Alicia Vikander has had an impressive year of making extremely interesting choices but, with the noble exception of Hope, unfortunately those choices have not worked out. Some of that is because of the difficulty of the topics, but in the case of The Echo Chamber it’s because of its frightful …
The Difficult Bride is rare on two counts: it is a Bangladeshi film, and its director, Rubaiyat Hossain, is a woman. It is rarer still for being both incredibly supportive and furiously critical of its heroine, who is also both a traditional woman (getting married very young) and a modern …
The question of how you tell an untellable story is at the heart of Agata the Writer, which was evidently a passion project for writer-director-cinematographer-editor-composer Kuba Dorabialski (who also plays the small part of Janek). Its awkward thoughtfulness sets an unusual tone that will not resonate with a lot of …
It’s always interesting, though not always for the right reasons, when a director on a publicity tour manages to undermine his own movie. At this year’s Venice Film Festival the headlines about Paul Schrader were not about The Basics of Philosophy, the movie receiving its world premiere. Oh no, he …
Father Joe is dumber than a box of rocks and more entertaining than a box of frogs. There is nothing to recommend Father Joe except for its commitment to being the stupidest possible piece of action entertainment. Luc Besson, who wrote and produced the film for director Barthélémy Grossmann, clearly …
A female Korean superfan featured in Oasis: Don’t Look Back in Anger, speaking through tears, provides the best explanation possible for Oasis’ appeal: they are not a band that hectors you to get up when you fall down. They are a band that falls down beside you; they know themselves …
Films festivals normally only reward a movie one single prize. If your movie wins, say, best actress, then it can’t also win the main festival award. But the jury led by Maggie Gyllenhaal at this year’s Venice Film Festival broke that rule for Woman Unknown: its lead actress Mathilde Arcel …
If I make you a delicious sandwich, which you eat and think is delicious, then inform you that mixed in with 99% of bread, mustard, salami and cheese is 1% sh*t, then it was a sh*t sandwich. If you still think it was delicious after knowing that you’ve just eaten …
After making its premiere in the Orizzonti competition at this year’s Venice Film Festival, Ali Asgari’s latest feature Divine Comedy is set to make its Philippine debut as part of the 13th edition of the QCinema International Film Festival, running November 14 to 23. The film, which takes a metatextual …
The emotional rollercoaster Giacomo Covi’s character undergoes in A Year of School is so relatable it’s obvious why he won the Best Actor prize in the Orrizonti strand of this year’s Venice Film Festival: a new prince has been crowned. In fact all four of the main actors in A …
In 2021 a small French movie called The World After Us played the festival circuit because it was one of the first modern movies to address life in the modern gig economy. It was a direct precursor to At Work, in that they are both about a novelist in Paris …
This comedy-thriller manages to be both very funny and gruesomely violent, with an appetite for the strange and startling that had the Venice Film Festival audience barking with shock as often as laughing. For the most part, the bold mood swings work, largely thanks to a setting which includes several …
There is a fascinating new trend in cinema gathering steam: action movies with hardly any dialogue. Finland’s Sisu from 2022 shows Nazis being slaughtered without saying much about it, while America’s No One Will Save You from 2023 has a young woman fighting off an alien attack. And now Detroit …
Winner of the Orrizonti Award for Best Film at the 2025 Venice International Film Festival, On the Road (En el Camino) is, at its core, a poignant tale of repressed desire bursting in the most undesirable of places. It’s the fifth feature from Mexican writer-director David Pablos, and it’s the …
Jude Law’s first appearance as Vladimir Putin is so eerily accurate the Venice Film Festival audience around me laughed in surprise. Who would have thought he could do it? Well congratulations to director Olivier Assayas and his casting director Antoinette Boulat, because the performance Mr. Law gives here is one …
Since its first exhibition, film has played a crucial role in portraying memory and the feeling of daily life. Directors utilize cinema as a tool to immortalize places, stories, and people. It is the case for Amir Aziz, who delivers a homage in the nostalgia-heavy Daroon-e Amir, or Inside Amir. …
There’s a little scene late in Silent Rebellion (À bras-le-corps) where a disgusting boss offers the young heroine, Emma (a wonderful Lila Gueneau), a “chance” at promotion, but is prevented from molesting her by an older female colleague making a scene. The other woman is punished, but she and Emma …
There are certain movies which only exist because someone has needed to make them. They are too weird to be mainstream and too proud of their unusual style to truly be weird. This is by no means a complaint. When people lean very hard into style over substance it is …
It’s not really a surprise that Jim Jarmusch has won the Golden Lion at this year’s Venice Film Festival for Father Mother Sister Brother. He has always been a major filmmaker working in a minor key, and here we have another one of his portmanteau films, this time three thematically …
There is a needle drop in Mother so insane that it either singlehandedly turns the movie into a triumph or ruins it completely, and I still can’t decide which it is. But this is precisely the point director Teona Strugar Mitevska is trying to make with her fictionalised biopic of …