This is a banner for a review of Ken Russell’s The Devils. Image courtesy of the filmmakers.

The Body Keeps the Score in ‘Ken Russell’s The Devils’ (LFF 2026 Film Review)

The fact one of the most important movies of 2026 is the remastered director’s cut of a very controversial movie made in 1971 is one of the most incredible things to happen in recent cinematic history. Ken Russell’s The Devils (marketed as such to differentiate from the original 1971 version) …

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This is a banner for a review of the movie It Will Happen Tonight. Image courtesy of the filmmakers.

The Bottomless Charm of ‘It Will Happen Tonight’ (Venice 2026 Film Review)

It Will Happen Tonight pulls off a very difficult trick: it takes a story of infidelity and makes it exceptionally romantic. This is a huge surprise, because obviously you really shouldn’t be going around falling in love with people who aren’t the ones you married. But everyone knows the heart …

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This is a banner for a review of the movie Too Much Sugar. Image courtesy of the filmmakers.

American Kindness in ‘Too Much Sugar’ (Venice 2026 Film Review)

The global appetite for American stories is shrinking. The American political climate has an international impact which hardly any ordinary American person realises, but why should they, when they are too busy trying to survive it directly themselves. Bored kids with no money, nothing to do and no future to …

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This is a banner for a review of the movie Company. Image courtesy of the filmmakers.

Loneliness and Yearning in ‘Company’ (Venice 2026 Film Review)

Company is directed by Casey Affleck, whose reputation as an actor is not unblemished, and whose reputation as a director will not be helped by the fact there are eight (eight!) credited cinematographers on Company, including himself. It is also not necessarily a positive thing that two of the movie’s …

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This is a banner for a review of the film The Fire Within You. Image courtesy of the filmmakers.

‘The Fire Within You’- Mamma mia (Venice Film Review)

It might be necessary to have a certain kind of family to truly appreciate this kind of disaster movie. If you know someone – your sister-in-law, perhaps? Or your least favourite cousin? – whose reaction on learning another relative will not be attending Christmas dinner is “How dare that bitch …

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This is a banner for a review of the film Hombre Al Agua. Image courtesy of the filmmakers.

‘Hombre al Agua’ is Shallow but Knows It (Venice 2026 Film Review)

The self-indulgence of Hombre al Agua (which translates to “Man Overboard”) is kind of its point, for it’s about the ways people play parts in their lives and how privilege allows the privileged to change the terms of the act. Fortunately a movie in which the writer-director-coproducer also stars as …

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This is a banner for a review of the film When the Night Falls. Image courtesy of the filmmakers.

Never Again is Now in ‘When the Night Falls / La Troisième Nuit’ (Cannes 2026 Film Review)

It was notable at this year’s Cannes how many movies re-examined France and the Second World War. It’s been obvious for some years now how the French film industry has been retelling its own stories and creating blockbusters for home audiences without caring too much about how they’ll land overseas. …

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This is a banner for a review of the documentary Tin Castle. Image courtesy of the filmmakers.

The Hollow Beauty of ‘Tin Castle / Irish Travellers’ (Cannes 2026 Film Review)

Tin Castle aka Irish Travellers is the very rare documentary worth seeing for its cinematography. Unfortunately the cinematography is the best thing about the film. Director Alexander Murphy also shot the film and some of its images are among the most surprisingly beautiful that have ever been captured in a …

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This is a banner for a review of the movie Parallel Tales. Image courtesy of the filmmakers.

‘Parallel Tales / Histoires Parallèles’ Falls Apart (Cannes 2026 Film Review)

The most shocking thing in Parallel Tales is Isabelle Huppert lighting a cigarette with a toaster. There’s a sense of unpredictability in that one moment that the rest of Parallel Tales was aiming for and somehow didn’t achieve. It’s hard to say why it falls so flat, since there is …

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This is a banner for a review of The Echo Chamber. Image courtesy of the filmmakers.

The Hollow and Empty ‘The Echo Chamber’ (Venice 2026 Film Review)

Alicia Vikander has had an impressive year of making extremely interesting choices but, with the noble exception of Hope, unfortunately those choices have not worked out. Some of that is because of the difficulty of the topics, but in the case of The Echo Chamber it’s because of its frightful …

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