This is a banner for a review of Levers. Image courtesy of the filmmakers.

‘Levers’ Film Review: A World Without Sunlight From Rhayne Vermette

One of the most fascinating aspects of the Toronto International Film Festival’s wavelength section is the combination of local talents with internationally prestigious names in experimental and bold efforts. The programming team, led by Andréa Picard, balances the most courageous work with more unconventional efforts that compose the best section …

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‘Magellan’ Film Review: Lav Diaz’s Radical Omissions

Forty-four minutes into Magellan, we see the eponymous Portuguese navigator at the film’s center, deftly portrayed by Gael García Bernal, sitting still inside a 16th-century tavern, his mind drifting elsewhere. He grips a walking cane on one hand, then an oversized hat on the other. Lit candles beside him quietly …

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‘Marvel Zombies’ Review: A Rushed, Hollow Echo of a Great Idea

The new Disney+ series Marvel Zombies builds on a single episode from season one of What If…?, What If…Zombies?, which first imagined a world where Earth’s Mightiest Heroes had become its greatest threat. Directed by Bryan Andrews and written by Zeb Wells, the four-episode miniseries introduces a new group of …

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‘House of Guinness’ Season 1 Review: A Rip-roaring, Questionably Historical Family Drama

Every episode of House of Guinness, Steven Knight’s newest television creation for Netflix, begins with a disclaimer and promise: “This fiction is inspired by true stories”. While based on many real people and events of 1860s Dublin (and further afield), House of Guinness is first and foremost concerned with being …

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This is a banner for an interview with director Charlie McDowell of The Summer Book. Image courtesy of the filmmakers.

Interview: How Charlie McDowell Brought Tove Jansson’s Beloved Novel ‘The Summer Book’ to Life

Adapted from Tove Jansson’s beloved novel, The Summer Book is a delicate and poignant film about growing up and growing old. The movie centers on young Sophia (Emily Matthews) as she spends the summer at her family’s secluded home on a Finnish island, exploring the natural world with her father …

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This is a banner for a review of Il rapimento di Arabella, or The Kidnapping of Arabella. Image courtesy of the filmmakers.

‘The Kidnapping of Arabella’ Movie Review: Proof that a Great Performance Can Take You Far

Benedetta Porcaroli won the Best Actress prize in the Orrizonti strands of the Venice Film Festival simply because this ridiculous movie would not have been possible without her spectacular performance. The Kidnapping of Arabella (Il rapimento di Arabella) does indeed involve a kidnapping but one in which we are not …

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This is a banner for a review of the movie Wrong Husband, or Uiksaringitara. Image courtesy of the filmmakers.

‘Wrong Husband’ Review: A Fascinating Film from Zacharias Kanuk (TIFF)

In 2023, the CBC (Canadian Broadcasting Corporation) released a list of the fifty greatest Canadian films ever. At the top of the list, it was not the name of David Cronenberg, Sarah Polley, Jean-Marc Vallée, or Atom Egoyan. It was Zacharias Kunuk with his historical 2001 film, Atanarjuat: The Fast …

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This is a banner for an interview with actor Yuvi Hecht. Image courtesy of the filmmakers.

Interview: Yuvi Hecht on the Fantastical Themes of Revisiting the Past in ‘A Big, Bold, Beautiful Journey’

In the heartfelt film A Big, Bold, Beautiful Journey, two strangers, David (Colin Farrell) and Sarah (Margot Robbie), are linked by a fantastical adventure that forces them to revisit key moments from their past. As they journey back in time, they are confronted with the choices and experiences that shaped …

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‘Black Rabbit’ Series Review: Jude Law and Jason Bateman As Brothers

We don’t choose our family.  Love them, hate them, they are our families, and we are stuck with them.  Some of us are blessed with living, supportive ones; others not so much, and the rest fall somewhere in between.  Black Rabbit is a story of brothers who fall somewhere in …

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‘Cotton Queen’ Film Review: Suzannah Mirghani’s Calling Card

Cotton Queen is the debut film of Russian-Sudanese writer-director Suzannah Mirghani and very clearly made for an international audience. The establishing shots of laughing teenager cotton workers watching Tiktoks make sure, even if we know nothing about Sudan, we know it’s firmly in the now. And while it is Sudanese …

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‘Wayward’ Review: Mae Martin Netflix Thriller Fails To Pay Off The Creepy Premise

Comedian Mae Martin’s (Feel Good) first venture into drama is a confused exploration of a dysfunctional town with a mysterious school. What has the potential to be a Lynchian mystery falls flat as it struggles to combine two perspectives. Told through two separate viewpoints, Wayward follows cop Alex Dempsey (Martin) …

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‘One Battle After Another’ Movie Review: A Star Is Born in One of the Year’s Best and Most Important Films

Of all the hype bubbles that form around the first reactions to a new release, One Battle After Another generated some of the most effusive of this century. And I mean that almost literally, since many of those reactions contained the pull-quote-ready taglines that marketing departments love so much — …

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This is a banner for a review of the film Blue Heron. Image courtesy of the filmmakers.

‘Blue Heron’ Film Review: Sophy Romvari’s Excellent Debut Feature

Even before her debut feature, Sophy Romvari has become a highly regarded upcoming director among the online cinephiles. Her shorts Norman Norman, Still Processing, and It’s What Each Person Needs were part of the selections at the Toronto International Film Festival. Criterion Channel acquired some of her other films, such …

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