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‘All of a Sudden’ Has an Appetite for Discussion (Cannes 2026 Film Review)

Cannes Film Festival liked doing things in pairs in 2026. It jointly awarded All of a Sudden’s two lead actresses, the French Virginie Efira and the Japanese Tao Okamoto, the Best Actress prize. (Ms. Okamoto beginning her acceptance speech by referring to herself as a “mediocre Japanese actress” prompted a …

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‘Coward’ Changes the Name of the Game (Cannes 2026 Film Review)

It is a pleasant surprise that the two lead performances of Coward shared the Best Actor prize at this year’s Cannes. In the announcement, the jury mentioned that is because these performances change how masculinity is normally portrayed onscreen. But what the performances in Coward do is meet the current …

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‘I Swear’ Film Review – The True Story of John Davidson

Films based on true stories are always a difficult prospect for audiences. While most cases are effective portrayals of real events, other “true stories” can be more fabrications. Movies like I Swear operate somewhere in the middle. I Swear follows John Davidson (BAFTA winner, Robert Aramayo), a child diagnosed with …

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‘Hamnet’ UHD Review

To paraphrase a great actor, we need art.  We live in a world where everything is increasingly financialized, and things are often valued only by what they can return to our pockets, but this fixation on the monetary ignores the richness of our souls and hinders our processing of difficult …

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‘The President’s Cake’ Film Review: A Moving, Often Harrowing Portrait of Resilience

Hasan Hadi’s The President’s Cake is a difficult film to watch. For 105 minutes, the Iraqi filmmaker’s directorial debut puts us in the middle of Saddam Hussein’s despotic reign and shows us harsh realities that many Western viewers are unfamiliar with. Even with Iraq’s invasion of Kuwait and economic sanctions …

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Interview: Oliver Laxe on Sirât

In this year’s Cannes Film Festival, a post-screening reaction surprised tons of cinephiles following the festival’s attendees. Despite premiering after a veteran French filmmaker, Dominik Moll, with his Case 137, the most talked-about film of the second day of the festival was Sirât by the French-Spanish director, Oliver Laxe. In …

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‘The Testament of Ann Lee’ Film Review – A Haunting Experience for All The Senses

It was Stephen Sondheim who wrote a song about the two things people can leave behind: children and art. What the Shakers, a small religious movement which began in the mid-1700s, left behind was their art. Some of this is their highly influential style of furniture, made plainly to emphasise …

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Interview with Co-Writer and Director Joachim Trier on ‘Sentimental Value’

Since his debut feature in 2006 with Reprise, Joachim Trier has become a relevant author in the arthouse circuit. His films gathered attention for the humanity, but centered on the use of Oslo, Norway, as a prominent character. Hence, Trier is mainly associated with his “Oslo Trilogy”, composed by Reprise, …

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‘Belén’ Movie Review – The Portrait of the Success of Argentinian Feminism 

Throughout the complicated formation of Latin America, Catholicism became the norm for the so-called civilization of native populations. Hence, ever since its inception, the new continent has been a Catholic region, colonized mainly by the Portuguese and Spanish. Despite the colonial wounds, the imperial process carries severe traumas, particularly in …

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‘The Things You Kill’ Film Review: A Psychological Thriller Rendered Surreal And Slippery By A Lynchian Dream Logic

Following its Sundance world premiere in early 2025, The Things You Kill, the third feature from Iranian filmmaker Alireza Khatami, is set to screen in Philippine theaters as part of the 2025 QCinema International Film Festival. Selected as the Canadian submission for the 2026 Oscar Best International Feature Film category, …

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‘Familia’ Film Review: Italy’s Oscar Entry Offers an Intense Look Into Domestic Abuse and Masculinity in Crisis

Selected as Italy’s official contender for best international feature film at the 2026 Oscars, Francesco Costabile’s sophomore feature Familia carries the thematic preoccupations of their directorial debut Una Femmina: The Code of Silence, a crime drama loosely based on Italian journalist Lirio Abbate’s investigative book, which wrestles with women victims …

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