This is a banner for a review of the NEON movie I love Boosters. Image courtesy of the filmmakers.

‘I Love Boosters’ Film Review – Capitalism is the Real Surrealist State

Surrealism is not my favorite film genre, but I will make a massive exception if it’s in the hands of Boots Riley. Not unlike his debut, Riley’s latest feature, I Love Boosters, is a weird, vibrant, funny, thoughtful, hopeful thesis on collective action and workers’ rights. At a time when …

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Özpetek’s ‘Diamanti’ (aka Diamonds) is a Sumptuous, Melodramatic Feminist Gaze Behind the Scenes of Costume Design (Film Review)

“Like sands through the hourglass, so are the days of our lives” utters the popular opening credits narration from the daytime soap, Days of Our Lives. This also rings true for Ferzan Özpetek’s latest film Diamanti, which heavily peers through time’s hourglass in its depiction of the past and present …

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‘The Boys’ Season 5 Review: It’s Still Rock and Roll to Me

Note: This review contains some mild spoilers for season 5 of The Boys. Back in 2019, The Boys burst onto the scene by having a supe burst through an actual person. This year, we have the fifth and final season, and it is an absolutely wild ride to an explosive …

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This is a banner for a review of the movie Torrente for President. Image courtesy of the filmmakers.

‘Torrente for President’ Film Review – The Political Satire Nobody Saw Coming

Not a lot of franchises manage to retain the ‘freshness’ after six entries. The few that do achieve this impressive feat through reinvention: a new director, a rebranding through self-awareness, or a pivot anchored on a ‘back to basics’ frame. Torrente for President (Torrente, presidente), the sixth entry in a …

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This is a banner for a review of the Cannes Film LA VÉNUS ÉLECTRIQUE (The Electric Kiss.) Image courtesy of the filmmakers.

‘La Vénus Électrique/The Electric Kiss’ Has the Right Touch (Cannes 2026 Film Review)

The Cannes Film Festival normally chooses a lighthearted French movie as its opener, mainly to celebrate the kind of movie that doesn’t always get its due. Tragedy can be very easy to make, but comedy – especially romantic comedy – is tough. You need great control over mood, you need …

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‘The Sheep Detectives’ Has an Unexpected Lightness of Touch (Film Review)

“Cozy murder” is a thing because it’s an easy way for our society to reassure itself that justice will be done. What’s more, we all fear the reaper, and working out how to manage our inevitable end is one of the most important things we do, individually and collectively. This …

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This is a banner for a review of the movie The Blood Countess (Die Blutgräfin). Image courtesy of the filmmakers.

‘The Blood Countess’ Film Review: A Deliciously Empty Treat (Berlinale 2026)

A true Europudding includes plenty of gratuitous nudity and loads of sex, but those are the only things missing from the supremely ridiculous The Blood Countess. This movie is not good, but it is such a stupidly fun good time that you should see it anyway. It is always a …

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This is a banner for a review of Season 1 of The Lowdown. Image courtesy of the filmmakers.

The Lowdown’s First Season is Quick-witted Neo-noir Excellence (Review)

Neo-noir Americana gets a decidedly 21st-century update in The Lowdown, showrunner Sterlin Harjo’s latest series released at the end of 2025 and now streaming on Hulu / Disney+. Like the best of the classic noirs, the anxieties of our time might be bubbling away under the surface, but this is …

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