This is a banner for a review of the movie, The End.

‘The End’ Review: A Musical Film of Collective Delusion (Glasgow Film Festival)

In The End, Joshua Oppenheimer turns his camera from documentary towards fiction while continuing his exploration of the lies people tell themselves. The film opens with a young man (George Mackay) painstakingly painting miniature figures and landscapes onto a large diorama; on closer inspection, the diorama seems to encapsulate a …

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This is a banner for a review of Prime Video's Reacher Season 3 Episode 3.

‘Reacher’ Review – Season 3, Episode 3: Number 2 With a Bullet

Dawn breaks over the Maine countryside as Duke (Donald Sales) and Reacher (the remarkable Alan Ritchson) drive back to the compound and discuss the infuriating Angel Doll (Manuel Rodriguez-Saenz). In the kitchen, Reacher tries to glean intel from housemaid Annette (Caitlin McNerney) and sharp-tongued English chef Agnes (Helen Taylor), though …

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This is a banner for a review of the Reacher Season 3 episode Truckin'.

‘Reacher’ Review – Season 3, Episode 2: Truckin’

This second episode of the new season of Reacher is a day without much sunshine. By which is meant Reacher (the magnificent Alan Ritchson) has only one physical fight in Truckin’. It is between Reacher and Paulie (Olivier Richters), the unpleasant thug who is literally double Reacher’s size. Fortunately, Reacher …

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This is a banner for a review of the new Marvel Television series Daredevil: Born Again.

‘Daredevil: Born Again’ Review: A Legendary Feat in Television

The return of one of the greatest comic book TV series of all time is ready to shake up the world with Daredevil: Born Again. Charlie Cox and Vincent D’Onofrio return to their lead roles as Matt Murdock and Wilson Fisk. I consider the original Netflix three seasons the best comic book …

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Severance Season 2 Episode 4 Woes Hollow Review

‘Severance’ Review – Season 2 Episode 4: Woe’s Hollow

The AppleTV+ show Severance is an extraordinary feat of imaginative filmmaking. Over the course of a critically acclaimed first season, and three episodes of funky mystery-box plotting, and a crazy cliffhanger which saw Outie Mark begin to be psychologically recalibrated with his Innie, the show has consistently agitated and cajoled …

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I'm Still Here Movie Review

‘I’m Still Here’ Film Review – Fernanda Torres is Riveting

Brazilian cinema has always been known for exploring the country’s turbulent history and coming forward with hard-hitting stories. Be it the City of God or Four Days in September, cinema has been one of the most powerful mediums for shedding light on Brazil’s socio-political struggles, unearthing raw, unfiltered narratives that …

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This is a review of the movie Presence.

‘Presence’ Review: The First Great Film of the Year

The art of cinema has room for all kinds of experiences, whether unusual blends of genres, unorthodox storytelling methods, or unique filming techniques. Steven Soderbergh (Traffic) is a pioneer of modern independent cinema, and his movies are often acclaimed precisely for their inventive or distinct perspective. Presence fits into the …

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Severance S2 Episode 1 Review

‘Severance’ Review – Season 2 Episode 1: Hello, Ms. Cobel

When Apple announced their appearance on the streaming market, there was palpable excitement amongst media fans. Allowing filmmakers and creatives to play with big budgets to create vibrant, energetic stories nearly totally liberated from network executives was a concept unfamiliar within the media zeitgeist. That excitement soon deflated after AppleTV+ …

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Den of Thieves Pantera

‘Den of Thieves 2: Pantera’ Review: A Safe Bet That Lacks Lasting Impact

Starting a new cinephile year is always exciting, even knowing that January is far from being a particularly memorable month. In fact, even today, the first month of the year is often dubbed “dump January” precisely because it consists of 31 days studios don’t consider appealing or important for their …

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The Last Showgirl Movie Review

‘The Last Showgirl’ Movie Review: Pamela Anderson’s Powerful New Role

I was a freshman in high school when Baywatch debuted, so I have always had a very particular view of who Pamela Anderson is as an actor. She was the Playgirl with the most covers on Playboy, the object of Borat’s lust, and the unfortunate victim of a leaked sex tape. Gia Coppola clearly knows Anderson’s background and used that …

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