This is a banner for a review of the movie A Girl's Story. Image courtesy of the filmmakers.

Shame Changes Sides in ‘A Girl’s Story / Mémoir de fille’ (Cannes 2026 Film Review)

It’s rare that the context of a movie’s making is as important to appreciating it as that of A Girl’s Story. It’s not only that the writer whose story has been adapted, Annie Ernaux, won the Nobel Prize for Literature in 2022. Ms. Ernaux has spent her life documenting, well, …

Read more

This is a banner for a review of the movie Greenland 2. Image courtesy of the filmmakers.

‘Greenland 2’ Film Review – The Garrity Family Returns

Before discussing Greenland 2: Migration, it’s best to take this review a step back in time. As in, taking viewers back to 2020, when Greenland was released during the COVID-19 pandemic. Upon release, the film’s core ideology was a Gerard Butler action movie that mostly succeeded. Yet in the pantheon …

Read more

This is a banner for a review of the movie The House on the Moon. Image courtesy of the filmmakers.

‘The House on the Moon’ Film Review: Much to Admire in the First Singaporean Wuxia

The Singaporean director Nelson Yeo is a fascinating new name in the country’s younger generation. In 2023, he presented Dreaming & Dying (Hao jiu bu jian) at the Cineasti del Presente in Locarno. Two years later, he took his shorts Durian, Durian to the International Film Festival Rotterdam, and Through …

Read more

This is a banner for a review of the movie Primetime. Image courtesy of A24.

‘Primetime’ Film Review: A Bone-Chilling Excavation of America’s Penchant for Sensationalism

“You see how this looks, right?” rehearses Chris Hansen (Robert Pattinson), as he’s set to trap and apprehend a sexual predator who has been talking to a decoy for what will become the hit NBC television series To Catch a Predator. Throughout Lance Oppenheim’s depiction of the controversial “investigative journalist” …

Read more

This is a banner for a review of the film If I were Alive. Image courtesy of the filmmakers.

‘Se Eu Fosse Vivo…Vivia’ Film Review: Another Charming Slice-of-Life by André Novais Oliveira

Filmes de Plástico is one of the most fascinating production companies in Brazil. In a sense, it is more of a collective than a traditional film producer. Composed by André Novais Oliveira, Gabriel Martins, Maurilio Martins, and Thiago Macêdo Correia, the group took the creative process from the capital, usually …

Read more

This is a banner for a review of the movie D'ici là. Image courtesy of the filmmakers.

‘D’ici là’ Film Review: An Imbalanced Triptych

The French filmmaker Sarah Leonor returns to the Locarno competition after seventeen years, when her A Real Life (Au voleur) was in the running for the Golden Leopard. Now, she presents D’ici là, a contemplative film about three different individuals living in the Vosges valley, in France. Firstly, Lucien (Frank …

Read more

This is a banner for a review of the movie Agata the Writer. Image courtesy of the filmmakers.

The Awkward Thoughtfulness of ‘Agata the Writer’ (Venice 2026 Film Review)

The question of how you tell an untellable story is at the heart of Agata the Writer, which was evidently a passion project for writer-director-cinematographer-editor-composer Kuba Dorabialski (who also plays the small part of Janek). Its awkward thoughtfulness sets an unusual tone that will not resonate with a lot of …

Read more

This is a banner for a review of the movie The Basics of Philosophy. Image courtesy of the filmmakers.

‘The Basics of Philosophy’ is Better Than Nothing (Venice 2026 Film Review)

It’s always interesting, though not always for the right reasons, when a director on a publicity tour manages to undermine his own movie. At this year’s Venice Film Festival the headlines about Paul Schrader were not about The Basics of Philosophy, the movie receiving its world premiere. Oh no, he …

Read more

This is a banner for a review of Tomorrow a Long Time Ago. Image courtesy of the filmmakers.

‘Tomorrow a Long Time Ago’ Film Review: A Contemplative Sophomore Feature

In her sophomore feature, Luise Donschen attended the Locarno Film Festival’s Cineasti del Presente section to present Tomorrow a Long Time Ago, Morgen vor langer Zeit. After Casanova Gene, which screened at the Berlinale Forum, the German filmmaker introduces her second film to audiences. Set in 1990, in the middle of …

Read more

This is a banner for a review of the movie Bloody Tennis. Image courtesy of the filmmakers.

‘Bloody Tennis’ Film Review: A Disappointing Blood Bath

The director Nikias Chryssos presents in his Bloody Tennis a tale of competitive sports. Sophie (Sandra Guldberg Kampp), an American tennis player, is offered the opportunity to attend a camp in Europe. It is a highly exclusive club, where six players practice at a high level. Mary (Elina Löwensohn) is …

Read more

This is a banner for a review of the movie Father Joe. Image courtesy of the filmmakers.

The Terrible, Horrible, No Good, Very Entertaining ‘Father Joe’ (Venice 2026 Film Review)

Father Joe is dumber than a box of rocks and more entertaining than a box of frogs. There is nothing to recommend Father Joe except for its commitment to being the stupidest possible piece of action entertainment. Luc Besson, who wrote and produced the film for director Barthélémy Grossmann, clearly …

Read more

This is a banner for a review of La Bola Negra. Image courtesy of the filmmakers.

All the Beauty and the Bloodshed in ‘The Black Ball / La Bola Negra’ (Cannes 2026 Film Review)

In The Black Ball directors Javier Ambrossi and Javier Calvo (known as Los Javis) and cinematographer Gris Jordana have created an unusually beautiful work of art. The Black Ball is kind and tender, very clear-eyed about the trauma of war and the misery of addiction. But above all it is …

Read more