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Beauty and Beasts Collide in ‘The Difficult Bride’ (Venice 2026 Film Review)

The Difficult Bride is rare on two counts: it is a Bangladeshi film, and its director, Rubaiyat Hossain, is a woman. It is rarer still for being both incredibly supportive and furiously critical of its heroine, who is also both a traditional woman (getting married very young) and a modern …

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‘Hearing’ Film Review: Lê Bảo’s Study of the Senses

Following the trend of selecting young filmmakers in the competition, as with Nelson Yeo’s The House on the Moon, Locarno also presented Lê Bảo’s Hearing (Thính Giác) in the main section. The project is a continuation of his works involving the senses; he released Scent (Mùi) in 2014, and Taste …

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Shame Changes Sides in ‘A Girl’s Story / Mémoir de fille’ (Cannes 2026 Film Review)

It’s rare that the context of a movie’s making is as important to appreciating it as that of A Girl’s Story. It’s not only that the writer whose story has been adapted, Annie Ernaux, won the Nobel Prize for Literature in 2022. Ms. Ernaux has spent her life documenting, well, …

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‘Primetime’ Film Review: A Bone-Chilling Excavation of America’s Penchant for Sensationalism

“You see how this looks, right?” rehearses Chris Hansen (Robert Pattinson), as he’s set to trap and apprehend a sexual predator who has been talking to a decoy for what will become the hit NBC television series To Catch a Predator. Throughout Lance Oppenheim’s depiction of the controversial “investigative journalist” …

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‘Se Eu Fosse Vivo…Vivia’ Film Review: Another Charming Slice-of-Life by André Novais Oliveira

Filmes de Plástico is one of the most fascinating production companies in Brazil. In a sense, it is more of a collective than a traditional film producer. Composed by André Novais Oliveira, Gabriel Martins, Maurilio Martins, and Thiago Macêdo Correia, the group took the creative process from the capital, usually …

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The Awkward Thoughtfulness of ‘Agata the Writer’ (Venice 2026 Film Review)

The question of how you tell an untellable story is at the heart of Agata the Writer, which was evidently a passion project for writer-director-cinematographer-editor-composer Kuba Dorabialski (who also plays the small part of Janek). Its awkward thoughtfulness sets an unusual tone that will not resonate with a lot of …

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‘The Basics of Philosophy’ is Better Than Nothing (Venice 2026 Film Review)

It’s always interesting, though not always for the right reasons, when a director on a publicity tour manages to undermine his own movie. At this year’s Venice Film Festival the headlines about Paul Schrader were not about The Basics of Philosophy, the movie receiving its world premiere. Oh no, he …

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The Terrible, Horrible, No Good, Very Entertaining ‘Father Joe’ (Venice 2026 Film Review)

Father Joe is dumber than a box of rocks and more entertaining than a box of frogs. There is nothing to recommend Father Joe except for its commitment to being the stupidest possible piece of action entertainment. Luc Besson, who wrote and produced the film for director Barthélémy Grossmann, clearly …

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All the Beauty and the Bloodshed in ‘The Black Ball / La Bola Negra’ (Cannes 2026 Film Review)

In The Black Ball directors Javier Ambrossi and Javier Calvo (known as Los Javis) and cinematographer Gris Jordana have created an unusually beautiful work of art. The Black Ball is kind and tender, very clear-eyed about the trauma of war and the misery of addiction. But above all it is …

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‘Ride or Die’ Season 1 Review – You’ll Kill for a Friendship Like This

What’s that you say? There’s a television show where I can watch Hannah Waddingham (of Ted Lasso fame) wear gorgeous gowns and kick ass for eight hours with her smart best friend, Octavia Spencer? There is indeed, and it is Tessa Coates’ delightful series Ride or Die, streaming on Prime …

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The Loving but Angry Heart of ‘Ben’Imana’ (Cannes 2026 Film Review)

Rwandan filmmaker Marie Clémentine Dusabejambo won the Camera d’Or – the prize for best debut feature in any of the festival’s competition strands – at this year’s Cannes Film Festival for Ben’Imana. This is a double achievement as Ben’Imana is also the first Rwandan film ever to compete at Cannes …

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‘At Night’ Film Review: The Fascinating Atmospheric Feature Debut of Beatrice Gibson

Beatrice Gibson has been a fascinating voice in the film community for a while. Her work has been featured at major events worldwide, including I Hope I’m Loud When I’m Dead and Someplace In Your Mouth, both of which were screened at TIFF. Those works blur the line between autofiction …

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