Manuel São Bento 
How much are you actually supposed to care about a family being hunted by dinosaurs? Normally the answer is simple: just enough to root for them, not so much that a stray death throws the whole experience off balance. David Robert Mitchell (It Follows) spends most of The End of …
I confess I went into The Last House with a strange kind of curiosity that had nothing to do with horror and everything to do with career pivots. Louis Leterrier has spent the better part of two decades making things go fast and loud — muscle cars, magic tricks, superhero …
I’ll admit I walked into this one with my guard up. Every trailer drop for Spider-Man: Brand New Day — and I avoided them like the plague, though there’s only so much a person can dodge — kept adding another name to an already overstuffed-looking roster: Bruce Banner / Hulk …
Whenever the names of 87North Productions or 87Eleven Entertainment are linked to a new project, my interest immediately spikes. After all, we’re talking about the teams that redefined modern action cinema with the John Wick franchise and continued to leave their mark on films like Nobody, Violent Night, or The …
Like a large portion of the audience, I walked into the theater without any familiarity with the literary work by Andy Weir that the film attempts to adapt — yes, the majority of viewers have never read, played, or known the source material on the vast majority of these occasions. …
I went into the screening of Reminders of Him with a very specific curiosity: how would an actress like Maika Monroe (Longlegs), who has such a solid career in genre cinema — specifically horror — behave in a role of exposed vulnerability, typically molded to pull at the heartstrings of …
Whenever a filmmaker with the pedigree of Andrew Stanton (Finding Nemo) ventures into the realm of live-action, my attention levels are immediately raised. Stanton is one of the foundational architects of Pixar, a master at finding the soul in inanimate objects. Approaching In the Blink of an Eye, my expectations …
Writing about the Scream saga is, personally, a nostalgic task that involves a constant reassessment of what horror represents in popular culture. After Scream (2022), one of the best sequels in the franchise, positioning itself right behind the original for me, and Scream VI that, despite some flaws, still managed …
I’ll admit that before sitting down to watch Crime 101, the name of Bart Layton (American Animals) wasn’t immediately familiar to me. However, in the world of cinema, there are certain combinations of factors that act as an irresistible magnet for any cinephile, and this project had them all. A …
Whenever a new project from Sony Pictures Animation hits theaters, I’ll admit my heart rate picks up just a bit. Whether it’s the visual revolution started by the Spider-Verse franchise or the emotionally resonant storytelling in The Mitchells vs. the Machines, my expectations for any animation from this studio have …
Unlike the experience I had yesterday with Mercy, I walked into the theater to watch Send Help with considerably high expectations. Not just because of the positive reception circulating among most of my colleagues and the general public, but because the prospect of seeing a master like Sam Raimi (Spider-Man) …
Entering a movie theater with low expectations is a dangerous yet necessary exercise. Two weeks after its release, I finally sat down to watch Mercy, and I couldn’t escape the wave of negative reception that’s been flooding the internet. That said, I’ll confess I held onto a sliver of hope. …
Whenever I see the names of Matt Damon (The Martian) and Ben Affleck (Argo) together on a poster, my attention is captured by a nostalgia that goes back to their earliest successes. The dynamic between the two is one of the most solid pillars of contemporary cinema, and the prospect …
I still feel the disconcerting echo of the ending of the previous film in this saga. I confess that my approach to this new chapter was cautiously nervous, the result of that highly dissonant conclusion of 28 Years Later that left me, at the time, not quite knowing what to …
Even in a recent attempt to rewatch the original film, Greenland, hoping to find something I might’ve missed, most of my issues remained unchanged. The exhaustive repetition and manufactured melodrama continued to prevent me from truly connecting with that story. However, cinema has these curious quirks: for some inexplicable reason, …
The first film of the new year is always an exciting moment. Why this specific movie to kick off 2026? The answer is simple: Daisy Ridley. Despite being familiar with some of the previous work by filmmaker Zak Hilditch (1922), my interest in this feature resided 100% in the lead …
I’ve always supported the idea that entering a movie theater without the weight of preconceived expectations is one of the greatest and rarest luxuries. In the case of The Housemaid, I didn’t read the source material, nor did I seek out details about the premise, allowing my interest to be …
I started my home viewing of Goodbye June with no real expectations, being solely driven by a genuine curiosity about what Kate Winslet (Titanic) could achieve now that she has taken the director’s chair. I didn’t know much about the project, other than it was set during the Christmas season, …
South Korean cinema holds a prominent place in my cinematic preferences, being a passion that makes me follow almost everything coming out of that region with genuine excitement. Beyond that, disaster movies are my ultimate guilty pleasure. I didn’t have any prior knowledge of director Kim Byung-woo‘s work, nor was …
Writing about James Cameron (Titanic) is always an exercise in managing expectations. It’s a precarious balance between recognizing his technical genius and the hope, sometimes frustrated, that the narrative can keep up with the visual evolution. When Avatar: The Way of Water hit theaters thirteen years after the original production, …