Someday a movie featuring an argument about Predator vs Hobbit fanfiction will deserve a negative review, but today is not that day. The Incomer is completely deranged (complimentary), and its derangement is entirely character-based, giving the actors the freedom to go as wild as possible, which they did. It’s a …
Independent Nigerian cinema is so rare that it’s automatically worth a look, but nothing gets a pass based on its cultural background alone. Whether a story is set in Liverpool, Los Angeles or Lagos it needs to be viewed within the same critical framework, and if a concept is offensive …
Hot Water pulls off a very neat trick in the guise of a road movie: it makes thought process form. The act of driving thousands of miles is what provides the mother and son at the heart of this story huge catharsis without a great deal of big stuff happening. …
The concept of Run Amok is alarmingly close to bad taste. The execution of the concept of Run Amok also requires all the adults here to be really bad at adulting, which is unlikely. But if you can get past both of those things – a pretty large if – …
The end credits of The Musical contain this dedication: “To all our theater teachers, who taught us the power of spite.” If you just didn’t let out a bark of laughter or maybe twist your mouth in a wry grin of acknowledgement, you will have a very hard time enjoying …
Actors Will Poulter and Noah Centineo, who both also helped produce Union County, undoubtedly personally enabled this cinema-verité story of rural American drug addiction to get made. Large parts of Union County were filmed in a real drug court with the court’s workers and the court’s service users playing all …
I am a sucker for movies which involve the leads wandering around a city at night instead of sleeping together. The trouble that the concept is easy but making it interesting is tough. The leads must be personable enough and the obstacles in their way must be intriguing enough that …
Since Seized showed at the Sundance Film Festival, news has dropped about the dismantling of the Washington Post by its billionaire owner. The ability of a free and fair press to hold power to account is something that it seems the seat of American government is about to lose, probably …
Soul Patrol’s depiction of the Vietnam War combat experiences of a group of young black men is designed to restore their place within the military history of the American war machine, which at the time was still segregated as well as frequently openly racist. A great deal of the footage …
It is no surprise that Nuisance Bear won the Grand Jury Prize for Documentary at this year’s Sundance Film Festival, because it does what all good movies should, and even fewer documentaries achieve: it is not really about what it’s about. The ability to succeed on a double level is …
Hard work should always be enough, and yet we all know it never is. The excellent Shame and Money makes it clear what we lose when that’s not the case. Late in the film, about an ethnic Albanian family’s financial struggles in Kosovo, there’s a street scene in downtown Pristina …
American movies like The Weight used to be a dime a dozen, which is meant as a compliment. It used to be that Hollywood loved to take an action-heavy script, people it with a fun combination of big stars and delightful character actors, move like the wind from one entertaining …
In 1980 Lily Tomlin was faced with a dilemma. She was riding high after winning a Tony with her one-woman play The Search for Signs of Intelligent Life in the Universe and then starring in feminist revenge comedy 9 to 5, but then she had to do her next thing. …
It’s very normal for documentaries to begin and end with copious lists of the various production companies who have contributed to or enabled its making. As director Valerie Veatch pointed out in her Sundance Film Festival Q&A, Ghost in the Machine has none of these. She had to fund the …
It’s not so much that Jaripeo is therapy – a reductive way to think about documentary, especially when the director is documenting their own experiences – but Jaripeo is maybe the first time some of its participants have ever been asked to think about the things they do. This is, …
The legendary filmmaker Robert Flaherty made history with his documentary Nanook of the North, a pioneering film, considered the first non-fiction work. Despite the controversies and claims of its stagings, it establishes the medium’s interest in the study of the human organization and the different cultures. A century later, we …
It’s only January but Scottish documentary Everybody to Kenmure Street is a very serious contender for best documentary of the year. It’s rare to feel a documentary so firmly plant the seed of possibility in the mind of its audience. But there are three things audiences need to know in …
In 2022, the Academy-nominated documentary Filmmaker Sam Green (The Weather Underground) impressed the audiences with a sonic experiment in his 32 Sounds. Mixed as an experiment to watch at the theater and scenes where the sound echoes differently in each soundbar, it illustrates how, underneath the technical experimentation, Green’s films …
I love it when a film challenges a belief that I feel settled on. The issue of the right to die is one that I have felt pretty secure about for decades. But in his new documentary, Life After, director Reid Davenport has forced me to add some pretty significant …
The Sundance Film Festival is a home for independent cinema. It’s somewhere for creatives and filmmakers to express themselves through obscure art. Being so obscure can lead to many films garnering a pulverizing response. It can sometimes lead films down the awards show circuit, like 2022’s best picture winner, Coda, …