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‘Eight Bridges’ Documentary Review: James Benning’s Relentless Portrayal of the American Landscape (Berlinale 2026)

James Benning is one of the most prominent experimental directors in history. Labeled as a researcher of the American landscapes, his work features a formally rigorous study of the United States and its structures. His interest in the composition of the country is evident in his most well-known films: The …

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‘Isabel’ Film Review: A Sweet Toast to Failure (Berlinale 2026)

The Brazilian director Gabe Klinger has built his career entirely in the United States. Based in Chicago, he directed the documentary Double Play: James Benning and Richard Linklater, Porto, and the short film Bergman’s Ghosts, a complementary work to Bergman Island, the Cannes film by Mia Hansen-Løve. For the first …

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‘Ghost in the Machine’ Documentary Review – Film is Almost Too Hot to Handle

It’s very normal for documentaries to begin and end with copious lists of the various production companies who have contributed to or enabled its making. As director Valerie Veatch pointed out in her Sundance Film Festival Q&A, Ghost in the Machine has none of these. She had to fund the …

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‘A Fabulosa Máquina do Tempo’ Documentary Review: A Clever Exercise of Imagination (Berlinale)

In 2023, the Brazilian documentary veteran, Eliza Capai, released her Incompatível com a Vida (Incompatible with Life). Despite being a mix of talking head with diary documentary, it is an utterly personal telling of her experience with the traumatic loss of her baby in her womb. The director tells her …

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‘Rosebush Pruning’ is Tasteless and Pointless (Berlinale 2026 Film Review)

I think we can blame the English royal family. When TV shows like Succession, The Righteous Gemstones and Yellowstone decide to examine the interpersonal struggle for power within an unbelievable wealthy family, they’ve all worked from the same template: tyrannical father and absent or dead mother with three sons and …

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‘Good Luck, Have Fun, Don’t Die’ is a Gonzo Thrill Ride (Berlinale 2026 Film Review)

Good Luck, Have Fun, Don’t Die takes the worst nightmares of the current moment and turns them into comedy, but the kind of comedy where if you didn’t laugh you’d cry. This is done in the lighthearted comic blockbuster style best described as a mash-up where 1990s French horror-comedy Delicatessen …

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‘The Red Hangar’ is Subtle Like a Knife (Berlinale 2026 Review)

This Chilean-Argentinian coproduction is a Chilean story but was filmed in Argentina for reasons its subject matter makes obvious. The military coup in Chile in 1973 that started with the murder of Salvador Allende brought about (speaking with understatement here) such a traumatic time to the nation that the after-effects …

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‘To Hold a Mountain’ Documentary Film Review: The Daily Life and the Political Fight in Montenegro

The legendary filmmaker Robert Flaherty made history with his documentary Nanook of the North, a pioneering film, considered the first non-fiction work. Despite the controversies and claims of its stagings, it establishes the medium’s interest in the study of the human organization and the different cultures. A century later, we …

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‘Everybody to Kenmure Street’ Documentary Film Review – When Ordinary People Step Up

It’s only January but Scottish documentary Everybody to Kenmure Street is a very serious contender for best documentary of the year. It’s rare to feel a documentary so firmly plant the seed of possibility in the mind of its audience. But there are three things audiences need to know in …

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‘The Oldest Person in the World’ Documentary Review: Sam Green on Longevity and the Inevitability of Death

In 2022, the Academy-nominated documentary Filmmaker Sam Green (The Weather Underground) impressed the audiences with a sonic experiment in his 32 Sounds. Mixed as an experiment to watch at the theater and scenes where the sound echoes differently in each soundbar, it illustrates how, underneath the technical experimentation, Green’s films …

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Interview: Pedring Lopez on Neo-noir Thriller ‘Shadow Transit’

Filipino genre filmmaker Pedring Lopez world premiered his first English-language film, the neo-noir thriller Shadow Transit, at last year’s QCinema International Film Festival. An independent co-production between the Philippines, Hong Kong, and Canada, Shadow Transit centers on a chance encounter between a grieving singer-photographer and a drifting DJ, resulting in …

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‘The Ugly Stepsister’ Film Review: Emilie Blichfeldt’s Feature Debut is a Controlled Evisceration of the Cinderella Fantasy

Cinderella meets Monstro Elisasue in Norwegian filmmaker Emilie Blichfeldt’s directorial debut The Ugly Stepsister, which at once functions like a twisted paean to and a biting, though still-restrained, rebuke of the whole Cinderella fairy tale, all hinged on a sinisterly fascinating performance from Lea Myren, who plays the title character.  …

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‘Don’t Let Me Die’ Film Review: Andrei Epure Doubles Down on the Absurdity of Death

Romanian writer-director Andrei Epure already tested the premise of his feature debut Don’t Let Me Die, which premiered in the Filmmakers of the Present section of the 2025 Locarno Film Festival, in his 2021 short film Intercom 15, an entry in Cannes’ Critics’ Week. In fact, exactly seven minutes into …

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Summertime Sadness: Interview with Chie Hayakawa of Tokyo Drama ‘Renoir’

Renoir, the sophomore feature from Japanese filmmaker Chie Hayakawa, continues her cinematic exploration of the notions of death, old age, and loneliness, preoccupations that loom over her body of work, such as in her feature debut Plan 75 (2022), the anthology film Ten Years Japan (2018), which she co-directed with …

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‘Aontas’ Film Review: Irish Language Thriller Is Worth Watching

This clever no-budget thriller is automatically recommended by me because it’s in the Irish language. Its aspirational depiction of life entirely inside the Irish language, which rarely happens in real life, is just wonderful to see. It is also a heist movie, with three women (two of whom are middle-aged) …

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‘The Things You Kill’ Film Review: A Psychological Thriller Rendered Surreal And Slippery By A Lynchian Dream Logic

Following its Sundance world premiere in early 2025, The Things You Kill, the third feature from Iranian filmmaker Alireza Khatami, is set to screen in Philippine theaters as part of the 2025 QCinema International Film Festival. Selected as the Canadian submission for the 2026 Oscar Best International Feature Film category, …

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