This is a banner for a review of the film The Fire Within You. Image courtesy of the filmmakers.

‘The Fire Within You’- Mamma mia (Venice Film Review)

It might be necessary to have a certain kind of family to truly appreciate this kind of disaster movie. If you know someone – your sister-in-law, perhaps? Or your least favourite cousin? – whose reaction on learning another relative will not be attending Christmas dinner is “How dare that bitch …

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This is a banner for a review of the film Hombre Al Agua. Image courtesy of the filmmakers.

‘Hombre al Agua’ is Shallow but Knows It (Venice 2026 Film Review)

The self-indulgence of Hombre al Agua (which translates to “Man Overboard”) is kind of its point, for it’s about the ways people play parts in their lives and how privilege allows the privileged to change the terms of the act. Fortunately a movie in which the writer-director-coproducer also stars as …

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Never Again is Now in ‘When the Night Falls / La Troisième Nuit’ (Cannes 2026 Film Review)

It was notable at this year’s Cannes how many movies re-examined France and the Second World War. It’s been obvious for some years now how the French film industry has been retelling its own stories and creating blockbusters for home audiences without caring too much about how they’ll land overseas. …

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This is a banner for a review of the documentary Tin Castle. Image courtesy of the filmmakers.

The Hollow Beauty of ‘Tin Castle / Irish Travellers’ (Cannes 2026 Film Review)

Tin Castle aka Irish Travellers is the very rare documentary worth seeing for its cinematography. Unfortunately the cinematography is the best thing about the film. Director Alexander Murphy also shot the film and some of its images are among the most surprisingly beautiful that have ever been captured in a …

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This is a banner for a review of the movie Parallel Tales. Image courtesy of the filmmakers.

‘Parallel Tales / Histoires Parallèles’ Falls Apart (Cannes 2026 Film Review)

The most shocking thing in Parallel Tales is Isabelle Huppert lighting a cigarette with a toaster. There’s a sense of unpredictability in that one moment that the rest of Parallel Tales was aiming for and somehow didn’t achieve. It’s hard to say why it falls so flat, since there is …

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This is a banner for a review of The Echo Chamber. Image courtesy of the filmmakers.

The Hollow and Empty ‘The Echo Chamber’ (Venice 2026 Film Review)

Alicia Vikander has had an impressive year of making extremely interesting choices but, with the noble exception of Hope, unfortunately those choices have not worked out. Some of that is because of the difficulty of the topics, but in the case of The Echo Chamber it’s because of its frightful …

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This is a banner for a review of the documentary Remake. Image courtesy of the filmmakers.

‘Remake’ Film Review: A Meditation on the Possibility of Parental Love During an Era of Nonstop Surveillance

When a documentary film is about a filmmaker and their own family, there is really no way to critique the work of art without critiquing the people in it. That caveat, or concern, is especially important for Remake, the new documentary by Ross McElwee, who single-handedly changed the world of …

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This is a banner for a review of the movie Sense and Sensibility. Image courtesy of Focus Features.

Sisters Before Misters in the Winning ‘Sense and Sensibility’ (Film Review)

In the UK Sense and Sensibility has a U rating – suitable for all – which is the equivalent of an American G rating. For a movie about the romantic choices of two adult sisters this is an incredible achievement, even if it’s an adaption of a Jane Austen novel. …

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This is a banner for a review of the movie a Man of His Time. Image courtesy of the filmmakers.

Little Moments Add Up For ‘A Man of His Time / Notre Salut’ (Cannes 2026 Film Review)

Emmanuel Marre won the Best Screenplay Award at this year’s Cannes Film Festival for A Man of His Time aka Notre Salut, because it does the impossible: it is a comedy about the slide into fascism. But the film is clearly of personal as well as professional importance to Mr. …

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‘Titanic Ocean’ Should Be Left to Drown (Cannes 2026 Film Review)

The end credits confirm genAI was used for parts of Titanic Ocean. This is a disgraceful choice by writer-director Konstantina Kotzamani because it insults all the hard work of her cast and crews. This is especially unforgivable because the young actresses had to do a large amount of underwater work …

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This is a review of the movie Words of Love. Image courtesy of the filmmakers.

‘Words of Love / Quelques Mots d’Amour’ Takes a Sad Song and Makes it Better (Cannes 2026 Film Review)

French family film Words of Love aka Quelques Mots d’Amour is about a tough but ordinary topic: how a child comes to terms with the fact the family they have is not the family they want. It features a single professional actor, Hafsia Herzi, as Erika the mother. All the others …

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This is a banner for a review of The Difficult Bride. Image courtesy of the filmmakers.

Beauty and Beasts Collide in ‘The Difficult Bride’ (Venice 2026 Film Review)

The Difficult Bride is rare on two counts: it is a Bangladeshi film, and its director, Rubaiyat Hossain, is a woman. It is rarer still for being both incredibly supportive and furiously critical of its heroine, who is also both a traditional woman (getting married very young) and a modern …

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