This is a banner for a review of the documentary While The Green Grass Grows. Image courtesy of the filmmakers.

‘While The Green Grass Grows: A Diary in Seven Parts’ Film Review: An Intense Odyssey from Peter Mettler

The Swiss-Canadian director, Peter Mettler, is a respected documentary filmmaker. Focusing on exploring the miracles of existence, his films observe the environment surrounding human beings. In this sense, he tends to release long films that meditate on the humane reality. His career spans four decades, featuring celebrated films like Picture …

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This is a banner for a review of Il rapimento di Arabella, or The Kidnapping of Arabella. Image courtesy of the filmmakers.

‘The Kidnapping of Arabella’ Movie Review: Proof that a Great Performance Can Take You Far

Benedetta Porcaroli won the Best Actress prize in the Orrizonti strands of the Venice Film Festival simply because this ridiculous movie would not have been possible without her spectacular performance. The Kidnapping of Arabella (Il rapimento di Arabella) does indeed involve a kidnapping but one in which we are not …

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This is a banner for a review of the movie Wrong Husband, or Uiksaringitara. Image courtesy of the filmmakers.

‘Wrong Husband’ Review: A Fascinating Film from Zacharias Kanuk (TIFF)

In 2023, the CBC (Canadian Broadcasting Corporation) released a list of the fifty greatest Canadian films ever. At the top of the list, it was not the name of David Cronenberg, Sarah Polley, Jean-Marc Vallée, or Atom Egoyan. It was Zacharias Kunuk with his historical 2001 film, Atanarjuat: The Fast …

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This is a banner for a review of Cotton Queen. Image courtesy of the filmmakers.

‘Cotton Queen’ Film Review: Suzannah Mirghani’s Calling Card

Cotton Queen is the debut film of Russian-Sudanese writer-director Suzannah Mirghani and very clearly made for an international audience. The establishing shots of laughing teenager cotton workers watching Tiktoks make sure, even if we know nothing about Sudan, we know it’s firmly in the now. And while it is Sudanese …

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This is a banner for a review of the film Blue Heron. Image courtesy of the filmmakers.

‘Blue Heron’ Film Review: Sophy Romvari’s Excellent Debut Feature

Even before her debut feature, Sophy Romvari has become a highly regarded upcoming director among the online cinephiles. Her shorts Norman Norman, Still Processing, and It’s What Each Person Needs were part of the selections at the Toronto International Film Festival. Criterion Channel acquired some of her other films, such …

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This is a banner for a review of My Tennis Maestro. Image courtesy of the filmmakers.

‘Il Maestro’ Review: A Coming of Age Through Tennis Film

This movie, for which the English title should be My Tennis Coach and it’s weird that it isn’t, is an affable Italian road movie about the coming of age of a wannabe tennis player. The entire thing is built around the nuclear-level charm of Pierfrancesco Favino (who previously worked with …

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This is a banner for a review of the movie Mosquitos. Image courtesy of the filmmakers.

‘Mosquitos’ Film Review: A Disappointing Outing from Nicole and Valentina Bertani

In their first directorial effort as a directing duo, Nicole and Valentina Bertani debut at the Concorso Internazionale of the Locarno Film Festival with Mosquitoes (Le Bambine). In 2022, Valentina screened her first film, The Crown Shyness (La timidezza delle chiome) at the Giornate degli Autori of the Venice Film …

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This is a banner for a review of Human Resource. Image courtesy of the filmmakers.

‘Human Resource’ Film Review: Nawapol Thamrongrattanarit’s Return to Realism Reckons With Personal Agency in a Harsh World

Playing in the Orizzonti competition program at the 2025 Venice International Film Festival, Thai director and screenwriter Nawapol Thamrongrattanarit’s latest vision Human Resource doubles as an intimate character study and a meditative portrait of contemporary Thai life mapped through the soul-sapping mechanics of corporate grind, a kind of a white-collar …

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‘After the Hunt’ Review: A Reactionary Film from Luca Guadagnino

No deer longs for the hunter’s arrow, and no art designed to maintain the status quo is ever as good as it thinks it is. Say what you will about Luca Guadagnino, he has made three solid movies in the last eighteen months, a level of career output rarely seen since …

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This is a banner for a review of Nova '78. Image courtesy of the filmmakers and the Howard Brookner Estate.

‘Nova ‘78’ Film Review: A Prophetic William Burroughs Tribute

Playing out of competition at the 2025 Locarno Film Festival, Nova ‘78, from the directing duo of Aaron Brookner and Rodrigo Areias, functions both as a moving paean to the enduring greatness of eminent writer and iconoclast William S. Burroughs (1914-1997) and an electrifying snapshot of a bygone period of …

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This is a banner for a review of Werner Herzog's documentary Ghost Elephants. Image courtesy of the filmmakers.

‘Ghost Elephants’ Documentary Film Review: Searching for Elephants in Angola

There are other directors who are better, there are others who are more stylish, but there is no director anywhere in the world who is more interesting than Werner Herzog. He was once shot on camera during an interview for British television and actually called the wound “insignificant” as the …

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