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Shame Changes Sides in ‘A Girl’s Story / Mémoir de fille’ (Cannes 2026 Film Review)

It’s rare that the context of a movie’s making is as important to appreciating it as that of A Girl’s Story. It’s not only that the writer whose story has been adapted, Annie Ernaux, won the Nobel Prize for Literature in 2022. Ms. Ernaux has spent her life documenting, well, …

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All the Beauty and the Bloodshed in ‘The Black Ball / La Bola Negra’ (Cannes 2026 Film Review)

In The Black Ball directors Javier Ambrossi and Javier Calvo (known as Los Javis) and cinematographer Gris Jordana have created an unusually beautiful work of art. The Black Ball is kind and tender, very clear-eyed about the trauma of war and the misery of addiction. But above all it is …

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The Loving but Angry Heart of ‘Ben’Imana’ (Cannes 2026 Film Review)

Rwandan filmmaker Marie Clémentine Dusabejambo won the Camera d’Or – the prize for best debut feature in any of the festival’s competition strands – at this year’s Cannes Film Festival for Ben’Imana. This is a double achievement as Ben’Imana is also the first Rwandan film ever to compete at Cannes …

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Glorious Chaos in ‘Orange-Flavoured Wedding / Mariage au goût d’orange’ (Cannes 2026 Film Review)

Tang is the powdered drink mix marketed as enjoyed by astronauts and which purportedly had more vitamins and minerals than orange juice. One of the guests at the titular wedding, Guy (Xavier Lacaille), has recently become its regional head of sales so at one point he goes into his full …

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Modern Folktale ‘Minotaur / Минотавр’ is So Very Brave (Cannes 2026 Film Review)

We must congratulate director Andrey Zvyagintsev both for winning the Grand Prix at this year’s Cannes Film Festival, and for using his thank-you speech to ask Putin to stop the carnage of the war in Ukraine. Mr Zvyagintsev now lives in exile in France thanks to his political beliefs, but …

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‘The Birthday Party’ is Nothing to Celebrate (Cannes 2026 Film Review)

The absence of any major American films from this year’s Cannes Film Festival competition allowed room for some French films to sneak in. The Birthday Party aka Histoires de la Nuit is a film which would have never otherwise been allowed to compete for the Palme d’Or. It’s the kind …

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Places, Time and History Combine in ‘Visitation / Heimsuchung’ (Cannes 2026 Film Review)

Writer-director Volker Schlöndorff probably remains best known for his 1979 film The Tin Drum, but that underestimates his career. He has been a solid and thoughtful filmmaker both in English and his native German for more than this half-century, without ever quite having a major hit that provides an easier …

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Days of Glory in ‘De Gaulle: Résistance / La Bataille de Gaulle: L’Âge de Fer (Cannes 2026 Film Review)

The best film of the 2026 Cannes Film Festival premiered out of competition. La Bataille de Gaulle: L’Âge de Fer, which has the English title De Gaulle: Résistance, is an absolute triumph of cinema. It is a fast-paced and largely true historical epic that handles complex and layered political events …

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‘All of a Sudden’ Has an Appetite for Discussion (Cannes 2026 Film Review)

Cannes Film Festival liked doing things in pairs in 2026. It jointly awarded All of a Sudden’s two lead actresses, the French Virginie Efira and the Japanese Tao Okamoto, the Best Actress prize. (Ms. Okamoto beginning her acceptance speech by referring to herself as a “mediocre Japanese actress” prompted a …

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‘Coward’ Changes the Name of the Game (Cannes 2026 Film Review)

It is a pleasant surprise that the two lead performances of Coward shared the Best Actor prize at this year’s Cannes. In the announcement, the jury mentioned that is because these performances change how masculinity is normally portrayed onscreen. But what the performances in Coward do is meet the current …

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‘Titanic Ocean’ Film Review: The Visually Intriguing Debut by Konstantina Kotzamani

The Greek director Konstantina Kotzamani has a massive short film haul in her career, most of which have played at the world’s central events. Washingtonia premiered at the Berlinale. Yellow Fieber and What Mary Didn’t Know were at Locarno. Electric Swam was at the Venice Film Festival, and Limbo was …

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African First Wives Club ‘So Long a Letter’ is More Than Your Feminist Duty (Film Review)

The Un Certain Regard Jury for the 2026 Cannes Film Festival was announced in April, and included three women: French actress Leïla Bekhti as jury president as well as Italian director Laura Samani and Senegalese director-producer Angèle Diabang. It’s clear Ms. Diabang was chosen because her movie So Long a …

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