This is a banner for a review of the documentary Daughters of the Forest. Image courtesy of the filmmakers.

‘Daughters of the Forest’ Documentary Review: The Importance of Indigenous Knowledge

Before the spread of the academia as a central form of producing and teaching knowledge, the indigenous communities already understand crucial learnings about the world. Historically, civilizations such as the Mayans and Aztecs produced immense amounts of information on mathematics and engineering. Human being tends to seek understanding of their …

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‘Filipiñana’ – Visual Aesthetic Makes it an Instant Classic (Berlinale 2026 Film Review)

During the Berlinale I swung by photography museum C|O Berlin to look at their exhibit of work by Mexican photographer Graciela Iturbide (running until June 2026, and recommended). Her most famous photograph, “Mujer Ángel, Sonoran Desert, 1979,” shows an indigenous woman in traditional dress on the side of a hill, …

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‘Two Pianos / Deux Pianos’ Film Review: An Off-Key Treasure

First we must congratulate Laura Caselli, the casting director for Two Pianos, for realising the male movie star currently working in France whose vibe best matches Charlotte Rampling’s is François Civil. He has a tendency to play hotheaded romantic heroes and recently carried the two-part adaption of The Three Musketeers …

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‘Chronicles from the Siege’ Brings Out the Best in Us (Berlinale 2026 Film Review)

There’s a myth that knowing your death approaches brings out the best in you. In these circumstances you will simply rise above the horror of your looming demise to love your family, be kind to your neighbours, save kittens from trees and generally be all excellent until you perish. Anyone …

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‘Homesick’ Documentary Film Review: The Intricacies of Transnational Adoption

In recent years, documentaries have become a space for personal histories. Filmmakers saw the non-fiction form as an opportunity to reflect on their lives and eternalize the memories, shadows, and complexities of their backgrounds. Therefore, throughout archival, diary, and poetic structures, directors expose their intimacies, unveiling their emotions and the …

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‘Allegro Pastell’ is a Non-judgemental Modern Love Story (Berlinale 2026 Film Review)

When the world is a smorgasbord of tastes and sensations you can’t blame someone for wanting to sample it all, but at a certain point you’ve got to admit you know what you prefer. The gimmick of the novel Allegro Pastell is a very good one: it’s the text and …

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‘The Blood Countess’ Film Review: A Deliciously Empty Treat (Berlinale 2026)

A true Europudding includes plenty of gratuitous nudity and loads of sex, but those are the only things missing from the supremely ridiculous The Blood Countess. This movie is not good, but it is such a stupidly fun good time that you should see it anyway. It is always a …

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‘How to Clean a House in Ten Easy Steps’ Documentary Review: The Blurry Lines Between Fiction and Reality

Documentary filmmaking also works as a personal chamber for filmmakers to pour their hearts into films. Throughout the diary or poetic non-fiction, the directors can discuss their personal lives, the formality of cinema, and themes they are passionate about. It is a chance to unveil themselves and the world surrounding …

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‘Lali’ Film Review – Something Old and Something New (Berlinale 2026)

The central couple at the heart of this complex Pakistani movie have known each other from around the village since childhood. They are thrown together because everyone else considers them damaged goods. The way they deal with their damage, separately and together, enables an unusual depiction of the power struggles …

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‘Bauhaus Forever’ Documentary Review: An Incomplete View of Forever

At the beginning of the 20th Century, Europe was boiling with ideas and cultural movements. Modernism, Brutalism, and the Belle Epoqué bloomed with multiple currents that provoked changes in the cultural and societal landscape in the world. In 1919, a particular school in Germany taught and shaped artists whose work …

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‘Effi o Blaenau’ Stands Her Ground (Glasgow Film Festival 2026 Review)

Effi (Leisa Gwenllian) is a person and Blaenau Ffestiniog is the name of the village where she lives. In Welsh – everyone’s first language in this wonderful little film – the title therefore means “Effi from Blaenau.” (It’s pronounced Blay-nah.) It is an adaption of a one-woman play by Gary …

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This is a banner for a review of the Chinese animated movie Per Aspera Ad Astra (Xing He Ru Meng). Image courtesy of the filmmakers.

‘Per Aspera Ad Astra’ Film Review – A Spectacular Anti-AI Thrill Ride

It’s so nice to see something uniting the entire world, especially when that thing is a hatred for artificial intelligence. Per Aspera Ad Astra is a Chinese kids’ movie, released for the lunar new year, with some very big Chinese stars at its core, all about the importance of our …

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‘Everything Else is Noise’ Film Review: Nicolás Pereda’s New Adventure in Observing the Mundane

The Mexican director Nicolás Pereda has proven himself as one of the most prominent filmmakers of the new generation. In the last three years, he released three films. Lázaro de Noche premiered at the 2024 FIDMarseille, and Cobre was also a world premiere at the French experimental film event in …

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