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‘Quezon’ Movie Review: Jerrold Tarog Reckons Yet Again With the Idea of a Great Man in the Final Installment to His Deconstructionist Hero Trilogy

Filipino filmmaker Jerrold Tarog’s historical biopic trilogy, which began a decade ago, may just have run its course with Quezon, notwithstanding the latest installment’s prescient coda. The movie first played in Philippine theaters in October last year and screened in the Limelight program of the 2026 International Film Festival Rotterdam, …

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‘The President’s Cake’ Film Review: A Moving, Often Harrowing Portrait of Resilience

Hasan Hadi’s The President’s Cake is a difficult film to watch. For 105 minutes, the Iraqi filmmaker’s directorial debut puts us in the middle of Saddam Hussein’s despotic reign and shows us harsh realities that many Western viewers are unfamiliar with. Even with Iraq’s invasion of Kuwait and economic sanctions …

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‘58TH’ Movie Review: Rotoscoped Carnage

There is a small rural enclave in southern Philippines called Sitio Masalay, whose fields were turned into a horrific site of carnage one fateful day in November 2009, summarily taking 58 innocent lives. In the aftermath, only 57 bodies were found, and one remains missing. Director Carl Joseph Papa presciently …

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‘In the Blink of an Eye’ Movie Review: Andrew Stanton’s Sincere yet Fragmented Vision

Whenever a filmmaker with the pedigree of Andrew Stanton (Finding Nemo) ventures into the realm of live-action, my attention levels are immediately raised. Stanton is one of the foundational architects of Pixar, a master at finding the soul in inanimate objects. Approaching In the Blink of an Eye, my expectations …

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‘My Father’s Shadow’ Review: A Film of Great Political Importance, But Lacking in Emotional Impact

Anyone who will discuss Akinola Davies Jr’s My Father’s Shadow will immediately recognize – and laud – that its politics are morally sound and cogent. It might even be an angrier film than you think, even if it mainly focuses on the distant relationship two young brothers, Akinola (Godwin Egbo), …

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‘Paradise’ Season 2 Review – TV Drama Fully Unleashes Its Post-apocalyptic Potential

Dan Fogelman’s political thriller returns for a second season, reimagining itself as a post-apocalyptic drama more akin to The Last Of Us. It’s a season full of twists that even the most avid TV watcher won’t expect, as the writers continue to take risks that mostly pay off. In season …

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‘Isabel’ Film Review: A Sweet Toast to Failure (Berlinale 2026)

The Brazilian director Gabe Klinger has built his career entirely in the United States. Based in Chicago, he directed the documentary Double Play: James Benning and Richard Linklater, Porto, and the short film Bergman’s Ghosts, a complementary work to Bergman Island, the Cannes film by Mia Hansen-Løve. For the first …

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‘Rosebush Pruning’ is Tasteless and Pointless (Berlinale 2026 Film Review)

I think we can blame the English royal family. When TV shows like Succession, The Righteous Gemstones and Yellowstone decide to examine the interpersonal struggle for power within an unbelievable wealthy family, they’ve all worked from the same template: tyrannical father and absent or dead mother with three sons and …

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‘Love Story: John F. Kennedy Jr. & Carolyn Bessette’ Review – An Intriguing Look At The Weight Of A Family Legacy

The first series in a name chronology series from super-producer Ryan Murphy follows the tragic romance of JFK’s son, John F Kennedy, and publicist Carolyn Bessette. Based on Elizabeth Beller’s book Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy, the limited series charts the couple’s whirlwind romance, marriage …

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‘Wuthering Heights’ Film Review: A Stone Cold, Smoking Hot Banger

Talk about melodrama! It is not so much that this adaption of Wuthering Heights goes to eleven, but that this version of Wuthering Heights starts at eleven and keeps going and going, and going, without losing its momentum for a moment. This over-the-top depiction of secret and dangerous passion makes …

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‘Heated Rivalry’ Season 1 Review – A Turning Point for Representation on Television

The representation of queerness in the past decade on TV has found itself on an uptick. Shows like Heartstopper, Queer Eye, Modern Family, and Schitt’s Creek have led the charge in normalising the existence of queer people on television, and therefore in life. Despite the challenges the queer characters face …

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‘Bonjour Tristesse’ Movie Review: A Modern, Feminist Take on a Coming-of-Age Classic Set on The French Riviera

Already the second film adaptation of Françoise Sagan’s 1954 coming-of-age novel of the same name, Bonjour Tristesse, a debut feature by Canadian director Durga Chew-Bose, offers a modern, feminist spin on the original material, which was an overnight sensation written by the French novelist at age 18. Remakes can become …

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Interview: Oliver Laxe on Sirât

In this year’s Cannes Film Festival, a post-screening reaction surprised tons of cinephiles following the festival’s attendees. Despite premiering after a veteran French filmmaker, Dominik Moll, with his Case 137, the most talked-about film of the second day of the festival was Sirât by the French-Spanish director, Oliver Laxe. In …

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‘Dead Man’s Wire’ Film Review: An Understated Bill Skarsgård Stars in This ‘70s Hostage Thriller That Grips Us by the Neck

Whereas Kelly Reichardt’s latest indie fare The Mastermind, a character study of an arguably decent criminal shot 1970s-style, starring the brilliant and now ubiquitous Josh O’Connor, tersely eviscerates our notion of a crime/heist movie — though the resulting picture feels rather coiled — Gus Van Sant’s comeback feature Dead Man’s …

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