This is a banner for a review of the film The Fire Within You. Image courtesy of the filmmakers.

‘The Fire Within You’- Mamma mia (Venice Film Review)

It might be necessary to have a certain kind of family to truly appreciate this kind of disaster movie. If you know someone – your sister-in-law, perhaps? Or your least favourite cousin? – whose reaction on learning another relative will not be attending Christmas dinner is “How dare that bitch …

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This is a banner for a review of the film Hombre Al Agua. Image courtesy of the filmmakers.

‘Hombre al Agua’ is Shallow but Knows It (Venice 2026 Film Review)

The self-indulgence of Hombre al Agua (which translates to “Man Overboard”) is kind of its point, for it’s about the ways people play parts in their lives and how privilege allows the privileged to change the terms of the act. Fortunately a movie in which the writer-director-coproducer also stars as …

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‘Love of Your Life’ Movie Review: Margaret Qualley Carries a Tender, Too-Polished Story About Learning to Live Again

At this point, I don’t need much more than Margaret Qualley (The Substance) on a poster. I’ve followed her since The Leftovers, still one of the best shows of the century, and it’s been a pleasure watching everyone else catch up. Between Once Upon a Time… in Hollywood, Poor Things, …

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This is a banner for a review of the film Elsinore. Image courtesy of the filmmakers.

‘Elsinore’ Review: A Towering Performance in Maudlin Packaging (London Film Festival)

Hamlet is an Everest, as director Richard Eyre (Johnny Flynn) announces to his assembly of actors early on in Elsinore, Simon Stone’s film opening the London Film Festival. The title role alone has 4167 lines. Mounting a production at the National Theatre of Great Britain’s Olivier Theatre, which seats 1100, …

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‘Matchbox The Movie’ Movie Review: John Cena Leads a Fun, Practical Ride That Never Leaves Its Lane

The action will be great, and I’ll forgive the story. That’s been the deal with Sam Hargrave (Extraction) since his directing debut. Back in 2020, I stopped the first Extraction mid-viewing just to go back and watch its oner again. The 21-minute oner in Extraction 2 is still something I’d …

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‘The Social Reckoning’ Movie Review: Aaron Sorkin Turns the Facebook Files Into an Infuriating, Essential Wake-Up Call

I almost skipped this one. The press screening for The Social Reckoning was early in the morning, I was exhausted, and a follow-up to The Social Network without David Fincher (Se7en) directing or Jesse Eisenberg (A Real Pain) playing Mark Zuckerberg didn’t sound urgent enough to drag myself out of …

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This is a banner for a review of the animated movie Forgotten Island. Image courtesy of the filmmakers.

‘Forgotten Island’ Film Review: Joel Crawford Continues to Reinvent Animation Cinema

The language – and structure – of animated films needs to be reinvented within Hollywood. Stale stories are unfortunately plaguing our screens, despite formal inventiveness at almost every turn. Hollywood has released plenty of great animated offerings this year, but has any given the audience something truly different? Hoppers was …

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