In her sophomore feature, Luise Donschen attended the Locarno Film Festival’s Cineasti del Presente section to present Tomorrow a Long Time Ago, Morgen vor langer Zeit. After Casanova Gene, which screened at the Berlinale Forum, the German filmmaker introduces her second film to audiences. Set in 1990, in the middle of …
Even if it sounds ironic, nepotism might be a burden. It is one of the topics of grief shown in Stiller & Meara: Nothing is Lost. Arguably one of the most popular names in mainstream comedy in the last three decades, Ben Stiller comes from a royal family in comedy. …
In the early 1950s, the legendary French magazine Cahiers du Cinéma popularized a new manner of analyzing cinema. Hence, the politique des auteurs (auteur theory) became their central thesis, in which film criticism analyzed films through the lens of the whole and the filmmaker’s style. Thus, in a subsequent consequence …
We often do not comprehend our parents’ occupations when we are children. Aside from professions like lawyer and doctor, the titles promptly explain their duties; there are a plethora of other careers that carry enigmatic titles and corporations that are tough to understand their business. This childish ignorance may clash …
Continuing his prolific year, the Romanian filmmaker Radu Jude releases his second high-profile work of the year, his highly anticipated Dracula. Previously known as Dracula Park, its production name has had the growing hype since Jude’s last fiction work: Do Not Expect Too Much From the End of the World. …
Forty-four minutes into Magellan, we see the eponymous Portuguese navigator at the film’s center, deftly portrayed by Gael García Bernal, sitting still inside a 16th-century tavern, his mind drifting elsewhere. He grips a walking cane on one hand, then an oversized hat on the other. Lit candles beside him quietly …