After the movie is over but before the credits there is some explanatory text that makes Sukkwan Island aka My Father’s Island very difficult to review. For one thing, discussing them spoils the entire concept of the film. For another, it blurs the line between fiction and real life in …
The main value of A Second Life is that parts of it were shot on the street in Paris on the day of the 2024 Olympics opening ceremony. This is therefore a movie that will be revisited fifty years from now as an important document of that moment. The rest …
Effi (Leisa Gwenllian) is a person and Blaenau Ffestiniog is the name of the village where she lives. In Welsh – everyone’s first language in this wonderful little film – the title therefore means “Effi from Blaenau.” (It’s pronounced Blay-nah.) It is an adaption of a one-woman play by Gary …
Who’d be young? With your whole life ahead of you and no sense of who you’re truly are, you live in anticipation of a brilliant future that will obviously come to pass somehow. On the other hand, who’d be old? Either you had your chance and it didn’t work out, …
A clip has recently done the rounds of British social media of a well-known pundit asking a woman who she plans to vote for in an upcoming election. The woman says she doesn’t know, but she certainly won’t be voting for a particular candidate who she recently saw leaving a …
Say what you will about the French, it seems like everyone in that nation possesses savoir-faire. That is to say, they know the correct way to behave in any scenario. Whether it’s supporting a colleague having a bad day, mopping up bodily fluids without making a big deal about it, …
This documentary is about the power of community in healing from grief, through the method of Gaelic psalm singing. The dialogue is almost entirely in Scots-Gaelic – the indigenous language of Scotland and a cousin to Irish Gaelic, the indigenous language of Ireland – and centers the journey of one …
It’s only January but Scottish documentary Everybody to Kenmure Street is a very serious contender for best documentary of the year. It’s rare to feel a documentary so firmly plant the seed of possibility in the mind of its audience. But there are three things audiences need to know in …
The trouble with writers is that our work is not very cinematic. Watching someone type down their thoughts is only marginally more interesting than watching someone read a book. So it helps if the writer is easy to watch, whether that’s by being good-looking or from providing excellent archival footage …
This loving but very sad movie obeys a stereotype of Spanish cinema by handling a complex issue – in this case, domestic violence – through the eyes of a very small girl. The Spirit of the Beehive handled the Spanish civil war this way, as Summer 1993 handled AIDS and …
Silver Star, a determinedly quirky little movie, is a throwback to the indie cinema of the nineties in the best way. It stands and falls entirely on the actions of two unpredictable people, thrown together through a combination of foolishness and bad decisions, and who stick together through a combination …
Zeitgeisty trends combine in Peacock: how it mocks the vapid wealthy with lives so comfortable they must manufacture problems for themselves is clearly inspired by the work of Ruben Östlund. The problem is that social satire works best with a strong opinion about the behaviour being mocked. Are you teasing …
The only flaw in the magnificent The Return is that, by virtue of the casting, the audience is able to predict the plot before the characters can. This is however an extremely small complaint in the grand scheme of an unusually subtle and thoughtful war movie. For one thing, it’s …
Long Day’s Journey into Night has been a core of the theatrical canon since its 1956 debut. It won the Pulitzer Prize posthumously for its author, Eugene O’Neill, and has been in worldwide repertory ever since. The role of the mother, Mary Tyrone, is one of the best in the …
In The End, Joshua Oppenheimer turns his camera from documentary towards fiction while continuing his exploration of the lies people tell themselves. The film opens with a young man (George Mackay) painstakingly painting miniature figures and landscapes onto a large diorama; on closer inspection, the diorama seems to encapsulate a …
Luck is not a belief unique to Americans, but The Luckiest Man in America – a half-fictionalised dramatisation of real events directed by Samir Oliveros – makes the case that no one commits to the myth of random good fortune with as much aplomb as does the denizens of the …
If there’s one person you want to cast in your movie about a man waging war against local thugs, who slowly but surely has a mental collapse, it’s the ever-eccentric Nicolas Cage. Pair Cage with Lorcan Finnegan, director of bizarre suburban horror Vivarium, and you have a match made in …
The Scottish comedian Janey Godley is from Glasgow, so of course a new documentary about her life would be the closing gala of the Glasgow Film Festival. But when a person’s life has been as troubled as Ms. Godley’s, a documentary needs to address those troubles directly instead of letting circumstances do the …
The G, from writer-director Karl R. Hearne, is an unusual crime thriller in that its central character is a woman in her sixties and the insults of aging are central to the crimes at its core. But the unusual intelligence of The G is that it knows that physical weakness means little if …
Punctuation can speak volumes. The latest feature from writer-director duo Austin Stark and Joseph Schuman – Coup! – joins the ranks of Baz Luhrmann’s Moulin Rouge! and Richard Linklater’s Everybody Wants Some!! in adding an exclamation point to a punch title, immediately suggesting a zany, irreverent take on social paranoia during the 1918 Spanish Flu pandemic. As the world recovers from war …