The baby horror film hasn’t really evolved since Roman Polanski’s Rosemary’s Baby. While still an influential text for many burgeoning filmmakers – despite Polanski’s persona non grata status within the creative community these days (and for good reason) – they seem only interested in ripping it off or creating their …
Hokum stars Adam Scott as successful yet apathetic author Ohm Bauman, who journeys to Ireland to scatter his parents’ ashes. He brings with him childhood trauma, a drinking problem and a pure hatred of the world. He has a touch of the Stephen King to him, or at least a …
Joe was supposed to have a bright future, but somewhere along the way, he got lost. Now he’s stuck in his apartment playing video games and “getting around” to calling his mom, meeting up with friends, getting a good job, just everything. Joe would stay in his apartment forever if …
A true Europudding includes plenty of gratuitous nudity and loads of sex, but those are the only things missing from the supremely ridiculous The Blood Countess. This movie is not good, but it is such a stupidly fun good time that you should see it anyway. It is always a …
The signs were there when Sony transferred the rights to Tommy Wirkola’s Shiver – now called Thrash – to Netflix, which the streamer is now attempting to quietly dump a few weeks ago, with minimal promotional awareness. It’s strange, though, because Wirkola’s filmography is filled with impassioned genre works, from …
The instructions are simple: Do not overlook any anomalies. If you find an anomaly, turn back immediately. If you do not find any anomalies, do not turn back. Go out from Exit 8. The instructions hang on the wall, where all who enter the switchback tunnels of this particular subway …
A lot of people are missing the point of The Bride! because they don’t want to consider the price paid for our entertainment. This is possibly because, in service to its original concept, this barnstorming horror movie contains only two original ideas not directly lifted from other films. The first …
Catie has always felt at peace in her forest. The giant redwoods that surround the Heights, her eclectic home in Northern California. Here, she’s surrounded by nature rather than people. Catie knows that nature can be unfair, but at least she can understand it, something she can’t say about humans. …
We first meet Rachel (Camila Morrone) and Nicky (Adam DiMarco) on their wedding day. The couple are meeting at the end of the aisle, but it hardly looks like a joyous day. She pulls up her veil, a look of terror on her face, something very bad is going to …
Grace Glowicki’s Dead Lover arrives as Frankenstein tales are having a real cultural moment. With Guillermo del Toro’s film released last autumn (and picking up three Oscars) and Maggie Gyllenhaal’s The Bride currently in cinemas, Glowicki’s picture as director, co-writer (with Ben Petrie, who also stars) and star may not …
“It’s a dating app for dead bodies”. Yep, that’s the main concept that drives Sarah G. Pierce’s debut novel, For Human Use. Basically, a charismatic (arguably) guy convinces the world that in order to prove you’re truly well adjusted, you need to enjoy spending time hanging out with dead bodies. For some reason, Tom …
Writing about the Scream saga is, personally, a nostalgic task that involves a constant reassessment of what horror represents in popular culture. After Scream (2022), one of the best sequels in the franchise, positioning itself right behind the original for me, and Scream VI that, despite some flaws, still managed …
Well, third time’s the charm. It’s no secret that I wasn’t exactly enthusiastic about The Strangers Chapter 1 or 2. Trading in the worst of jump scare tactics, while also being remarkably meek, ironic for a franchise defined by its chilling brutality, both films were exhausting exercises in patience as …
There are many subgenres of horror, but one of the most reliable is the “kids eff around and find out”. It’s a reliable setup that doesn’t require much work from filmmakers or the audience to make for a good time at the movies, even if the film we’re talking about …
Unlike the experience I had yesterday with Mercy, I walked into the theater to watch Send Help with considerably high expectations. Not just because of the positive reception circulating among most of my colleagues and the general public, but because the prospect of seeing a master like Sam Raimi (Spider-Man) …
2025 has been a strong year of Stephen King adaptations. These include It: Welcome to Derry, The Running Man, and The Life of Chuck. One of the darkest would have to go to the adaptation of his story The Long Walk directed by Francis Lawrence (The Hunger Games franchise). Set …
Cinderella meets Monstro Elisasue in Norwegian filmmaker Emilie Blichfeldt’s directorial debut The Ugly Stepsister, which at once functions like a twisted paean to and a biting, though still-restrained, rebuke of the whole Cinderella fairy tale, all hinged on a sinisterly fascinating performance from Lea Myren, who plays the title character. …
I still feel the disconcerting echo of the ending of the previous film in this saga. I confess that my approach to this new chapter was cautiously nervous, the result of that highly dissonant conclusion of 28 Years Later that left me, at the time, not quite knowing what to …
Who would’ve thought that the first studio production of the year would be a genuine heater, especially given that the January slate doesn’t usually promise a good time at the movies? Who would’ve also thought that a major Hollywood studio would greenlight what is essentially an exploitation film, promising a …
A mishmash of moods held together by preposterous musical numbers is part of the appeal of most Indian cinema, but Telugu-language The RajaSaab holds together worse than most. There are three movies inside The RajaSaab struggling to get out: a haunted-house horror thriller, a paean to the grandmothers who raised …