This is a banner for a review of the movie Orange-flavoured wedding. Image courtesy of the filmmakers.

Glorious Chaos in ‘Orange-Flavoured Wedding / Mariage au goût d’orange’ (Cannes 2026 Film Review)

Tang is the powdered drink mix marketed as enjoyed by astronauts and which purportedly had more vitamins and minerals than orange juice. One of the guests at the titular wedding, Guy (Xavier Lacaille), has recently become its regional head of sales so at one point he goes into his full …

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Hope and Glory in ‘Oasis: Don’t Look Back in Anger’ (Venice 2026 Film Review)

A female Korean superfan featured in Oasis: Don’t Look Back in Anger, speaking through tears, provides the best explanation possible for Oasis’ appeal: they are not a band that hectors you to get up when you fall down. They are a band that falls down beside you; they know themselves …

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‘Woman Unknown’ is the Lady or the Tiger (Venice 2026 Film Review)

Films festivals normally only reward a movie one single prize. If your movie wins, say, best actress, then it can’t also win the main festival award. But the jury led by Maggie Gyllenhaal at this year’s Venice Film Festival broke that rule for Woman Unknown: its lead actress Mathilde Arcel …

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‘The Uprising’ Film Review – Paul Greengrass’ Bloated Take on Revolution

In 1789, Ben Franklin famously wrote that “in this world nothing can be said to be certain, except death and taxes.” The Uprising, set 400 years before the American statesman put ink to paper, sure has an awful lot of both. It’s a story about the 1381 Peasants’ Revolt in …

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Modern Folktale ‘Minotaur / Минотавр’ is So Very Brave (Cannes 2026 Film Review)

We must congratulate director Andrey Zvyagintsev both for winning the Grand Prix at this year’s Cannes Film Festival, and for using his thank-you speech to ask Putin to stop the carnage of the war in Ukraine. Mr Zvyagintsev now lives in exile in France thanks to his political beliefs, but …

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‘Back to the 90s’ Film Review – The Best Kind of Boy Band Nostalgia

Back to the 90s is a story of friendship, self-discovery, and incredible music.  Directed by Facundo Scalerandi and written by Marian Grönwoldt, Juliana Lima Dehne, and Joy C. Mitchell, it is the most unexpected sort of time travel story. It’s a German-language film, but because of the music, English-speaking audiences will …

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‘The Birthday Party’ is Nothing to Celebrate (Cannes 2026 Film Review)

The absence of any major American films from this year’s Cannes Film Festival competition allowed room for some French films to sneak in. The Birthday Party aka Histoires de la Nuit is a film which would have never otherwise been allowed to compete for the Palme d’Or. It’s the kind …

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Places, Time and History Combine in ‘Visitation / Heimsuchung’ (Cannes 2026 Film Review)

Writer-director Volker Schlöndorff probably remains best known for his 1979 film The Tin Drum, but that underestimates his career. He has been a solid and thoughtful filmmaker both in English and his native German for more than this half-century, without ever quite having a major hit that provides an easier …

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This is a banner for a review of the Cannes movie La Bataille de Gaulle: L’Âge de Fer. Image courtesy of the filmmakers.

Days of Glory in ‘De Gaulle: Résistance / La Bataille de Gaulle: L’Âge de Fer (Cannes 2026 Film Review)

The best film of the 2026 Cannes Film Festival premiered out of competition. La Bataille de Gaulle: L’Âge de Fer, which has the English title De Gaulle: Résistance, is an absolute triumph of cinema. It is a fast-paced and largely true historical epic that handles complex and layered political events …

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‘Colors of White Rock’ is a Riveting Experience (Sheffield DocFest 2026 Film Review)

We all know China is an industrial superpower, but we (especially in the west) don’t devote much time wondering how China has become an industrial superpower. Well, part of the answer is that it buys a lot of its raw materials in from Mongolia. China’s upstairs neighbour is a nation …

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‘The Last House’ Movie Review: Louis Leterrier Builds a Remarkable House But Story Misses its Furnishing

I confess I went into The Last House with a strange kind of curiosity that had nothing to do with horror and everything to do with career pivots. Louis Leterrier has spent the better part of two decades making things go fast and loud — muscle cars, magic tricks, superhero …

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