This is a banner for a review of Wicker. Image courtesy of the filmmakers.

‘Wicker’ Movie Review: Alexander Skarsgård Shines in Middling Unconventional Romance

You won’t have to wait long for directors Alex Huston Fischer and Eleanor Wilson to answer the question at the top of most audience members’ minds when diving into Wicker. An adaptation of Ursula Mills’ “The Wicker Husband,” the directorial duo, who are also a real-life couple, know that most moviegoers wonder how on earth Olivia Colman’s …

Read more

This is a banner for a review of the film When the Night Falls. Image courtesy of the filmmakers.

Never Again is Now in ‘When the Night Falls / La Troisième Nuit’ (Cannes 2026 Film Review)

It was notable at this year’s Cannes how many movies re-examined France and the Second World War. It’s been obvious for some years now how the French film industry has been retelling its own stories and creating blockbusters for home audiences without caring too much about how they’ll land overseas. …

Read more

This is a banner for a review of the movie a Man of His Time. Image courtesy of the filmmakers.

Little Moments Add Up For ‘A Man of His Time / Notre Salut’ (Cannes 2026 Film Review)

Emmanuel Marre won the Best Screenplay Award at this year’s Cannes Film Festival for A Man of His Time aka Notre Salut, because it does the impossible: it is a comedy about the slide into fascism. But the film is clearly of personal as well as professional importance to Mr. …

Read more

This is a banner for a review of La Bola Negra. Image courtesy of the filmmakers.

All the Beauty and the Bloodshed in ‘The Black Ball / La Bola Negra’ (Cannes 2026 Film Review)

In The Black Ball directors Javier Ambrossi and Javier Calvo (known as Los Javis) and cinematographer Gris Jordana have created an unusually beautiful work of art. The Black Ball is kind and tender, very clear-eyed about the trauma of war and the misery of addiction. But above all it is …

Read more

This is a banner for a review of the film Ben’Imana. Image courtesy of the filmmakers.

The Loving but Angry Heart of ‘Ben’Imana’ (Cannes 2026 Film Review)

Rwandan filmmaker Marie Clémentine Dusabejambo won the Camera d’Or – the prize for best debut feature in any of the festival’s competition strands – at this year’s Cannes Film Festival for Ben’Imana. This is a double achievement as Ben’Imana is also the first Rwandan film ever to compete at Cannes …

Read more

This is a banner for a review of the movie Woman Unknown. Image courtesy of the filmmakers.

‘Woman Unknown’ is the Lady or the Tiger (Venice 2026 Film Review)

Films festivals normally only reward a movie one single prize. If your movie wins, say, best actress, then it can’t also win the main festival award. But the jury led by Maggie Gyllenhaal at this year’s Venice Film Festival broke that rule for Woman Unknown: its lead actress Mathilde Arcel …

Read more

This is a banner for a review of the movie The Uprising. Image courtesy of Focus Features.

‘The Uprising’ Film Review – Paul Greengrass’ Bloated Take on Revolution

In 1789, Ben Franklin famously wrote that “in this world nothing can be said to be certain, except death and taxes.” The Uprising, set 400 years before the American statesman put ink to paper, sure has an awful lot of both. It’s a story about the 1381 Peasants’ Revolt in …

Read more

This is a banner for a review of the movie Heimsuchung. Image courtesy of the filmmakers.

Places, Time and History Combine in ‘Visitation / Heimsuchung’ (Cannes 2026 Film Review)

Writer-director Volker Schlöndorff probably remains best known for his 1979 film The Tin Drum, but that underestimates his career. He has been a solid and thoughtful filmmaker both in English and his native German for more than this half-century, without ever quite having a major hit that provides an easier …

Read more

This is a banner for a review of the Cannes movie La Bataille de Gaulle: L’Âge de Fer. Image courtesy of the filmmakers.

Days of Glory in ‘De Gaulle: Résistance / La Bataille de Gaulle: L’Âge de Fer (Cannes 2026 Film Review)

The best film of the 2026 Cannes Film Festival premiered out of competition. La Bataille de Gaulle: L’Âge de Fer, which has the English title De Gaulle: Résistance, is an absolute triumph of cinema. It is a fast-paced and largely true historical epic that handles complex and layered political events …

Read more

This is a banner for a review of the movie Coward. Image courtesy of the filmmakers.

‘Coward’ Changes the Name of the Game (Cannes 2026 Film Review)

It is a pleasant surprise that the two lead performances of Coward shared the Best Actor prize at this year’s Cannes. In the announcement, the jury mentioned that is because these performances change how masculinity is normally portrayed onscreen. But what the performances in Coward do is meet the current …

Read more

This is a banner for a review of the film California Schemin'. Image courtesy of the movie makers.

‘California Schemin’ Film Review: James McAvoy’s Directorial Debut Has a Lot of Heart

Becoming one of the latest actors to jump into the director’s chair, James McAvoy takes on a semi-true tale of music business bravado and bluster in California Schemin’. The title card sets the tone, cheekily saying its source material is a “true lie”. California Schemin’ follows two budding rappers, Gavin …

Read more

This is a banner for a review of Season 1 of The Lowdown. Image courtesy of the filmmakers.

The Lowdown’s First Season is Quick-witted Neo-noir Excellence (Review)

Neo-noir Americana gets a decidedly 21st-century update in The Lowdown, showrunner Sterlin Harjo’s latest series released at the end of 2025 and now streaming on Hulu / Disney+. Like the best of the classic noirs, the anxieties of our time might be bubbling away under the surface, but this is …

Read more

This is a banner for a review of Dead Man's Wire. Image courtesy of the filmmakers.

‘Dead Man’s Wire’ Film Review: An Understated Bill Skarsgård Stars in This ‘70s Hostage Thriller That Grips Us by the Neck

Whereas Kelly Reichardt’s latest indie fare The Mastermind, a character study of an arguably decent criminal shot 1970s-style, starring the brilliant and now ubiquitous Josh O’Connor, tersely eviscerates our notion of a crime/heist movie — though the resulting picture feels rather coiled — Gus Van Sant’s comeback feature Dead Man’s …

Read more

Palestine 36 Review Banner

‘Palestine 36’ Review – Annemarie Jacir’s Film That Speaks Profoundly to the Present

Annemarie Jacir is a crucial filmmaker to understand modern Palestinian cinema. In 2003, she made history with her short film, Like Twenty Impossibles, the first Arab short selected at the Festival de Cannes, and later earned an Academy Award nomination. In her subsequent efforts, Jacir reached the principal international stages. …

Read more