It is a truth universally acknowledged that a lot of the greatest artists of our time were dealing with mental health issues. It is a further truth that these mental illnesses are handled are not always handled well in film biopics. This can be even more sensitive when the artist …
Filipino filmmaker Jerrold Tarog’s historical biopic trilogy, which began a decade ago, may just have run its course with Quezon, notwithstanding the latest installment’s prescient coda. The movie first played in Philippine theaters in October last year and screened in the Limelight program of the 2026 International Film Festival Rotterdam, …
Talk about melodrama! It is not so much that this adaption of Wuthering Heights goes to eleven, but that this version of Wuthering Heights starts at eleven and keeps going and going, and going, without losing its momentum for a moment. This over-the-top depiction of secret and dangerous passion makes …
In 1972, Singapore, Adeline’s mother dies in an unexplained fire, and Adeline suddenly finds herself alone in the world. Or maybe not. Adeline follows a trail of breadcrumbs to discover who her mother really was and discovers an underground world of gangsters and magic that she never could have imagined. …
When the screening I attended of Colors of Time finished, the woman next to me mentioned how unusual it is to see a movie without a whisper of violence in it. She is right: some slightly hurt feelings are as bad as it gets here. But this is not to …
Director Stephen Shimek recently sat down with us to discuss Murder at the Embassy, his new film that’s out now in theaters and on demand. It’s a murder mystery set in 1930s Cairo starring Mischa Barton along with Mido Hamada and Richard Dillane. It’s the second installment in the Miranda …
Travel back to 1930s Cairo in this exclusive interview with Mido Hamada, who discusses his role as the skeptical Head of Security Mamoud in the new murder mystery film Murder at the Embassy with Mischa Barton. It’s the second installment in the Miranda Green series and is a delightfully fun …
In her first full-length feature, Louise Hémon presents L’engloutie (The Girl in the Snow). A selection in the Quinzaine des Cineastes of this year’s Cannes Film Festival, Hémon designs a vibey film. She narrates the story of Aimée (Galatea Bellugi), a volunteer teacher from an unspecified big French city. She …
Everybody clearly had a wonderful time making this episode of Carême, in which they either very politely make vicious threats to each other, or create a colossal mess. Best of all, nudity! Sorry, this is France: nudité. One bottom belongs to a male extra who has evidently just participated in …
What happens throughout this episode is, in the very best sense of the word, adult. Carême’s understanding that people’s motivations and people’s desires do not necessarily reflect their best selves is unknown in American art. But the French are perhaps more capable of acknowledging the gap between their best and …
The sumptuous Carême hits two basic needs for a high-end television series. One is for sex, but the other is rarer in fictional television: food porn. This combination is an absolutely wonderful idea, because god knows our appetite for something good to eat doesn’t always get its due from a …
Unusually, September 5 faced one main question before its release: why has it been made? Well, since the last presidential inauguration, we have our answer. September 5 is one of those biopic-style (but not a documentary) re-enactments of tragic real-world events. Here the disaster is at the 1972 Munich Olympics, …
Brazilian cinema has always been known for exploring the country’s turbulent history and coming forward with hard-hitting stories. Be it the City of God or Four Days in September, cinema has been one of the most powerful mediums for shedding light on Brazil’s socio-political struggles, unearthing raw, unfiltered narratives that …
“In the entertainment business, you’re not supposed to let your practice sh-t out. It ruins the mystique.” is how Llewyn Davis expresses his carelessness for a box of childhood remnants his sister intends to hand back to him. Inside Llewyn Davis, the Coen Brothers most recent masterpiece inspired by the …
It’s always wonderful to see an actor rise to the opportunity and become a great movie star, and there’s a moment late in Gladiator II where the switch visibly flips for Paul Mescal. He (and Daisy Edgar-Jones, who I have written about elsewhere) came out of nowhere in 2020’s lockdown …
There are few subjects more emotive than motherhood, but a story about a new way to enable motherhood/parenthood should not have taken why that is as granted. On stage before the world premiere of Joy at the London Film Festival, director Ben Taylor and star James Norton both spoke about the …
What you have to realize about Queer is that it is an adaptation of a book by William S. Burroughs, so the queerness on display here is less about sexuality, but more a way of looking at the world. William Lee, largely Lee to his friends (an astonishing Daniel Craig), …
The most anticipated film of the Venice Biennale this year was the epic Horizon: An American Saga – Chapter 2, which landed with something of a whimper instead of the bang it truly deserves. Kevin Costner’s project, the first part of which had its world premiere in Cannes this past …
Roberto Minervini shared the best director prize in the Un Certain Regard strand of this year’s Cannes Film Festival for this mumblecore-style film about soldiers in the Wild West during the American Civil War. It’s the flipside to Kevin Costner’s Horizon: An American Saga (reviewed separately), which has broadly the …
There was one movie at this year’s Cannes Film Festival which was a passion project for the director that got all the attention: Megalopolis. But there was another movie, a passion project for the director, that also played Cannes, albeit not in competition: Horizon: An American Saga – Chapter 1. This …