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‘Tow’ Film Review: A Compelling Enough Drama from Stephanie Laing and Rose Byrne

The veteran indie director Stephanie Laing (Irreplaceable You and Family Squares) teams up with Rose Byrne to present Tow. The film tells the true story of Amanda Ogle (Byrne), a woman who left her child, Avery (Elsie Fisher), to find a better life condition as a veterinary technician. However, she …

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‘The Wolf, the Fox, and the Leopard’ Review: Jessica Reynolds Brings Freshness to an Otherwise Middling Film

Director David Verbeek presents his latest film, The Wolf, the Fox, and the Leopard, at this year’s Tribeca Film Festival. Divided into chapters, the film narrates the story of a girl (Jessica Reynolds) who lives in the woods as a wolf. She behaves, eats, and walks like a wolf. Suddenly, …

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‘Honeyjoon’ Film Review: Lillian T. Mehrel on Mothers and Daughters

In her debut feature premiering at this year’s Tribeca, Lillian T. Mehrel narrates about the relationship between a mother and daughter in Honeyjoon. In the film, June (Ayden Mayeri) and Lela (Amira Casar) travel to Açores in Portugal to celebrate the first anniversary of the family patriarch’s death. In their …

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‘Inside’ Film Review: Charles Williams’ Debut Feature

Australian director Charles Williams presents his debut feature: Inside. Williams won the short film Palme d’Or in 2018 at Cannes for All These Creatures and soon became a potential talent for the future. Six years later, the director narrates the story of a young man, Mel (Vincent Miller), who is …

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‘The Travel Companion’ Film Review: Travis Wood and Alex Mallis’ Achingly Moving Debut Feature

After working on their respective short films and co-directing the documentary short Dollar Pizza Documentary, Brooklyn-based filmmakers Travis Wood and Alex Mallis are upping the ante as their debut feature The Travel Companion is having its world premiere in the US Narrative Competition section of the 2025 Tribeca Film Festival. …

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‘Amrum’ Film Review: A Squarely German Story That Deserves to go Global

No one quite knows what to do with director Fatih Akin. His explosive early movie Head-On was about the complex convergence of immigration and mental health issues between two Turkish-German punks. It’s one of the most violent and romantic movies ever made and also one of the smartest about intersectional …

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‘Cuerpo Celeste’ Film Review: Nayra Ilic García’s Debut Feature is a Poetic Snapshot of post-Pinochet Chile

In Cuerpo Celeste, the symbolically loaded debut feature from Chilean writer-director Nayra Ilic García, the past not only fractures the present and future but actively exists along with it as if they are all one and the same. The film explores that threshold, the possibility to re-encounter even something we …

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‘Sentimental Value’ Film Review: Joachim Trier on the Problems of Success

Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …

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‘A Bright Future’ Review: An Deliciously Absurd and Intriguing Sci-Fi Film

The Uruguayan director Lucia Garibaldi presents her sophomore feature, Un Futuro Brillante (A Bright Future), at this year’s Tribeca Film Festival. Her first film, Los Tiburones (The Sharks), premiered at the 2019 Sundance Film Festival. Consequently, her subsequent work became a highly anticipated title on the festival circuit, and it …

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‘Tell Her I Love Her’ Film Review: Romane Bohringer’s Extremely Personal Story

Romane Bohringer is a French actor who, for her second film as director, has chosen to make an extremely personal story about her search for more information about her mother, Maggy, who left the family before she was a year old and died when Ms. Bohringer was in her early …

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‘Resurrection’ Review: An Enormous, Sumptuous and Magnificent Movie from Bi Gan

This enormous, sumptuous, magnificent movie is almost too much, which is not a complaint. Resurrection is one of those movies that decided to tell the story of a universe starting with a kitchen sink and then built out from there. It’s very long – 160 minutes in this edit – …

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‘MobLand’ Season 1 TV Review: All The Classic Mob Tropes, But More Fun

British gangster content has become a popular pastime for entertainment media enthusiasts. There’s a heightened quality that’s proven uproariously entertaining for viewers. British gangster classics such as Snatch, Lock, Stock & Two Smoking Barrels, Layer Cake, and the old-school The Long Good Friday proved this correct. One commonality amongst some …

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‘Eagles of the Republic’ Film Review: Movies, Governments, and the Truth

The movie with the best title at this year’s Cannes Film Festival is also the kind of movie filmmakers love to make: a movie about making a movie. But less joyously, the setting here is present-day Egypt, a nation not currently enjoying the delights of democracy. The creatives involved, beginning …

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‘Murderbot’ Season 1, Episode 2 Review: Eye Contact

The six hippie scientists from the non-corporation planet that Murderbot (Alexander Skarsgård) is tasked with protecting on their mining mission are as follows: Mensah (Noma Dumezweni), the admired mission leader, parent of seven, and terraforming expert who is secretly prone to panic attacks Pin-Lee (Sabrina Wu), the non-binary lawyer and …

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‘Murderbot’ Season 1, Episode 1 Review: FreeCommerce

The eponymous hero of this new TV show Murderbot, based on the first of The Murderbot Diaries series of novels by Martha Wells, is strictly speaking a cyborg. It – though sometimes its clients misgender it as a he – has a metallic structure covered with cloned human flesh, including …

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‘The Life of Chuck’ Review: A Welcome Reminder That Movies Can Give You Hope

What is a “feel-good” movie? Is it just an uplifting story? Or something even more? That’s a tricky question that doesn’t have a distinct answer. Something that may be heartfelt to one person may be found schmaltzy and manipulative to another. Adding that idea to 2025 films makes the prospect …

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