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‘The House on the Moon’ Film Review: Much to Admire in the First Singaporean Wuxia

The Singaporean director Nelson Yeo is a fascinating new name in the country’s younger generation. In 2023, he presented Dreaming & Dying (Hao jiu bu jian) at the Cineasti del Presente in Locarno. Two years later, he took his shorts Durian, Durian to the International Film Festival Rotterdam, and Through …

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‘Se Eu Fosse Vivo…Vivia’ Film Review: Another Charming Slice-of-Life by André Novais Oliveira

Filmes de Plástico is one of the most fascinating production companies in Brazil. In a sense, it is more of a collective than a traditional film producer. Composed by André Novais Oliveira, Gabriel Martins, Maurilio Martins, and Thiago Macêdo Correia, the group took the creative process from the capital, usually …

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‘D’ici là’ Film Review: An Imbalanced Triptych

The French filmmaker Sarah Leonor returns to the Locarno competition after seventeen years, when her A Real Life (Au voleur) was in the running for the Golden Leopard. Now, she presents D’ici là, a contemplative film about three different individuals living in the Vosges valley, in France. Firstly, Lucien (Frank …

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The Awkward Thoughtfulness of ‘Agata the Writer’ (Venice 2026 Film Review)

The question of how you tell an untellable story is at the heart of Agata the Writer, which was evidently a passion project for writer-director-cinematographer-editor-composer Kuba Dorabialski (who also plays the small part of Janek). Its awkward thoughtfulness sets an unusual tone that will not resonate with a lot of …

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‘The Basics of Philosophy’ is Better Than Nothing (Venice 2026 Film Review)

It’s always interesting, though not always for the right reasons, when a director on a publicity tour manages to undermine his own movie. At this year’s Venice Film Festival the headlines about Paul Schrader were not about The Basics of Philosophy, the movie receiving its world premiere. Oh no, he …

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‘Tomorrow a Long Time Ago’ Film Review: A Contemplative Sophomore Feature

In her sophomore feature, Luise Donschen attended the Locarno Film Festival’s Cineasti del Presente section to present Tomorrow a Long Time Ago, Morgen vor langer Zeit. After Casanova Gene, which screened at the Berlinale Forum, the German filmmaker introduces her second film to audiences. Set in 1990, in the middle of …

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‘Bloody Tennis’ Film Review: A Disappointing Blood Bath

The director Nikias Chryssos presents in his Bloody Tennis a tale of competitive sports. Sophie (Sandra Guldberg Kampp), an American tennis player, is offered the opportunity to attend a camp in Europe. It is a highly exclusive club, where six players practice at a high level. Mary (Elina Löwensohn) is …

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The Terrible, Horrible, No Good, Very Entertaining ‘Father Joe’ (Venice 2026 Film Review)

Father Joe is dumber than a box of rocks and more entertaining than a box of frogs. There is nothing to recommend Father Joe except for its commitment to being the stupidest possible piece of action entertainment. Luc Besson, who wrote and produced the film for director Barthélémy Grossmann, clearly …

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‘At Night’ Film Review: The Fascinating Atmospheric Feature Debut of Beatrice Gibson

Beatrice Gibson has been a fascinating voice in the film community for a while. Her work has been featured at major events worldwide, including I Hope I’m Loud When I’m Dead and Someplace In Your Mouth, both of which were screened at TIFF. Those works blur the line between autofiction …

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‘Nowhere to Lay My Eyes’ Film Review: Hong Sang-Soo’s Latest Observation of Common Life

In the festival circuit, with each announcement of a major festival, there is a name that people expect to hear: Hong Sang-soo. In February, he premiered The Day She Returns , which played at the Berlinale’s Panorama. Six months later, the Korean master is back with his latest, Nowhere to …

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You don't belong here recently played at the Locarno Film Festival. Image courtesy of the filmmakers/Fantascope.

‘You Don’t Belong Here’ – Questioning Morals in a Failed Society (Locarno Film Review)

In a small Romanian town, Marius (Adrian Văncică) is the medical chief at the local hospital. He just lost his wife, and his son, Ioan (Teodor Butănescu), is almost finished with high school. This is the setting of You Don’t Belong Here (Nu e locul tau aici) by Florin Şerban. …

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‘Titanic Ocean’ Film Review: The Visually Intriguing Debut by Konstantina Kotzamani

The Greek director Konstantina Kotzamani has a massive short film haul in her career, most of which have played at the world’s central events. Washingtonia premiered at the Berlinale. Yellow Fieber and What Mary Didn’t Know were at Locarno. Electric Swam was at the Venice Film Festival, and Limbo was …

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‘Barbara Forever’ Documentary Review: The Eternal Work of Barbara Hammer

When discussing pioneers in cinema, Barbara Hammer’s name is quintessential for any discussion. The avant-garde filmmaker is essential for the feminist cinema alongside names like Chantal Akerman, Lizzie Borden, Barbara Loden, and Sally Porter. In a sense, all of those directors provided different multitudes for the feminine representation on the …

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‘The Misconceived’ Film Review: A Mumblecore Animated Experiment

As the discussions surrounding Artificial Intelligence sparked the daily conversations of society, mostly of the aesthetically different artistry might be appointed as GenAI by the untrained eye. Our difficulty in absorbing the artistic content of unconventional art leads us to confuse the various artistic styles with a new, harmful tool …

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‘Via Negativa’ is Lonely and Lovely (Tribeca 2026 Film Review)

Some writers might use subtext. Others have the main female character ask the male lead, “So you’re on a f*cked-up American pilgrimage?” It never hurts to spell things out, but Via Negativa ricochets quite a bit between overly explaining things and letting Young Mazino’s handsome face do all the work. …

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‘Wasteman’ Film Review: Gritty Prison Drama Showcases Lead Performances

Wasteman follows the great British cinema tradition of bringing no-holds barred, gritty stories to life. Cal McMau’s feature debut casts a sceptical eye on the British prison system and questions how effective it realistically is. The drama follows Taylor (David Jonsson) who is mere weeks away from being released on …

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