This is a banner for a review of The Testament of Ann Lee. Image courtesy of the filmmakers and Searchlight Pictures.

‘The Testament of Ann Lee’ Film Review – A Haunting Experience for All The Senses

It was Stephen Sondheim who wrote a song about the two things people can leave behind: children and art. What the Shakers, a small religious movement which began in the mid-1700s, left behind was their art. Some of this is their highly influential style of furniture, made plainly to emphasise …

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Interview: Eva Victor on ‘Sorry, Baby’

For the last forty years, the Sundance Film Festival has been a crucial festival to highlight American independent cinema. Each year, when the event unveils its lineup, cinephiles, audiences, and sales agents dive into the programming to guess which of the selections will join films like Little Miss Sunshine, Memento, …

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Interview: Bi Gan on ‘Resurrection,’ his film philosophy, and M83

The young Chinese filmmaker Bi Gan is already a well-loved personality in the arthouse community. Despite his brief filmography, the director has already produced remarkable works in his career, such as Kaili Blues, Long Day’s Journey into Night, and his short film, A Short Story. Employing a poetic approach to …

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Interview with Co-Writer and Director Joachim Trier on ‘Sentimental Value’

Since his debut feature in 2006 with Reprise, Joachim Trier has become a relevant author in the arthouse circuit. His films gathered attention for the humanity, but centered on the use of Oslo, Norway, as a prominent character. Hence, Trier is mainly associated with his “Oslo Trilogy”, composed by Reprise, …

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‘Don’t Let Me Die’ Film Review: Andrei Epure Doubles Down on the Absurdity of Death

Romanian writer-director Andrei Epure already tested the premise of his feature debut Don’t Let Me Die, which premiered in the Filmmakers of the Present section of the 2025 Locarno Film Festival, in his 2021 short film Intercom 15, an entry in Cannes’ Critics’ Week. In fact, exactly seven minutes into …

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‘Fallout’ Season 2 Review: Chaotic, Messy Fun

We seem to have entered a season in which video adaptations can no longer be written off as trash before we even watch them. One of the most lauded adaptations has been Amazon’s Fallout, coming back for season 2. Even though I have still not played the game (despite having “New …

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‘Rebuilding’ Film Review – Josh O’Connor’s Melancholic Performance as an American Cowboy in Reconstruction

Usually, the cinema portrays tragedies that occur as incidents or natural disasters, if we call them that. The seasonal ones do not get representation on the big screen. Some regions are more susceptible to tornadoes, natural fires, and earthquakes. They are due to the geographical and geological compositions of those …

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Summertime Sadness: Interview with Chie Hayakawa of Tokyo Drama ‘Renoir’

Renoir, the sophomore feature from Japanese filmmaker Chie Hayakawa, continues her cinematic exploration of the notions of death, old age, and loneliness, preoccupations that loom over her body of work, such as in her feature debut Plan 75 (2022), the anthology film Ten Years Japan (2018), which she co-directed with …

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‘The Last One for the Road’ – Francesco Sossai’s Bittersweet Toast to Life

Each generation faces the inevitable clash with the ones before. They were morally superior, enjoyed life better, and lived through their days properly. The generational clash is arguably never fading. Each age gap has divergences within the collective of individuals, particularly in their relationships with the environment and with society …

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‘Belén’ Movie Review – The Portrait of the Success of Argentinian Feminism 

Throughout the complicated formation of Latin America, Catholicism became the norm for the so-called civilization of native populations. Hence, ever since its inception, the new continent has been a Catholic region, colonized mainly by the Portuguese and Spanish. Despite the colonial wounds, the imperial process carries severe traumas, particularly in …

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