This is a banner for a review of Jaripeo. Image courtesy of the filmmakers.

‘Jaripeo’ Documentary – The Film Unveils a Previously Hidden Queer Experience

It’s not so much that Jaripeo is therapy – a reductive way to think about documentary, especially when the director is documenting their own experiences – but Jaripeo is maybe the first time some of its participants have ever been asked to think about the things they do. This is, …

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‘Rosebush Pruning’ is Tasteless and Pointless (Berlinale 2026 Film Review)

I think we can blame the English royal family. When TV shows like Succession, The Righteous Gemstones and Yellowstone decide to examine the interpersonal struggle for power within an unbelievable wealthy family, they’ve all worked from the same template: tyrannical father and absent or dead mother with three sons and …

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‘Good Luck, Have Fun, Don’t Die’ is a Gonzo Thrill Ride (Berlinale 2026 Film Review)

Good Luck, Have Fun, Don’t Die takes the worst nightmares of the current moment and turns them into comedy, but the kind of comedy where if you didn’t laugh you’d cry. This is done in the lighthearted comic blockbuster style best described as a mash-up where 1990s French horror-comedy Delicatessen …

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‘The Red Hangar’ is Subtle Like a Knife (Berlinale 2026 Review)

This Chilean-Argentinian coproduction is a Chilean story but was filmed in Argentina for reasons its subject matter makes obvious. The military coup in Chile in 1973 that started with the murder of Salvador Allende brought about (speaking with understatement here) such a traumatic time to the nation that the after-effects …

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‘Wuthering Heights’ Film Review: A Stone Cold, Smoking Hot Banger

Talk about melodrama! It is not so much that this adaption of Wuthering Heights goes to eleven, but that this version of Wuthering Heights starts at eleven and keeps going and going, and going, without losing its momentum for a moment. This over-the-top depiction of secret and dangerous passion makes …

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‘Everybody to Kenmure Street’ Documentary Film Review – When Ordinary People Step Up

It’s only January but Scottish documentary Everybody to Kenmure Street is a very serious contender for best documentary of the year. It’s rare to feel a documentary so firmly plant the seed of possibility in the mind of its audience. But there are three things audiences need to know in …

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‘The Stranger’ Film Review – The More Things Change

The central plot point of The Stranger – a coloniser kills one of the colonised, and there are consequences – lands very differently now that it did when the original novella was published by Albert Camus in occupied France in 1942. For one thing, the world is trying with mixed …

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‘Dhurandhar’ Film Review

It is a cultural quirk of Indian cinema that they will show the most gruesome torture and murders in glorious close-up while simultaneously subtitling the language used during these scenes as “Dang!” and “You idiot!” If we are in a hard-R/18 environment, capable of being shown a man suspended off …

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‘The Testament of Ann Lee’ Film Review – A Haunting Experience for All The Senses

It was Stephen Sondheim who wrote a song about the two things people can leave behind: children and art. What the Shakers, a small religious movement which began in the mid-1700s, left behind was their art. Some of this is their highly influential style of furniture, made plainly to emphasise …

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‘The RajaSaab’ Movie Review: All Shock, No Awe

A mishmash of moods held together by preposterous musical numbers is part of the appeal of most Indian cinema, but Telugu-language The RajaSaab holds together worse than most. There are three movies inside The RajaSaab struggling to get out: a haunted-house horror thriller, a paean to the grandmothers who raised …

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‘Aontas’ Film Review: Irish Language Thriller Is Worth Watching

This clever no-budget thriller is automatically recommended by me because it’s in the Irish language. Its aspirational depiction of life entirely inside the Irish language, which rarely happens in real life, is just wonderful to see. It is also a heist movie, with three women (two of whom are middle-aged) …

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