Following its Sundance world premiere in early 2025, The Things You Kill, the third feature from Iranian filmmaker Alireza Khatami, is set to screen in Philippine theaters as part of the 2025 QCinema International Film Festival. Selected as the Canadian submission for the 2026 Oscar Best International Feature Film category, …
It’s so ordinary nowadays for crime stories to have an absolutely terrific setup leading to a whimper of an ending, so when one plays its cards as well as A Private Life does it should be praised from the rooftops. In the last twenty or so years Jodie Foster has …
This examination of privilege in the modern American moment tries to have its cake and eat it, and while there’s nothing necessarily wrong with that, the badly-titled Dreams botches the recipe. Considering that ballet is at the center of this movie and director Michel Franco (and his cinematographer Yves Cape) …
The greatest glory of Pillion is that its sexual boldness is in service to an important point about self-determination and personal desire. We can watch this for the action, the message, or both. Though don’t get your hopes up too high: not a great deal of ‘action’ is shown, although …
The Secret Agent won two major awards at this year’s Cannes film festival, Best Director for Kleber Mendonça Filho and Best Actor for Wagner Moura, an unusual and enormous compliment. The Secret Agent is a lot like Waiting for Godot, as it is two and a half hours of set-up …
Amir El-Masry is the lucky owner of one of the great faces in modern cinema, and he got to show it off not once but twice at this year’s London Film Festival. Unfortunately in neither case was it shown off to his best advantage. Giant managed somehow not to be …
One of the benefits of all of us having professional-grade recording devices on our persons at all times is that we are able to document everything. One of the downsides to this is that it’s possible to cross-reference any even slightly true story with the real footage of the case. …
Rose Byrne’s magnificent performance grounds this takedown of modern motherhood (not parenthood) under capitalism, but If I Had Legs I’d Kick You is really about the flaws of modern American society. Its unmissable message is that America is completely ruled by its addictions and its impossible desire to get without …
H For Hawk, based on Helen MacDonald’s eloquent memoir about grief, is a moving guide to processing loss. The film and the book follow Helen unravelling mind as she tries to distract herself after the death of her father by adopting a goshawk. Academic Helen (Claire Foy) is not the …
Kazuo Ishiguro’s 1982 debut novel, A Pale View of Hills, is an elegant and nuanced examination of identity for post-war Japan. Kei Ishikawa’s ambitious but unsubtle adaptation can’t capture the spirit of his gorgeous writing. The novel and the film are narrated by Etsuko, who appears in two timelines. In …
Richard Linklater brought two films to the festival crowds this year. The first being Blue Moon, a drama about the tragic Lorenz Hart, whose professional relationship with Richard Rodgers has mostly been lost to history. The second is Nouvelle Vague, a loving ode to French New Wave cinema. Both are …
The Fence is Claire Denis’ isolated adaptation of Bernard-Marie Koltès’s play Black Battles with Dogs, which subtly explores masculinity and colonialism. Set predominantly in one location over one night, The Fence never loses its stage show sensibilities, even if that forces Denis to reject her trademark visual lyricism. Set on …
In their last months of high school, two cisgender boys pretend to be transgender to get into the girls’ changing room. The concept sounds like a dangerous right-wing rhetoric, but She’s the He is a sweet coming-of-age comedy made by a predominantly trans and nonbinary cast and crew. Alex (Nico …
Despite the small territorial space, Iceland has been a potent force for cinema in recent decades. The little island in the Arctic gave us names like Rúnar Rúnarsson and Hylnur Pálmason. Both of them are popular presences at events like the Cannes Film Festival. Rúnarsson presented his When The Light …
Enzo (Eloy Pohu) is sixteen or seventeen, a dangerous age. He’s still very much a child, but thinks he isn’t. Having a scooter and some limited amounts of freedom isn’t quite adulthood, but he is too young and too privileged to know that. He lives with his parents Marion and …
If you know anything at all about classic movies, you know about Kim Novak. She was one of the last actors to be molded for stardom under the old studio system, and she had such an unhappy time being set up as a rival to Marilyn Monroe and Rita Hayworth …
A pillion is a seat for a passenger behind a motorcyclist. This simple, not-overly-familiar word captures the whole experience of Colin (Harry Melling) in Harry Lighton’s feature directorial debut adapted from the 2020 novel Box Hill by Adam Mars-Jones. In Pillion, Colin is shy, still living at home with his …
A week before its original Sundance premiere, BLKNWS: Terms & Conditions by Kahlil Joseph had its participation withdrawn from the festival by its investor, Participant Media. The financer alleged the director showed a secret cut of the project to critics at the CAA screening room, justifying their intervention in the …
The prestigious publication, Screen International, publishes a yearly article about buzzy films they would like to see playing in the festival circuit. In this year’s piece, Forastera by Lucía Aleñar Iglesias is one of the films mentioned there. It is an impressive feature to include in the list alongside notable …
Writer-director-cinematographer-editor-composer Mark Jenkin has an idiosyncratic vision for Rose of Nevada, not just in how many of the behind the camera jobs he does himself, but also in how his corner of England is portrayed onscreen. For Mr. Jenkin is not English but Cornish (and you better believe there’s a …