The oeuvre of Denis Côté is uncomfortable, answerless. His multiple works approach the mundane, the psyche, leaning towards complicated places. Paul, his latest film, is a documentary on a simp, a man who pleasures himself through humiliation from women. Now, he returns to the Locarno Film Festival with an intriguing …
Films festivals normally only reward a movie one single prize. If your movie wins, say, best actress, then it can’t also win the main festival award. But the jury led by Maggie Gyllenhaal at this year’s Venice Film Festival broke that rule for Woman Unknown: its lead actress Mathilde Arcel …
Jordan Peele’s third feature film, Nope, was kept a mystery in its marketing and has been slotted into various categories since its release: supernatural horror, science fiction, modern Western, creature feature, and sardonic look at a society obsessed with getting the perfect money-making shot. Nope is all of these in …
Film festivals can be a little too intellectual sometimes. There is of course space in movies for people giving each other lectures on why capitalism is bad (something that featured in an awful lot of films at Cannes this year). But those movies are rarely a good time, and most …
The baby horror film hasn’t really evolved since Roman Polanski’s Rosemary’s Baby. While still an influential text for many burgeoning filmmakers – despite Polanski’s persona non grata status within the creative community these days (and for good reason) – they seem only interested in ripping it off or creating their …
If you thought that David Mackenzie’s previous film, Relay, was stupid, you haven’t seen anything yet. In his latest disaster, Fuze, Mackenzie, and screenwriter Ben Hopkins somehow screw up a tried-and-true pressure-cooker that should elicit strong popcorn thrills and not total bewilderment. However, instead of sticking to the film’s original …
A true Europudding includes plenty of gratuitous nudity and loads of sex, but those are the only things missing from the supremely ridiculous The Blood Countess. This movie is not good, but it is such a stupidly fun good time that you should see it anyway. It is always a …
It’s been a while since such a well-mounted cast failed to meet the moment in an ensemble comedy quite like Jonah Hill’s Outcome, the actor’s sophomore outing into fiction filmmaking after his breakout directorial debut, Mid90s. That movie was (very) well received. This one will get the polar opposite reaction. …
Sometimes when you get good at keeping secrets, you can start to lose track of what the truth even is. In her new series Imperfect Women, Annie Weisman examines the story of three best friends confronting the secrets they kept that may have led to the murder of one of …
It has taken decades, but Patricia Cornwell’s iconic literary character, Dr. Kay Scarpetta, has finally been brought to life. Nicole Kidman takes on the role of the unrelenting chief medical examiner trying to prove that the case that made her career wasn’t based on misinformation. Scarpetta is more than your …
Writing about the Scream saga is, personally, a nostalgic task that involves a constant reassessment of what horror represents in popular culture. After Scream (2022), one of the best sequels in the franchise, positioning itself right behind the original for me, and Scream VI that, despite some flaws, still managed …
In this year’s Cannes Film Festival, a post-screening reaction surprised tons of cinephiles following the festival’s attendees. Despite premiering after a veteran French filmmaker, Dominik Moll, with his Case 137, the most talked-about film of the second day of the festival was Sirât by the French-Spanish director, Oliver Laxe. In …
Melodrama is a constantly sub-genre appreciated by cinephiles. Historically, filmmakers like Douglas Sirk, Rainer Werner Fassbinder, and Pedro Almodovar earned admiration from the lovers of the seventh art, predominantly because their work approaches the structures of the melodramatic conventions. In this sense, another contemporary filmmaker admired for his oeuvre in …
Romanian writer-director Andrei Epure already tested the premise of his feature debut Don’t Let Me Die, which premiered in the Filmmakers of the Present section of the 2025 Locarno Film Festival, in his 2021 short film Intercom 15, an entry in Cannes’ Critics’ Week. In fact, exactly seven minutes into …
Jeff Nichols is one of the best directors that America has to offer and Midnight Special was a delight to revisit for its timely science fiction themes rooted in immigration and fear of a controlling government. A father and son are forced on the run when the father learns his …
We’ve traveled all around the world with Robert Langdon, uncovering history’s biggest secrets. Now Langdon is in Prague, uncovering one of life’s biggest secrets: love. That’s right, Robert Langdon is in love. But Dan Brown didn’t write a whole book about our favorite symbologist having a romantic interlude in Europe. …
It’s so ordinary nowadays for crime stories to have an absolutely terrific setup leading to a whimper of an ending, so when one plays its cards as well as A Private Life does it should be praised from the rooftops. In the last twenty or so years Jodie Foster has …
The Secret Agent won two major awards at this year’s Cannes film festival, Best Director for Kleber Mendonça Filho and Best Actor for Wagner Moura, an unusual and enormous compliment. The Secret Agent is a lot like Waiting for Godot, as it is two and a half hours of set-up …
Director Stephen Shimek recently sat down with us to discuss Murder at the Embassy, his new film that’s out now in theaters and on demand. It’s a murder mystery set in 1930s Cairo starring Mischa Barton along with Mido Hamada and Richard Dillane. It’s the second installment in the Miranda …
Travel back to 1930s Cairo in this exclusive interview with Mido Hamada, who discusses his role as the skeptical Head of Security Mamoud in the new murder mystery film Murder at the Embassy with Mischa Barton. It’s the second installment in the Miranda Green series and is a delightfully fun …