Some writers might use subtext. Others have the main female character ask the male lead, “So you’re on a f*cked-up American pilgrimage?” It never hurts to spell things out, but Via Negativa ricochets quite a bit between overly explaining things and letting Young Mazino’s handsome face do all the work. …
Romantic movies told from the male point of view tend to focus on the guy, especially a guy able to recognise something in a woman – beauty, brains, talent – that she didn’t know she had. Through the guy’s actions the woman is able to get what she deserves, which …
For anyone who is, knows, or aspires to be a dad, Finnegan’s Foursome is the perfect movie. The stakes are low, the banter is high, and there’s so much golf that anyone who’s ever fallen asleep in front of Sunday afternoon television will feel right at home. Edward Burns has …
Director Jamie Adams has a no-budget niche. He finds a location and maybe six actors, prepares a concept and character arcs, starts the camera rolling, and allows the cast to improvise their way to the aimed-for ending. Within a week. His shooting schedule for his films lasts approximately a week. …
Dustin Hoffman might not have too many more films in him, but he is winding up his career on a personal high. In Tuner, also released this year, he stole the entire film as the kind and charismatic piano tuner everybody can’t help loving. In The Revisionist he pulls off …
The title is wrong, but what Deepfake gets right is the sense that, for too many people, life is a performance for the approval of strangers instead of something to please yourself. This movie was clearly made for no money, filmed almost entirely in a single Manhattan apartment, and with …
Nearly a decade ago, American alternative artist and provocateur Joe Coleman painted a door-sized, hyper-detailed self-portrait titled “Doorway to Joe,” which reflects his personal lore, uninhibited fantasies and fetishes, and penchant for the divine and the profane. Later, he figured that the project called for a seven-foot companion portrait of …
Nearly six minutes into We Are Pat, a hybrid documentary from Tribeca alum Rowan Haber, our gaze fixates on a graphic in pink and blue gradient featuring a photograph of the director’s toddler self—naked, sporting a cute red eyewear, and waving their hand—juxtaposed with a larger photograph of Pat, the …
In Yanuni, the Tribeca closer from Austrian director Richard Ladkani, ecocide and genocide are one and the same. From the vantage point of the occupied, the Ecocidal project is decidedly one of ethnic cleansing—it is only through the forceful killing and erasure of Indigenous peoples defending their homeland that the …
Veteran documentary filmmakers Sam Pollard (MLK/FBI and Citizen Ashe) and Daniel Junge (Challenger: The Final Flight and A Lego Documentary) come together to direct I Was Born This Way. Borrowing the title name from the 1975 song by Valentino, globally famous through the voice of Carl Bean in 1977. The …
In their debut feature film, Esta Isla (This Island), Lorraine Jones Molina and Christian Carretero narrate a story about love and crime. Bebo (Zion Ortiz) is a working-class young man who lives on an island in Puerto Rico. He fishes in the sea with his brother Charlie (Xavier Morales). They …
At times it’s best to encounter a movie as a blank slate, even for film critics like me who have never been put off by any ounce of spoilers. If anything, there’s a different kind of pleasure that arises from experiencing something for the first time, and it’s often ambrosial …
The veteran indie director Stephanie Laing (Irreplaceable You and Family Squares) teams up with Rose Byrne to present Tow. The film tells the true story of Amanda Ogle (Byrne), a woman who left her child, Avery (Elsie Fisher), to find a better life condition as a veterinary technician. However, she …
Director David Verbeek presents his latest film, The Wolf, the Fox, and the Leopard, at this year’s Tribeca Film Festival. Divided into chapters, the film narrates the story of a girl (Jessica Reynolds) who lives in the woods as a wolf. She behaves, eats, and walks like a wolf. Suddenly, …
In her debut feature premiering at this year’s Tribeca, Lillian T. Mehrel narrates about the relationship between a mother and daughter in Honeyjoon. In the film, June (Ayden Mayeri) and Lela (Amira Casar) travel to Açores in Portugal to celebrate the first anniversary of the family patriarch’s death. In their …
Australian director Charles Williams presents his debut feature: Inside. Williams won the short film Palme d’Or in 2018 at Cannes for All These Creatures and soon became a potential talent for the future. Six years later, the director narrates the story of a young man, Mel (Vincent Miller), who is …
After working on their respective short films and co-directing the documentary short Dollar Pizza Documentary, Brooklyn-based filmmakers Travis Wood and Alex Mallis are upping the ante as their debut feature The Travel Companion is having its world premiere in the US Narrative Competition section of the 2025 Tribeca Film Festival. …
The Peruvian director Augusto Zegarra presents his debut feature, Runa Simi, at the 2025 Tribeca Film Festival. The film narrates the story of Fernando Valencia, an indigenous man from Cusco, Peru. He has been passionate about voice work since he was a young child, inspired by Walt Disney animations that …
In Cuerpo Celeste, the symbolically loaded debut feature from Chilean writer-director Nayra Ilic García, the past not only fractures the present and future but actively exists along with it as if they are all one and the same. The film explores that threshold, the possibility to re-encounter even something we …
In his debut directorial effort, French director Laurent Slama joins forces with Alex Lawter and Agathe Rousselle to deliver a story about a woman on suicidal watch in A Second Life. Set on the opening day of the 2024 Summer Olympics in Paris, we follow Elisabeth (Rouselle), who is living …