This is a banner for a review of the movie The Blood Countess (Die Blutgräfin). Image courtesy of the filmmakers.

‘The Blood Countess’ Film Review: A Deliciously Empty Treat (Berlinale 2026)

A true Europudding includes plenty of gratuitous nudity and loads of sex, but those are the only things missing from the supremely ridiculous The Blood Countess. This movie is not good, but it is such a stupidly fun good time that you should see it anyway. It is always a …

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The Lowdown’s First Season is Quick-witted Neo-noir Excellence (Review)

Neo-noir Americana gets a decidedly 21st-century update in The Lowdown, showrunner Sterlin Harjo’s latest series released at the end of 2025 and now streaming on Hulu / Disney+. Like the best of the classic noirs, the anxieties of our time might be bubbling away under the surface, but this is …

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‘What Does That Nature Say to You’ Film Review: Hong Sang-soo Never Stops

If you think Korean filmmaker Hong Sang-soo’s aesthetics will get more refined after his films have, over the years, preferred a more digitized (read: pixelated, desaturated, out-of-focus) aesthetic, think again! His latest film, within a corpus of slow cinema experiments, What Does That Nature Say to You, contains many of …

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‘Dead Lover’ Film Review: a Gutsy and Glorious Paean to Love, With all its Smells and Squelches

Grace Glowicki’s Dead Lover arrives as Frankenstein tales are having a real cultural moment. With Guillermo del Toro’s film released last autumn (and picking up three Oscars) and Maggie Gyllenhaal’s The Bride currently in cinemas, Glowicki’s picture as director, co-writer (with Ben Petrie, who also stars) and star may not …

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‘Isabel’ Film Review: A Sweet Toast to Failure (Berlinale 2026)

The Brazilian director Gabe Klinger has built his career entirely in the United States. Based in Chicago, he directed the documentary Double Play: James Benning and Richard Linklater, Porto, and the short film Bergman’s Ghosts, a complementary work to Bergman Island, the Cannes film by Mia Hansen-Løve. For the first …

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‘André Is an Idiot’ Documentary Film Review – Life and Death Are Weird, So Have Fun

Even if he wasn’t dying from colon cancer, André Ricciardi would make a fascinating subject for a documentary. Tony Benna’s André Is an Idiot shows this clearly by giving us a look not just at his disease, but at the totality of his life, making this film a joyful celebration …

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‘Good Luck, Have Fun, Don’t Die’ is a Gonzo Thrill Ride (Berlinale 2026 Film Review)

Good Luck, Have Fun, Don’t Die takes the worst nightmares of the current moment and turns them into comedy, but the kind of comedy where if you didn’t laugh you’d cry. This is done in the lighthearted comic blockbuster style best described as a mash-up where 1990s French horror-comedy Delicatessen …

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‘How to Get to Heaven from Belfast’ Review Derry Girls Creator Returns With An Irish Twist On A Crime Drama

The creative team behind Derry Girls returns with the comedy thriller, How to Get to Heaven from Belfast. The show marks a darker shift for creator, writer, and executive producer Lisa McGee, with fans of her previous work likely expecting something darker. After the death of their school friend, flighty …

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‘GOAT’ Movie Review: Caleb McLaughlin and Gabrielle Union Shine in a Visually Stunning Underdog Tale

Whenever a new project from Sony Pictures Animation hits theaters, I’ll admit my heart rate picks up just a bit. Whether it’s the visual revolution started by the Spider-Verse franchise or the emotionally resonant storytelling in The Mitchells vs. the Machines, my expectations for any animation from this studio have …

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‘The Muppets Show’ Special Event Review: The Brilliant Revival of a Classic Show

In 1976, the genius puppeteer Jim Henson released his masterpiece The Muppets Show. Despite early versions of the characters in decades before, such as Kermit the Frog in a short-form production in the 1950s, the TV show popularized Kermit and his gang. Again, Henson crystallized himself in the American popular …

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‘Send Help’ Movie Review: Rachel McAdams Anchors Sam Raimi’s Return to his Visceral Roots

Unlike the experience I had yesterday with Mercy, I walked into the theater to watch Send Help with considerably high expectations. Not just because of the positive reception circulating among most of my colleagues and the general public, but because the prospect of seeing a master like Sam Raimi (Spider-Man) …

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