This is a banner for a review of the NEON movie I love Boosters. Image courtesy of the filmmakers.

‘I Love Boosters’ Film Review – Capitalism is the Real Surrealist State

Surrealism is not my favorite film genre, but I will make a massive exception if it’s in the hands of Boots Riley. Not unlike his debut, Riley’s latest feature, I Love Boosters, is a weird, vibrant, funny, thoughtful, hopeful thesis on collective action and workers’ rights. At a time when …

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Özpetek’s ‘Diamanti’ (aka Diamonds) is a Sumptuous, Melodramatic Feminist Gaze Behind the Scenes of Costume Design (Film Review)

“Like sands through the hourglass, so are the days of our lives” utters the popular opening credits narration from the daytime soap, Days of Our Lives. This also rings true for Ferzan Özpetek’s latest film Diamanti, which heavily peers through time’s hourglass in its depiction of the past and present …

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‘9 Temples to Heaven’ Film Review: An Overlong Debut by Sompot Chidgasornpongse

Two decades after his extensive and impactful work with Apichatpong Weerasethakul, Chidgasornpongse presents his debut feature, 9 Temples to Heaven (9 วัด สู่สวรรค์). The film is a selection of the Quinzaine des Cineastes of the Cannes Film Festival. The film follows a huge family of 9, who take their dying …

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‘Fallout’ Season 1: The Show Sets the Standard for Video Game Adaptations

In retrospect, it makes sense that EP Jonathan Nolan and Lisa Joy were always going to be the ones to bring Fallout to the screen – after all; what was HBO’s one-time flagship series Westworld if but a trail run? What was Person of Interest if not for a show …

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The Known Unknowns of ‘We Are All Strangers’ (Berlinale 2026 Film Review)

For a movie designed around a teenage pregnancy it’s a surprise that We Are All Strangers focuses on the baby’s father. What writer-director Anthony Chen is exploring here is how family responsibilities force young men to grow up. The assumption seems to be that women have achieved maturity already, regardless …

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Josephine Articulates the Unspeakable (Berlinale 2026 Film Review)

Content warning: sexual assault, child-centric trauma Writer-director Beth de Araújo has been open that Josephine is based on a true incident from her childhood. The trouble is that knowing this fact hampers the ability to speak critically about the film. Anything negative might feel like a personal attack against the …

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