This is a banner for a review of the movie Amrun.

‘Amrum’ Film Review: A Squarely German Story That Deserves to go Global

No one quite knows what to do with director Fatih Akin. His explosive early movie Head-On was about the complex convergence of immigration and mental health issues between two Turkish-German punks. It’s one of the most violent and romantic movies ever made and also one of the smartest about intersectional …

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‘Cuerpo Celeste’ Film Review: Nayra Ilic García’s Debut Feature is a Poetic Snapshot of post-Pinochet Chile

In Cuerpo Celeste, the symbolically loaded debut feature from Chilean writer-director Nayra Ilic García, the past not only fractures the present and future but actively exists along with it as if they are all one and the same. The film explores that threshold, the possibility to re-encounter even something we …

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‘Sentimental Value’ Film Review: Joachim Trier on the Problems of Success

Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …

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‘A Bright Future’ Review: An Deliciously Absurd and Intriguing Sci-Fi Film

The Uruguayan director Lucia Garibaldi presents her sophomore feature, Un Futuro Brillante (A Bright Future), at this year’s Tribeca Film Festival. Her first film, Los Tiburones (The Sharks), premiered at the 2019 Sundance Film Festival. Consequently, her subsequent work became a highly anticipated title on the festival circuit, and it …

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‘Tell Her I Love Her’ Film Review: Romane Bohringer’s Extremely Personal Story

Romane Bohringer is a French actor who, for her second film as director, has chosen to make an extremely personal story about her search for more information about her mother, Maggy, who left the family before she was a year old and died when Ms. Bohringer was in her early …

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‘Resurrection’ Review: An Enormous, Sumptuous and Magnificent Movie from Bi Gan

This enormous, sumptuous, magnificent movie is almost too much, which is not a complaint. Resurrection is one of those movies that decided to tell the story of a universe starting with a kitchen sink and then built out from there. It’s very long – 160 minutes in this edit – …

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This is a banner for a review of season 1 of Mobland. Photo credit to Christine Ramage.

‘MobLand’ Season 1 TV Review: All The Classic Mob Tropes, But More Fun

British gangster content has become a popular pastime for entertainment media enthusiasts. There’s a heightened quality that’s proven uproariously entertaining for viewers. British gangster classics such as Snatch, Lock, Stock & Two Smoking Barrels, Layer Cake, and the old-school The Long Good Friday proved this correct. One commonality amongst some …

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‘Eagles of the Republic’ Film Review: Movies, Governments, and the Truth

The movie with the best title at this year’s Cannes Film Festival is also the kind of movie filmmakers love to make: a movie about making a movie. But less joyously, the setting here is present-day Egypt, a nation not currently enjoying the delights of democracy. The creatives involved, beginning …

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‘Murderbot’ Season 1, Episode 2 Review: Eye Contact

The six hippie scientists from the non-corporation planet that Murderbot (Alexander Skarsgård) is tasked with protecting on their mining mission are as follows: Mensah (Noma Dumezweni), the admired mission leader, parent of seven, and terraforming expert who is secretly prone to panic attacks Pin-Lee (Sabrina Wu), the non-binary lawyer and …

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‘Murderbot’ Season 1, Episode 1 Review: FreeCommerce

The eponymous hero of this new TV show Murderbot, based on the first of The Murderbot Diaries series of novels by Martha Wells, is strictly speaking a cyborg. It – though sometimes its clients misgender it as a he – has a metallic structure covered with cloned human flesh, including …

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‘The Life of Chuck’ Review: A Welcome Reminder That Movies Can Give You Hope

What is a “feel-good” movie? Is it just an uplifting story? Or something even more? That’s a tricky question that doesn’t have a distinct answer. Something that may be heartfelt to one person may be found schmaltzy and manipulative to another. Adding that idea to 2025 films makes the prospect …

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This is a banner for an interview with Shall We Dance's Masayuki Suô.

Interview: Masayuki Suô on ‘Shall We Dance?’

Japanese director Masayuki Suô’s 1996 romantic comedy, Shall We Dance? Follows Shohei Sugiyama (Kôji Yakusho), an accountant who is surprisingly discontented. Despite his successful career and a wife and daughter who love him dearly, there’s something missing in Sugiyama’s life. On his daily commute, he spies from the train a …

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