This is a banner for a review of the movie Practical Magic 2. Image courtesy of Warner Brothers.

‘Practical Magic 2’ Film Review: Who Is This For?

Does anyone have reverence for Griffin Dunne’s Practical Magic? Scratch that – did anyone actively ask for a sequel to Practical Magic? Because, as far as I’m concerned, Susanne Bier’s Practical Magic 2 has no genuine justification for existing. It’s a toothless, unfunny, dull “comedy” that proves the detractors of …

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Shame Changes Sides in ‘A Girl’s Story / Mémoir de fille’ (Cannes 2026 Film Review)

It’s rare that the context of a movie’s making is as important to appreciating it as that of A Girl’s Story. It’s not only that the writer whose story has been adapted, Annie Ernaux, won the Nobel Prize for Literature in 2022. Ms. Ernaux has spent her life documenting, well, …

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‘Greenland 2’ Film Review – The Garrity Family Returns

Before discussing Greenland 2: Migration, it’s best to take this review a step back in time. As in, taking viewers back to 2020, when Greenland was released during the COVID-19 pandemic. Upon release, the film’s core ideology was a Gerard Butler action movie that mostly succeeded. Yet in the pantheon …

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‘The House on the Moon’ Film Review: Much to Admire in the First Singaporean Wuxia

The Singaporean director Nelson Yeo is a fascinating new name in the country’s younger generation. In 2023, he presented Dreaming & Dying (Hao jiu bu jian) at the Cineasti del Presente in Locarno. Two years later, he took his shorts Durian, Durian to the International Film Festival Rotterdam, and Through …

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‘Primetime’ Film Review: A Bone-Chilling Excavation of America’s Penchant for Sensationalism

“You see how this looks, right?” rehearses Chris Hansen (Robert Pattinson), as he’s set to trap and apprehend a sexual predator who has been talking to a decoy for what will become the hit NBC television series To Catch a Predator. Throughout Lance Oppenheim’s depiction of the controversial “investigative journalist” …

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‘Se Eu Fosse Vivo…Vivia’ Film Review: Another Charming Slice-of-Life by André Novais Oliveira

Filmes de Plástico is one of the most fascinating production companies in Brazil. In a sense, it is more of a collective than a traditional film producer. Composed by André Novais Oliveira, Gabriel Martins, Maurilio Martins, and Thiago Macêdo Correia, the group took the creative process from the capital, usually …

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‘D’ici là’ Film Review: An Imbalanced Triptych

The French filmmaker Sarah Leonor returns to the Locarno competition after seventeen years, when her A Real Life (Au voleur) was in the running for the Golden Leopard. Now, she presents D’ici là, a contemplative film about three different individuals living in the Vosges valley, in France. Firstly, Lucien (Frank …

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The Awkward Thoughtfulness of ‘Agata the Writer’ (Venice 2026 Film Review)

The question of how you tell an untellable story is at the heart of Agata the Writer, which was evidently a passion project for writer-director-cinematographer-editor-composer Kuba Dorabialski (who also plays the small part of Janek). Its awkward thoughtfulness sets an unusual tone that will not resonate with a lot of …

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‘The Basics of Philosophy’ is Better Than Nothing (Venice 2026 Film Review)

It’s always interesting, though not always for the right reasons, when a director on a publicity tour manages to undermine his own movie. At this year’s Venice Film Festival the headlines about Paul Schrader were not about The Basics of Philosophy, the movie receiving its world premiere. Oh no, he …

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‘Tomorrow a Long Time Ago’ Film Review: A Contemplative Sophomore Feature

In her sophomore feature, Luise Donschen attended the Locarno Film Festival’s Cineasti del Presente section to present Tomorrow a Long Time Ago, Morgen vor langer Zeit. After Casanova Gene, which screened at the Berlinale Forum, the German filmmaker introduces her second film to audiences. Set in 1990, in the middle of …

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‘Bloody Tennis’ Film Review: A Disappointing Blood Bath

The director Nikias Chryssos presents in his Bloody Tennis a tale of competitive sports. Sophie (Sandra Guldberg Kampp), an American tennis player, is offered the opportunity to attend a camp in Europe. It is a highly exclusive club, where six players practice at a high level. Mary (Elina Löwensohn) is …

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