This is a banner for a review of the movie Fatherland. Image courtesy of the filmmakers.

Careful and Thoughtful ‘Fatherland’ is Beautiful and Extraordinary (Cannes 2026 Film Review)

Paweł Pawlikowski shared the Best Director prize at this year’s Cannes with the directors of The Black Ball, who spoke first. When he finally gained the podium for his own speech, Mr. Pawlikowski laughed and (accurately) said the staging of this moment was terrible. No such mistakes were made for …

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This is a banner for a review of A New Dawn. Image courtesy of the filmmakers.

‘A New Dawn’ (花緑青が明ける日に) is a Gorgeous Mess (Berlinale 2026 Film Review)

Animation is the best art form we have at depicting messy real life, because it heightens reality through the unreal in a way that never loses its realism. Writer-director Yoshitoshi Shinomiya, who developed his skills as a background artist on movies such as Your Name, now bursts onto the world …

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This is a banner for a review of We Are All Strangers. Image courtesy of the filmmakers.

The Known Unknowns of ‘We Are All Strangers’ (Berlinale 2026 Film Review)

For a movie designed around a teenage pregnancy it’s a surprise that We Are All Strangers focuses on the baby’s father. What writer-director Anthony Chen is exploring here is how family responsibilities force young men to grow up. The assumption seems to be that women have achieved maturity already, regardless …

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