This is a banner for a review of The Birthday Party. Image courtesy of the filmmakers.

‘The Birthday Party’ is Nothing to Celebrate (Cannes 2026 Film Review)

The absence of any major American films from this year’s Cannes Film Festival competition allowed room for some French films to sneak in. The Birthday Party aka Histoires de la Nuit is a film which would have never otherwise been allowed to compete for the Palme d’Or. It’s the kind …

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Places, Time and History Combine in ‘Visitation / Heimsuchung’ (Cannes 2026 Film Review)

Writer-director Volker Schlöndorff probably remains best known for his 1979 film The Tin Drum, but that underestimates his career. He has been a solid and thoughtful filmmaker both in English and his native German for more than this half-century, without ever quite having a major hit that provides an easier …

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This is a banner for a review of the Cannes movie La Bataille de Gaulle: L’Âge de Fer. Image courtesy of the filmmakers.

Days of Glory in ‘De Gaulle: Résistance / La Bataille de Gaulle: L’Âge de Fer (Cannes 2026 Film Review)

The best film of the 2026 Cannes Film Festival premiered out of competition. La Bataille de Gaulle: L’Âge de Fer, which has the English title De Gaulle: Résistance, is an absolute triumph of cinema. It is a fast-paced and largely true historical epic that handles complex and layered political events …

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‘Colors of White Rock’ is a Riveting Experience (Sheffield DocFest 2026 Film Review)

We all know China is an industrial superpower, but we (especially in the west) don’t devote much time wondering how China has become an industrial superpower. Well, part of the answer is that it buys a lot of its raw materials in from Mongolia. China’s upstairs neighbour is a nation …

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‘Reacher’ Review – Season 4, Episode 1: City of Brotherly Love

It’s been eighteen months since Season Three of Reacher and the series’ appeal is more valuable than ever. The character of Reacher – ex-military brat, ex-military police, now a keenly observant drifter with no living family, no possessions, no way of being traced as he moves through the world, and …

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‘The Last House’ Movie Review: Louis Leterrier Builds a Remarkable House But Story Misses its Furnishing

I confess I went into The Last House with a strange kind of curiosity that had nothing to do with horror and everything to do with career pivots. Louis Leterrier has spent the better part of two decades making things go fast and loud — muscle cars, magic tricks, superhero …

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‘All of a Sudden’ Has an Appetite for Discussion (Cannes 2026 Film Review)

Cannes Film Festival liked doing things in pairs in 2026. It jointly awarded All of a Sudden’s two lead actresses, the French Virginie Efira and the Japanese Tao Okamoto, the Best Actress prize. (Ms. Okamoto beginning her acceptance speech by referring to herself as a “mediocre Japanese actress” prompted a …

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This is a banner for a review of season 2 of Batman: Caped Crusader. Image courtesy of Prime Video.

‘Batman: Caped Crusader’ Season 2 Review – Hamish Linklater’s Take on the World’s Greatest Detective

When it comes to animated superhero properties, my knowledge is rather limited. The only one that I had any insight into was, of course, Batman. Prime Video’s Batman: Caped Crusader proved a major surprise upon release in 2024. The show was a darker, noir-focused, and genuinely unique take on the …

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This is a banner for a review of the movie Coward. Image courtesy of the filmmakers.

‘Coward’ Changes the Name of the Game (Cannes 2026 Film Review)

It is a pleasant surprise that the two lead performances of Coward shared the Best Actor prize at this year’s Cannes. In the announcement, the jury mentioned that is because these performances change how masculinity is normally portrayed onscreen. But what the performances in Coward do is meet the current …

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