Say Nothing TV Review

‘Say Nothing’ Review: A Powerful Drama About the Limits of Memory

Based on the bestselling book by Patrick Radden Keefe, Say Nothing rockets viewers back to 1972 Belfast with an explosive opening scene. The miniseries employs different framing devices to Keefe’s nonfiction tome, but both work to great effect. Widowed mother of ten Jean McConville (Judith Roddy) sends her eldest daughter …

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‘Nickel Boys’ Review: An Important Piece of Cinema (LFF)

From the moment the programme for the London Film Festival was announced, Nickel Boys quickly became one of my most anticipated films of the entire festival. Not only did the film receive positive reviews after its world premiere at the Telluride Film Festival at the end of August, but its …

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Blitz Movie Review

‘Blitz’ Movie Review: The War Through The Eyes of A Child (LFF)

Steven McQueen’s latest film, Blitz, marks the director’s return to fiction, after focusing on documentary filmmaking in 2023. Naturally, this comes with a lot of excitement for fans of the director as well as for fans of the historical drama genre. With its period setting and focus on the Second …

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Megalopolis Movie Review

‘Megalopolis’ Review: Baffling, Bad, Brilliant, and Achingly Sincere

Francis Ford Coppola’s first feature film in 13 years was always going to generate excitement, but Megalopolis – since its divisive Cannes premiere and disastrous marketing campaign with AI-generated quotes (the fault of US distributor Lionsgate, not Coppola) – is almost a sensation. Add in a star-studded cast, some of …

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Timestalker Movie Review

‘Timestalker’ Review: Delightfully Off-kilter Time-hopping British Comedy

Timestalker, the sophomore directorial feature of writer-director Alice Lowe, takes the Shakespearean adage “The course of true love never did run smooth” to its most extreme and fantastical conclusion. Lowe plays Agnes, a woman who lives an ordinary life with only a nagging, unplaceable inkling that something is missing. More …

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‘The Room Next Door’ Movie Review – A Disappointment (Venice)

It’s depressing to realize someone is coasting on their reputation instead of using their talent, and in fact making so little use of their talent that their reputation becomes suspect. This is the sorry state of affairs after seeing The Room Next Door, written and directed by Pedro Almodóvar, that …

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