This is a banner for a review of the documentary Phenomena. Image courtesy of the filmmakers.

‘Phenomena’ Documentary Review: The Fascinating Experimentations with Colors and Shapes

In the inception of filmmaking, cinema was similar to magic. It is the illusionism of the images that impressed dozens of people gathered in a room watching a machine that projects photos. In that first showing in Paris, filmmaking was a new form of witchcraft, the combination of chemical processes …

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‘Two Pianos / Deux Pianos’ Film Review: An Off-Key Treasure

First we must congratulate Laura Caselli, the casting director for Two Pianos, for realising the male movie star currently working in France whose vibe best matches Charlotte Rampling’s is François Civil. He has a tendency to play hotheaded romantic heroes and recently carried the two-part adaption of The Three Musketeers …

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‘Mother’s Baby’ Film Review: Great Performances Can’t Save Dull Postpartum Drama

The baby horror film hasn’t really evolved since Roman Polanski’s Rosemary’s Baby. While still an influential text for many burgeoning filmmakers – despite Polanski’s persona non grata status within the creative community these days (and for good reason) – they seem only interested in ripping it off or creating their …

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‘Fuze’ Movie Review: David Mackenzie Misses Again

If you thought that David Mackenzie’s previous film, Relay, was stupid, you haven’t seen anything yet. In his latest disaster, Fuze, Mackenzie, and screenwriter Ben Hopkins somehow screw up a tried-and-true pressure-cooker that should elicit strong popcorn thrills and not total bewilderment. However, instead of sticking to the film’s original …

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‘I Swear’ Film Review – The True Story of John Davidson

Films based on true stories are always a difficult prospect for audiences. While most cases are effective portrayals of real events, other “true stories” can be more fabrications. Movies like I Swear operate somewhere in the middle. I Swear follows John Davidson (BAFTA winner, Robert Aramayo), a child diagnosed with …

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‘Chronicles from the Siege’ Brings Out the Best in Us (Berlinale 2026 Film Review)

There’s a myth that knowing your death approaches brings out the best in you. In these circumstances you will simply rise above the horror of your looming demise to love your family, be kind to your neighbours, save kittens from trees and generally be all excellent until you perish. Anyone …

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This is a banner for a review of the documentary movie Homesick. Image courtesy of the filmmakers.

‘Homesick’ Documentary Film Review: The Intricacies of Transnational Adoption

In recent years, documentaries have become a space for personal histories. Filmmakers saw the non-fiction form as an opportunity to reflect on their lives and eternalize the memories, shadows, and complexities of their backgrounds. Therefore, throughout archival, diary, and poetic structures, directors expose their intimacies, unveiling their emotions and the …

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This is a banner for a review of the movie Allegro Pastell. Image courtesy of the filmmakers.

‘Allegro Pastell’ is a Non-judgemental Modern Love Story (Berlinale 2026 Film Review)

When the world is a smorgasbord of tastes and sensations you can’t blame someone for wanting to sample it all, but at a certain point you’ve got to admit you know what you prefer. The gimmick of the novel Allegro Pastell is a very good one: it’s the text and …

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This is a banner for a review of the movie The Blood Countess (Die Blutgräfin). Image courtesy of the filmmakers.

‘The Blood Countess’ Film Review: A Deliciously Empty Treat (Berlinale 2026)

A true Europudding includes plenty of gratuitous nudity and loads of sex, but those are the only things missing from the supremely ridiculous The Blood Countess. This movie is not good, but it is such a stupidly fun good time that you should see it anyway. It is always a …

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