The legendary filmmaker Robert Flaherty made history with his documentary Nanook of the North, a pioneering film, considered the first non-fiction work. Despite the controversies and claims of its stagings, it establishes the medium’s interest in the study of the human organization and the different cultures. A century later, we …
It’s only January but Scottish documentary Everybody to Kenmure Street is a very serious contender for best documentary of the year. It’s rare to feel a documentary so firmly plant the seed of possibility in the mind of its audience. But there are three things audiences need to know in …
In 2022, the Academy-nominated documentary Filmmaker Sam Green (The Weather Underground) impressed the audiences with a sonic experiment in his 32 Sounds. Mixed as an experiment to watch at the theater and scenes where the sound echoes differently in each soundbar, it illustrates how, underneath the technical experimentation, Green’s films …
Filipino genre filmmaker Pedring Lopez world premiered his first English-language film, the neo-noir thriller Shadow Transit, at last year’s QCinema International Film Festival. An independent co-production between the Philippines, Hong Kong, and Canada, Shadow Transit centers on a chance encounter between a grieving singer-photographer and a drifting DJ, resulting in …
Cinderella meets Monstro Elisasue in Norwegian filmmaker Emilie Blichfeldt’s directorial debut The Ugly Stepsister, which at once functions like a twisted paean to and a biting, though still-restrained, rebuke of the whole Cinderella fairy tale, all hinged on a sinisterly fascinating performance from Lea Myren, who plays the title character. …
Romanian writer-director Andrei Epure already tested the premise of his feature debut Don’t Let Me Die, which premiered in the Filmmakers of the Present section of the 2025 Locarno Film Festival, in his 2021 short film Intercom 15, an entry in Cannes’ Critics’ Week. In fact, exactly seven minutes into …
Ready or Not tackles a difficult topic – very young teenagers playing very adult games – with a level of sympathy for their misadventures which makes the tough subject easy to watch. Writer Lynn Ruane and director Claire Frances Byrne talked at the Irish Film Festival London screening I attended …
Renoir, the sophomore feature from Japanese filmmaker Chie Hayakawa, continues her cinematic exploration of the notions of death, old age, and loneliness, preoccupations that loom over her body of work, such as in her feature debut Plan 75 (2022), the anthology film Ten Years Japan (2018), which she co-directed with …
This clever no-budget thriller is automatically recommended by me because it’s in the Irish language. Its aspirational depiction of life entirely inside the Irish language, which rarely happens in real life, is just wonderful to see. It is also a heist movie, with three women (two of whom are middle-aged) …
Future Days takes the future of new music to Birmingham in a stellar showcase of some of the best up and comers. I was eagerly anticipating first band Piss and they more than delivered – performance art on stage; warning the audience that it may be an uncomfortable set as …
King Gizzard & the Lizard Wizard transformed from rave set that tore up Electric Brixton into an orchestra that tore up the Royal Albert Hall in an excellent show from one of our finest chameleons. The most prolific, enduring band of our current age show they’re the best at what …
Some might say Lady, which had its world premiere at the London Film Festival, is Saltburn meets What We Do in the Shadows. That’s not correct, as it’s both those movies meets Florence Foster Jenkins. By which I mean, Lady is a faux-documentary about an utterly deluded and impossibly wealthy …
Following its Sundance world premiere in early 2025, The Things You Kill, the third feature from Iranian filmmaker Alireza Khatami, is set to screen in Philippine theaters as part of the 2025 QCinema International Film Festival. Selected as the Canadian submission for the 2026 Oscar Best International Feature Film category, …
It’s so ordinary nowadays for crime stories to have an absolutely terrific setup leading to a whimper of an ending, so when one plays its cards as well as A Private Life does it should be praised from the rooftops. In the last twenty or so years Jodie Foster has …
This examination of privilege in the modern American moment tries to have its cake and eat it, and while there’s nothing necessarily wrong with that, the badly-titled Dreams botches the recipe. Considering that ballet is at the center of this movie and director Michel Franco (and his cinematographer Yves Cape) …
The greatest glory of Pillion is that its sexual boldness is in service to an important point about self-determination and personal desire. We can watch this for the action, the message, or both. Though don’t get your hopes up too high: not a great deal of ‘action’ is shown, although …
The Secret Agent won two major awards at this year’s Cannes film festival, Best Director for Kleber Mendonça Filho and Best Actor for Wagner Moura, an unusual and enormous compliment. The Secret Agent is a lot like Waiting for Godot, as it is two and a half hours of set-up …
Amir El-Masry is the lucky owner of one of the great faces in modern cinema, and he got to show it off not once but twice at this year’s London Film Festival. Unfortunately in neither case was it shown off to his best advantage. Giant managed somehow not to be …
One of the benefits of all of us having professional-grade recording devices on our persons at all times is that we are able to document everything. One of the downsides to this is that it’s possible to cross-reference any even slightly true story with the real footage of the case. …
Rose Byrne’s magnificent performance grounds this takedown of modern motherhood (not parenthood) under capitalism, but If I Had Legs I’d Kick You is really about the flaws of modern American society. Its unmissable message is that America is completely ruled by its addictions and its impossible desire to get without …