This is a banner for a review of the NEON movie I love Boosters. Image courtesy of the filmmakers.

‘I Love Boosters’ Film Review – Capitalism is the Real Surrealist State

Surrealism is not my favorite film genre, but I will make a massive exception if it’s in the hands of Boots Riley. Not unlike his debut, Riley’s latest feature, I Love Boosters, is a weird, vibrant, funny, thoughtful, hopeful thesis on collective action and workers’ rights. At a time when …

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This is a banner for a review of the movie Diamonds. Image courtesy of the filmmakers.

Özpetek’s ‘Diamanti’ (aka Diamonds) is a Sumptuous, Melodramatic Feminist Gaze Behind the Scenes of Costume Design (Film Review)

“Like sands through the hourglass, so are the days of our lives” utters the popular opening credits narration from the daytime soap, Days of Our Lives. This also rings true for Ferzan Özpetek’s latest film Diamanti, which heavily peers through time’s hourglass in its depiction of the past and present …

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‘The Boys’ Season 5 Review: It’s Still Rock and Roll to Me

Note: This review contains some mild spoilers for season 5 of The Boys. Back in 2019, The Boys burst onto the scene by having a supe burst through an actual person. This year, we have the fifth and final season, and it is an absolutely wild ride to an explosive …

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This is a banner for a review of the movie 9 Temples to Heaven. Image courtesy of the filmmakers.

‘9 Temples to Heaven’ Film Review: An Overlong Debut by Sompot Chidgasornpongse

Two decades after his extensive and impactful work with Apichatpong Weerasethakul, Chidgasornpongse presents his debut feature, 9 Temples to Heaven (9 วัด สู่สวรรค์). The film is a selection of the Quinzaine des Cineastes of the Cannes Film Festival. The film follows a huge family of 9, who take their dying …

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‘La Perra’ Film Review: Dominga Sotomayor’s Atmospheric Work

Dominga Sotomayor is one of the biggest names of the new generation of the Chilean cinema. Alongside Pablo Larraín and Sebastian Lelio, her films achieved the international recognition and received attention for their boldness. Her debut feature, De Jueves a Domingo, premiered at the International Film Festival Rotterdam.  Her most …

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