Already the second film adaptation of Françoise Sagan’s 1954 coming-of-age novel of the same name, Bonjour Tristesse, a debut feature by Canadian director Durga Chew-Bose, offers a modern, feminist spin on the original material, which was an overnight sensation written by the French novelist at age 18. Remakes can become …
In this year’s Cannes Film Festival, a post-screening reaction surprised tons of cinephiles following the festival’s attendees. Despite premiering after a veteran French filmmaker, Dominik Moll, with his Case 137, the most talked-about film of the second day of the festival was Sirât by the French-Spanish director, Oliver Laxe. In …
Ameer Fakher Eldin’s Yunan begins with the exasperated breaths of its protagonist, Munir (Georges Khabbaz), who, in the doctor’s office, is getting his lungs examined. Nothing is wrong with them, yet Munir consistently has difficulty catching his breath or even breathing normally. His doctor believes it might be psychological and …
Whereas Kelly Reichardt’s latest indie fare The Mastermind, a character study of an arguably decent criminal shot 1970s-style, starring the brilliant and now ubiquitous Josh O’Connor, tersely eviscerates our notion of a crime/heist movie — though the resulting picture feels rather coiled — Gus Van Sant’s comeback feature Dead Man’s …
After making its premiere in the Orizzonti competition at this year’s Venice Film Festival, Ali Asgari’s latest feature Divine Comedy is set to make its Philippine debut as part of the 13th edition of the QCinema International Film Festival, running November 14 to 23. The film, which takes a metatextual …
The best thing about Girls & Boys is one of the main characters is trans and absolutely no one blinks an eye at this. This is not something that could be said when I ran around Dublin, back when just being a member of the gay student clubs was an …
The Icelandic director Hlynur Pálmason is one of the most fascinating voices in the current European cinema. Known for his 2022 film Godland (Vanskabte land), a project about a young Danish priest traveling to the remote parts of Iceland. It premiered at that year’s Un Certain Regard of the Cannes …
Originally titled Sehnsucht in Sangerhausen, which translates as “Longing in Sangerhausen,” Julian Radlmaier’s latest feature and Locarno 2025 in-competition entry Phantoms of July unfolds as a spirited absurdist dramedy set in the titular mining town that formed part of East Germany prior to reunification. It is the kind of movie …
Filmes de Plástico (which translates to plastic films) is a Brazilian production company based in the outskirts of Contagem, in the greater Belo Horizonte, one of Brazil’s largest capitals. The city is primarily a refuge for the working class, where rentals are less expensive than in the capital, which is …
In the history of cinema, the Anglo-Saxon perspective has been the most prominent in mainstream filmmaking. As society seems to include and understand diverse ethnicities, different ethnicities may develop their own viewpoints of reality. Unfortunately, the Palestinian history told by its people took plenty of time to get an opportunity, …
Lucile Hadžihalilović has only four works in her filmography, but each of her new releases draws attention from the audience. Directing her feature debut, Innocence, in 2004, starring Marion Cotillard, the Bosnian filmmaker established a connection with the Toronto Film Festival, where she premiered her subsequent two films: Evolution and Earwig. …
Šarūnas Bartas is one of the most prominent Lithuanian directors. Over three decades, the filmmaker has produced films such as Few of Us, The House, Peace to Us in Our Dreams, Frost, and In the Dusk. Those films would premiere at the world’s principal film events, such as the Cannes …
In modern Ukrainian filmmaking, Valentyn Vasyanovych is one of the best-known names on the festival circuit. His films Atlantis and Reflection premiered at the Venice Film Festival. In this sense, the director has already been discussing the Russia-Ukraine conflict in his work. Reflection narrates the kidnapping of a Ukrainian surgeon …
The central plot point of The Stranger – a coloniser kills one of the colonised, and there are consequences – lands very differently now that it did when the original novella was published by Albert Camus in occupied France in 1942. For one thing, the world is trying with mixed …
Melodrama is a constantly sub-genre appreciated by cinephiles. Historically, filmmakers like Douglas Sirk, Rainer Werner Fassbinder, and Pedro Almodovar earned admiration from the lovers of the seventh art, predominantly because their work approaches the structures of the melodramatic conventions. In this sense, another contemporary filmmaker admired for his oeuvre in …
Annemarie Jacir is a crucial filmmaker to understand modern Palestinian cinema. In 2003, she made history with her short film, Like Twenty Impossibles, the first Arab short selected at the Festival de Cannes, and later earned an Academy Award nomination. In her subsequent efforts, Jacir reached the principal international stages. …
The Romanian director Radu Jude is one of the most prolific filmmakers of our time. A member of the Romanian New Wave, a group of new voices in the mid-2000s, which generated great works from Cristian Mungiu, Cristi Puiu, Corneliu Porumboiu, and Alexander Nanau. Since 2020, Jude has released 11 …
The animation medium allows a plenitude of experimentation. In this sense, it is possible to represent and narrate any story the writer’s head wishes to, using the technique and animation conventions to develop that specific story. One of the most popular and eccentric subcultures in the world is the furry …
The Pitt felt like the best of before-times TV, before streaming and big-budget miniseries with dramatic cliffhangers took over the genre. Here we have 15 solid episodes full of an interesting ensemble of characters, a well-balanced mix of comedy and tragedy, and that address a range of relevant topics. Set …
It is a cultural quirk of Indian cinema that they will show the most gruesome torture and murders in glorious close-up while simultaneously subtitling the language used during these scenes as “Dang!” and “You idiot!” If we are in a hard-R/18 environment, capable of being shown a man suspended off …