two counts: it is a Bangladeshi film, and its director, Rubaiyat Hossain, is a woman. It is rarer still for being both incredibly supportive and furiously critical of its heroine, who is also both a traditional woman (getting married very young) and a modern …

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‘Princesa Burro’ Film Review: A Visual Charmer, but a Misfire by León & Cociña

In 2018, the Chilean duo Cristóbal León & Joaquín Cociña made a splash with their creepy animated film, La Casa Lobo (The Wolf House). It became a sensation, especially during the pandemic, even leading to their invitation to contribute to Ari Aster’s Beau is Afraid. Two years ago, their sophomore …

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‘Practical Magic 2’ Film Review: Who Is This For?

Does anyone have reverence for Griffin Dunne’s Practical Magic? Scratch that – did anyone actively ask for a sequel to Practical Magic? Because, as far as I’m concerned, Susanne Bier’s Practical Magic 2 has no genuine justification for existing. It’s a toothless, unfunny, dull “comedy” that proves the detractors of …

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‘The House on the Moon’ Film Review: Much to Admire in the First Singaporean Wuxia

The Singaporean director Nelson Yeo is a fascinating new name in the country’s younger generation. In 2023, he presented Dreaming & Dying (Hao jiu bu jian) at the Cineasti del Presente in Locarno. Two years later, he took his shorts Durian, Durian to the International Film Festival Rotterdam, and Through …

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‘Avatar Aang: The Last Airbender’ Film Review – Routine in Story But Stellar in Visual and Thematic Depth

Regardless of one’s takeaway from Avatar Aang: The Last Airbender, it’s hard for any normal person not to feel sorry for the crew. First the planned cinema release was scrapped in favour of unceremonious streaming on Paramount+. Then the whole film was leaked by a hacker, which is likely why …

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This is a banner for a review of the movie Titanic Ocean. Image courtesy of the filmmakers.

‘Titanic Ocean’ Film Review: The Visually Intriguing Debut by Konstantina Kotzamani

The Greek director Konstantina Kotzamani has a massive short film haul in her career, most of which have played at the world’s central events. Washingtonia premiered at the Berlinale. Yellow Fieber and What Mary Didn’t Know were at Locarno. Electric Swam was at the Venice Film Festival, and Limbo was …

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‘Star Wars: The Mandalorian and Grogu’ Film Review – Occasionally Fun, but Weightless and Inconsequential

Seven years after the controversial The Rise of Skywalker, Star Wars returns to the big screen with the faint whimper of a broken lightsaber. In the years since the conclusion of the Skywalker saga, Star Wars has continued largely through Disney+ streaming shows. The best of these is Andor by …

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This is a banner for a review of the film Sheep in the Box. Image courtesy of the filmmakers.

The Futuristic Failures of ‘Sheep in the Box’ (Cannes 2026 Film Review)

When someone writes, directs and edits their own film, this can be a promising sign of an expert knowing exactly how to deliver the idea they have in their head. It can also be an exercise in the worst kind of self-indulgence, the kind that brooks no feedback and maintains …

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