This is a banner for a review of the movie Filipinana. Image courtesy of the filmmakers.

‘Filipiñana’ – Visual Aesthetic Makes it an Instant Classic (Berlinale 2026 Film Review)

During the Berlinale I swung by photography museum C|O Berlin to look at their exhibit of work by Mexican photographer Graciela Iturbide (running until June 2026, and recommended). Her most famous photograph, “Mujer Ángel, Sonoran Desert, 1979,” shows an indigenous woman in traditional dress on the side of a hill, …

Read more

This is a banner for a review of the movie The Sheep Detectives. Image courtesy of the filmmakers.

‘The Sheep Detectives’ Has an Unexpected Lightness of Touch (Film Review)

“Cozy murder” is a thing because it’s an easy way for our society to reassure itself that justice will be done. What’s more, we all fear the reaper, and working out how to manage our inevitable end is one of the most important things we do, individually and collectively. This …

Read more

This is a banner for a review of the movie Two Pianos. Image courtesy of the filmmakers.

‘Two Pianos / Deux Pianos’ Film Review: An Off-Key Treasure

First we must congratulate Laura Caselli, the casting director for Two Pianos, for realising the male movie star currently working in France whose vibe best matches Charlotte Rampling’s is François Civil. He has a tendency to play hotheaded romantic heroes and recently carried the two-part adaption of The Three Musketeers …

Read more

This is a banner for a review of the movie Chronicles from the Siege. Image courtesy of the filmmakers.

‘Chronicles from the Siege’ Brings Out the Best in Us (Berlinale 2026 Film Review)

There’s a myth that knowing your death approaches brings out the best in you. In these circumstances you will simply rise above the horror of your looming demise to love your family, be kind to your neighbours, save kittens from trees and generally be all excellent until you perish. Anyone …

Read more

This is a banner for a review of the movie Allegro Pastell. Image courtesy of the filmmakers.

‘Allegro Pastell’ is a Non-judgemental Modern Love Story (Berlinale 2026 Film Review)

When the world is a smorgasbord of tastes and sensations you can’t blame someone for wanting to sample it all, but at a certain point you’ve got to admit you know what you prefer. The gimmick of the novel Allegro Pastell is a very good one: it’s the text and …

Read more

This is a banner for a review of the movie The Blood Countess (Die Blutgräfin). Image courtesy of the filmmakers.

‘The Blood Countess’ Film Review: A Deliciously Empty Treat (Berlinale 2026)

A true Europudding includes plenty of gratuitous nudity and loads of sex, but those are the only things missing from the supremely ridiculous The Blood Countess. This movie is not good, but it is such a stupidly fun good time that you should see it anyway. It is always a …

Read more

This is a banner for a review of the Berlinale movie Lali. Image courtesy of the filmmakers.

‘Lali’ Film Review – Something Old and Something New (Berlinale 2026)

The central couple at the heart of this complex Pakistani movie have known each other from around the village since childhood. They are thrown together because everyone else considers them damaged goods. The way they deal with their damage, separately and together, enables an unusual depiction of the power struggles …

Read more