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‘Divine Comedy’ Film Review: Celluloid and Censorship

After making its premiere in the Orizzonti competition at this year’s Venice Film Festival, Ali Asgari’s latest feature Divine Comedy is set to make its Philippine debut as part of the 13th edition of the QCinema International Film Festival, running November 14 to 23. The film, which takes a metatextual …

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‘Phantoms of July’ Film Review: Julian Radlmaier Warps Time In This Absurdist Working-Class Dramedy

Originally titled Sehnsucht in Sangerhausen, which translates as “Longing in Sangerhausen,” Julian Radlmaier’s latest feature and Locarno 2025 in-competition entry Phantoms of July unfolds as a spirited absurdist dramedy set in the titular mining town that formed part of East Germany prior to reunification. It is the kind of movie …

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‘O Último Episódio’ Film Review – A Throwback to the Last Century in Brazil

Filmes de Plástico (which translates to plastic films) is a Brazilian production company based in the outskirts of Contagem, in the greater Belo Horizonte, one of Brazil’s largest capitals. The city is primarily a refuge for the working class, where rentals are less expensive than in the capital, which is …

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‘All That’s Left of You’ Film Review

In the history of cinema, the Anglo-Saxon perspective has been the most prominent in mainstream filmmaking. As society seems to include and understand diverse ethnicities, different ethnicities may develop their own viewpoints of reality. Unfortunately, the Palestinian history told by its people took plenty of time to get an opportunity, …

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‘The Ice Tower (La Tour de Glace)’ Film Review

Lucile Hadžihalilović has only four works in her filmography, but each of her new releases draws attention from the audience. Directing her feature debut, Innocence, in 2004, starring Marion Cotillard, the Bosnian filmmaker established a connection with the Toronto Film Festival, where she premiered her subsequent two films: Evolution and Earwig. …

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‘Laguna’ Film Review – Šarūnas Bartas’ Invitation to Look at the World Around Us

Šarūnas Bartas is one of the most prominent Lithuanian directors. Over three decades, the filmmaker has produced films such as Few of Us, The House, Peace to Us in Our Dreams, Frost, and In the Dusk. Those films would premiere at the world’s principal film events, such as the Cannes …

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‘To The Victory!’ Documentary Review

In modern Ukrainian filmmaking, Valentyn Vasyanovych is one of the best-known names on the festival circuit. His films Atlantis and Reflection premiered at the Venice Film Festival. In this sense, the director has already been discussing the Russia-Ukraine conflict in his work. Reflection narrates the kidnapping of a Ukrainian surgeon …

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‘The Stranger’ Film Review – The More Things Change

The central plot point of The Stranger – a coloniser kills one of the colonised, and there are consequences – lands very differently now that it did when the original novella was published by Albert Camus in occupied France in 1942. For one thing, the world is trying with mixed …

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‘Miroirs No.3’ Film Review – A Christian Petzold Melodrama

Melodrama is a constantly sub-genre appreciated by cinephiles. Historically, filmmakers like Douglas Sirk, Rainer Werner Fassbinder, and Pedro Almodovar earned admiration from the lovers of the seventh art, predominantly because their work approaches the structures of the melodramatic conventions. In this sense, another contemporary filmmaker admired for his oeuvre in …

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‘Palestine 36’ Review – Annemarie Jacir’s Film That Speaks Profoundly to the Present

Annemarie Jacir is a crucial filmmaker to understand modern Palestinian cinema. In 2003, she made history with her short film, Like Twenty Impossibles, the first Arab short selected at the Festival de Cannes, and later earned an Academy Award nomination. In her subsequent efforts, Jacir reached the principal international stages. …

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‘Bouchra’ Film Review – A Fascinating Debut From Orian Barki and Meriem Bennani

The animation medium allows a plenitude of experimentation. In this sense, it is possible to represent and narrate any story the writer’s head wishes to, using the technique and animation conventions to develop that specific story. One of the most popular and eccentric subcultures in the world is the furry …

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‘Dhurandhar’ Film Review

It is a cultural quirk of Indian cinema that they will show the most gruesome torture and murders in glorious close-up while simultaneously subtitling the language used during these scenes as “Dang!” and “You idiot!” If we are in a hard-R/18 environment, capable of being shown a man suspended off …

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‘Only Good Things’ Film Review – The Western Traditions in the Brazilian Countryside

The Brazilian director Daniel Nolasco has been creating a trademark for himself as a filmmaker. Drawing inspiration from his personal interests and his academic path, his films approach the stories of the LGBTQIA community in a conservative state. In his debut feature, Vento Seco (Dry Wind), he approaches the monotonous …

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‘The Little Sister’ Film Review: A Strong Directorial Effort from Hafsia Herzi

The introductory section of Hafsia Herzi’s The Little Sister (La petite dernière) is slightly alienating, as it swiftly moves from one scene to the next, without an anchor point for the audience to latch onto, despite being adapted from Fatima Daas’ 2020 autofiction novel of the same name. However, our …

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Interview: Composer Daniel Lopatin on the Score of ‘Marty Supreme’

When discussing modern experimental electronic music, Daniel Lopatin, also known as Oneohtrix Point Never or OPN, is a prominent name in the conversation. Despite releasing acclaimed solo records, OPN also produced artists like FKA Twigs, Charli XCX, The Weeknd, and Soccer Mommy, musicians who bring electronic elements to mainstream pop. …

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