This is a banner for a review of A New Dawn. Image courtesy of the filmmakers.

‘A New Dawn’ (花緑青が明ける日に) is a Gorgeous Mess (Berlinale 2026 Film Review)

Animation is the best art form we have at depicting messy real life, because it heightens reality through the unreal in a way that never loses its realism. Writer-director Yoshitoshi Shinomiya, who developed his skills as a background artist on movies such as Your Name, now bursts onto the world …

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This is a banner for a review of the Cannes movie Forever Your Maternal Animal. Image courtesy of the filmmakers.

‘Forever Your Maternal Animal’ Film Review: The Compelling Sophomore Effort by Valentina Maurel

In 2022, the debut feature film Tengo Sueños Eléctricos (I Have Electric Dreams) by the Costa Rican filmmaker Valentina Maurel made a potent appearance at that year’s Locarno Film Festival. It won the directing, actor (Reinaldo Amien Gutiérrez), and actress (Daniela Marín Navarro) awards in the main competition. Later, the …

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This is a banner for an interview with Sari Dalena of Cinemartyrs. Image courtesy of the filmmakers.

Interview: Director Sari Dalena Talks ‘Cinemartyrs’

Sometime in 1998, Filipino filmmaker Sari Dalena and co-director Camilla Benolirao Griggers set out to record and revisit little-known genocides committed by colonial U.S. forces in southwestern Philippines during the Philippine-American War of 1899 for their hybrid, avant-garde first feature Memories of a Forgotten War, released in 2001 and screened …

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This is a banner for a review of Fallout Season 1. Image courtesy of Prime Video.

‘Fallout’ Season 1: The Show Sets the Standard for Video Game Adaptations

In retrospect, it makes sense that EP Jonathan Nolan and Lisa Joy were always going to be the ones to bring Fallout to the screen – after all; what was HBO’s one-time flagship series Westworld if but a trail run? What was Person of Interest if not for a show …

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This is a banner for a review of We Are All Strangers. Image courtesy of the filmmakers.

The Known Unknowns of ‘We Are All Strangers’ (Berlinale 2026 Film Review)

For a movie designed around a teenage pregnancy it’s a surprise that We Are All Strangers focuses on the baby’s father. What writer-director Anthony Chen is exploring here is how family responsibilities force young men to grow up. The assumption seems to be that women have achieved maturity already, regardless …

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‘Man on Fire’ Series Review – Yahya Abdul-Mateen II Makes John Creasy His Own

2004’s Man on Fire, starring Denzel Washington (based on a book of the same name from 1980), existed as a seminal film of its time. Twenty-four years after its release, the film has cemented its place in the action movie pantheon. In my younger film-watching years, it existed as a …

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This is a banner for a review of the movie The Gymnast. Image courtesy of the filmmakers.

‘The Gymnast’ Film Review: A Conventional, but Well-Done Sports Drama

Sports dramas are a sub-genre that allows filmmakers to take multiple different approaches. They can narrate the Cinderella story of an underdog team, the individual evolution of its players, or the downside of being an athlete. In her debut feature, Charlotte Glynn takes the latter approach. The Gymnast is a …

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This is a banner for a review of the movie Josephine. Image courtesy of the filmmakers.

Josephine Articulates the Unspeakable (Berlinale 2026 Film Review)

Content warning: sexual assault, child-centric trauma Writer-director Beth de Araújo has been open that Josephine is based on a true incident from her childhood. The trouble is that knowing this fact hampers the ability to speak critically about the film. Anything negative might feel like a personal attack against the …

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