Since Seized showed at the Sundance Film Festival, news has dropped about the dismantling of the Washington Post by its billionaire owner. The ability of a free and fair press to hold power to account is something that it seems the seat of American government is about to lose, probably …
Soul Patrol’s depiction of the Vietnam War combat experiences of a group of young black men is designed to restore their place within the military history of the American war machine, which at the time was still segregated as well as frequently openly racist. A great deal of the footage …
It is no surprise that Nuisance Bear won the Grand Jury Prize for Documentary at this year’s Sundance Film Festival, because it does what all good movies should, and even fewer documentaries achieve: it is not really about what it’s about. The ability to succeed on a double level is …
Hard work should always be enough, and yet we all know it never is. The excellent Shame and Money makes it clear what we lose when that’s not the case. Late in the film, about an ethnic Albanian family’s financial struggles in Kosovo, there’s a street scene in downtown Pristina …
American movies like The Weight used to be a dime a dozen, which is meant as a compliment. It used to be that Hollywood loved to take an action-heavy script, people it with a fun combination of big stars and delightful character actors, move like the wind from one entertaining …
In 1980 Lily Tomlin was faced with a dilemma. She was riding high after winning a Tony with her one-woman play The Search for Signs of Intelligent Life in the Universe and then starring in feminist revenge comedy 9 to 5, but then she had to do her next thing. …
It’s very normal for documentaries to begin and end with copious lists of the various production companies who have contributed to or enabled its making. As director Valerie Veatch pointed out in her Sundance Film Festival Q&A, Ghost in the Machine has none of these. She had to fund the …
It’s not so much that Jaripeo is therapy – a reductive way to think about documentary, especially when the director is documenting their own experiences – but Jaripeo is maybe the first time some of its participants have ever been asked to think about the things they do. This is, …
The legendary filmmaker Robert Flaherty made history with his documentary Nanook of the North, a pioneering film, considered the first non-fiction work. Despite the controversies and claims of its stagings, it establishes the medium’s interest in the study of the human organization and the different cultures. A century later, we …
It’s only January but Scottish documentary Everybody to Kenmure Street is a very serious contender for best documentary of the year. It’s rare to feel a documentary so firmly plant the seed of possibility in the mind of its audience. But there are three things audiences need to know in …
In 2022, the Academy-nominated documentary Filmmaker Sam Green (The Weather Underground) impressed the audiences with a sonic experiment in his 32 Sounds. Mixed as an experiment to watch at the theater and scenes where the sound echoes differently in each soundbar, it illustrates how, underneath the technical experimentation, Green’s films …
I love it when a film challenges a belief that I feel settled on. The issue of the right to die is one that I have felt pretty secure about for decades. But in his new documentary, Life After, director Reid Davenport has forced me to add some pretty significant …
The Sundance Film Festival is a home for independent cinema. It’s somewhere for creatives and filmmakers to express themselves through obscure art. Being so obscure can lead to many films garnering a pulverizing response. It can sometimes lead films down the awards show circuit, like 2022’s best picture winner, Coda, …
Of the three plus years of the virtual Sundance I have attended, 2025’s felt like the weirdest yet. The films had varying qualities of success, varying from good middling to downright bad. As the festival progressed, I began to think this was the weakest year yet. That is until I …
The birth of social media also heralded the boom of several different types of jobs and the monetisation of online content. Such content includes pursuits that may previously have been undercover activities but can now find audiences online to indulge in those tastes. Sugar Babies penetrates the microcosm inhabited by …
Producer Kayla Foster introduced Your Monster at the Sundance London Film Festival, describing it as a romantic-comedy horror. While this may seem like an unusual combination of genres, this is truly the best way to define what the film is and what makes it utterly unique. Combining elements of the …
Sundance thrives on a level of strangeness within their films. Some premises are so absurd one wonders if they can be successful. This year’s festival alone offered plenty of surrealist entertainment. Movies like Presence, Loves Lies Bleeding, and Freaky Tales delivered a level of hyper-stylized fantasy. It helped the festival to give audiences …
Sundance can always be an interesting start to the cinematic year. The festival’s films thrive on teasing audiences about the potential of great movies. In some cases, those films can even lead to prestigious Oscar winners like Coda. That does not mean every Sundance film has to have aspirations for awards. …
Director Jesse Eisenberg returned to Sundance this year with his sophomore directorial effort, A Real Pain. The film has already made waves in the industry, with the worldwide rights acquired by Searchlight Pictures for $10 million. This news has made the film hotly anticipated in the movie world, as fans are eager to see …