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‘Nobody’s Violence’ Film Review – The Discussion of Death in Denis Côté’s Bleak World

The oeuvre of Denis Côté is uncomfortable, answerless. His multiple works approach the mundane, the psyche, leaning towards complicated places. Paul, his latest film, is a documentary on a simp, a man who pleasures himself through humiliation from women. Now, he returns to the Locarno Film Festival with an intriguing …

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‘Princesa Burro’ Film Review: A Visual Charmer, but a Misfire by León & Cociña

In 2018, the Chilean duo Cristóbal León & Joaquín Cociña made a splash with their creepy animated film, La Casa Lobo (The Wolf House). It became a sensation, especially during the pandemic, even leading to their invitation to contribute to Ari Aster’s Beau is Afraid. Two years ago, their sophomore …

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‘Hearing’ Film Review: Lê Bảo’s Study of the Senses

Following the trend of selecting young filmmakers in the competition, as with Nelson Yeo’s The House on the Moon, Locarno also presented Lê Bảo’s Hearing (Thính Giác) in the main section. The project is a continuation of his works involving the senses; he released Scent (Mùi) in 2014, and Taste …

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‘The House on the Moon’ Film Review: Much to Admire in the First Singaporean Wuxia

The Singaporean director Nelson Yeo is a fascinating new name in the country’s younger generation. In 2023, he presented Dreaming & Dying (Hao jiu bu jian) at the Cineasti del Presente in Locarno. Two years later, he took his shorts Durian, Durian to the International Film Festival Rotterdam, and Through …

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‘D’ici là’ Film Review: An Imbalanced Triptych

The French filmmaker Sarah Leonor returns to the Locarno competition after seventeen years, when her A Real Life (Au voleur) was in the running for the Golden Leopard. Now, she presents D’ici là, a contemplative film about three different individuals living in the Vosges valley, in France. Firstly, Lucien (Frank …

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‘Tomorrow a Long Time Ago’ Film Review: A Contemplative Sophomore Feature

In her sophomore feature, Luise Donschen attended the Locarno Film Festival’s Cineasti del Presente section to present Tomorrow a Long Time Ago, Morgen vor langer Zeit. After Casanova Gene, which screened at the Berlinale Forum, the German filmmaker introduces her second film to audiences. Set in 1990, in the middle of …

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‘Bloody Tennis’ Film Review: A Disappointing Blood Bath

The director Nikias Chryssos presents in his Bloody Tennis a tale of competitive sports. Sophie (Sandra Guldberg Kampp), an American tennis player, is offered the opportunity to attend a camp in Europe. It is a highly exclusive club, where six players practice at a high level. Mary (Elina Löwensohn) is …

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‘At Night’ Film Review: The Fascinating Atmospheric Feature Debut of Beatrice Gibson

Beatrice Gibson has been a fascinating voice in the film community for a while. Her work has been featured at major events worldwide, including I Hope I’m Loud When I’m Dead and Someplace In Your Mouth, both of which were screened at TIFF. Those works blur the line between autofiction …

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‘Nowhere to Lay My Eyes’ Film Review: Hong Sang-Soo’s Latest Observation of Common Life

In the festival circuit, with each announcement of a major festival, there is a name that people expect to hear: Hong Sang-soo. In February, he premiered The Day She Returns , which played at the Berlinale’s Panorama. Six months later, the Korean master is back with his latest, Nowhere to …

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You don't belong here recently played at the Locarno Film Festival. Image courtesy of the filmmakers/Fantascope.

‘You Don’t Belong Here’ – Questioning Morals in a Failed Society (Locarno Film Review)

In a small Romanian town, Marius (Adrian Văncică) is the medical chief at the local hospital. He just lost his wife, and his son, Ioan (Teodor Butănescu), is almost finished with high school. This is the setting of You Don’t Belong Here (Nu e locul tau aici) by Florin Şerban. …

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‘Phantoms of July’ Film Review: Julian Radlmaier Warps Time In This Absurdist Working-Class Dramedy

Originally titled Sehnsucht in Sangerhausen, which translates as “Longing in Sangerhausen,” Julian Radlmaier’s latest feature and Locarno 2025 in-competition entry Phantoms of July unfolds as a spirited absurdist dramedy set in the titular mining town that formed part of East Germany prior to reunification. It is the kind of movie …

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‘Don’t Let Me Die’ Film Review: Andrei Epure Doubles Down on the Absurdity of Death

Romanian writer-director Andrei Epure already tested the premise of his feature debut Don’t Let Me Die, which premiered in the Filmmakers of the Present section of the 2025 Locarno Film Festival, in his 2021 short film Intercom 15, an entry in Cannes’ Critics’ Week. In fact, exactly seven minutes into …

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‘Exile’ Film Review: A Genre-bending Vision of Proletarian Inferno

Following his 2021 Filmmakers of the Present debut Streams, Tunisian director and screenwriter Mehdi Hmili made his return at this year’s Locarno Film Festival, with the out-of-competition title Exile, which functions as part revenge thriller and part grief and social drama stylized in a way that evokes visual poetry and …

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‘Sweetheart’ Film Review: A Predictably Endearing Riff on the Coming-of-age Genre

There are only so many ways a film like Sweetheart, originally titled Gioia Mia, pans out. Special Jury Prize winner at the 2025 Locarno Film Festival’s Filmmakers of the Present competition, Margherita Spampinato’s debut feature is a predictably compelling take on the coming-of-age genre: a schmaltzy drama about grief and …

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