Rose Byrne’s magnificent performance grounds this takedown of modern motherhood (not parenthood) under capitalism, but If I Had Legs I’d Kick You is really about the flaws of modern American society. Its unmissable message is that America is completely ruled by its addictions and its impossible desire to get without …
H For Hawk, based on Helen MacDonald’s eloquent memoir about grief, is a moving guide to processing loss. The film and the book follow Helen unravelling mind as she tries to distract herself after the death of her father by adopting a goshawk. Academic Helen (Claire Foy) is not the …
Ratchapoom Boonbunchachoke’s debut feature A Useful Ghost exhibits a hooky high concept, one that’s centered on a woman who dies of dust pollution and gets reunited with her grieving husband by possessing a vacuum cleaner, much to the chagrin of her in-laws. The director dresses this concept, essentially a loose …
Screening in the Before Midnight section of the 2025 QCinema International Film Festival, Dutch filmmaker Morgan Knibbe’s sophomore feature The Garden of Earthly Delights portrays a gritty, neon-tinged Manila inferno centered on a young queer protagonist played by first-time actor JP Rodriguez. A teenager named Ginto descends deep into the …
Kazuo Ishiguro’s 1982 debut novel, A Pale View of Hills, is an elegant and nuanced examination of identity for post-war Japan. Kei Ishikawa’s ambitious but unsubtle adaptation can’t capture the spirit of his gorgeous writing. The novel and the film are narrated by Etsuko, who appears in two timelines. In …
The Choral is the kind of movie at which the British film industry excels: made for audiences who like their stories flavoured strongly with nostalgia, and who like to read between the lines for their hard-hitting topics. These movies tend to play better overseas, where the historical trappings and the …
Richard Linklater brought two films to the festival crowds this year. The first being Blue Moon, a drama about the tragic Lorenz Hart, whose professional relationship with Richard Rodgers has mostly been lost to history. The second is Nouvelle Vague, a loving ode to French New Wave cinema. Both are …
The Fence is Claire Denis’ isolated adaptation of Bernard-Marie Koltès’s play Black Battles with Dogs, which subtly explores masculinity and colonialism. Set predominantly in one location over one night, The Fence never loses its stage show sensibilities, even if that forces Denis to reject her trademark visual lyricism. Set on …
Dragonfly is based on a simple idea: how dangerous it is to trust anyone while you’re weakened, whether through old age, disability or both. Unfortunately it is also so worried that we won’t understand the nuances of this very good idea that it overdoes things, and collapses. This is very …
Enzo (Eloy Pohu) is sixteen or seventeen, a dangerous age. He’s still very much a child, but thinks he isn’t. Having a scooter and some limited amounts of freedom isn’t quite adulthood, but he is too young and too privileged to know that. He lives with his parents Marion and …
This could have been a play and may well get a second life as a play, because its single set, very talky script and clever staging keep us in the room for the 100-minute runtime. It is heavily inspired by real events but also plays fast and loose as required …
Mark Jenkin’s formidable stamp as a director giving voice to Cornish voices has led to one of the best debuts of the last decade in the form of the breathtakingly unique Bait, a study of heightened tensions between the locals in a deprived fishing village and the rich-out-of-towners who have …
“Assassination can be no more guarded against than death by lightning; it is best not to worry about either.” With these words early in his presidency, James Garfield may have sealed his fate. Shot by Charles J. Guiteau and dying six months after taking office in 1881, the United States …
Content Note: The following contains spoilers for episode 2 of It: Welcome to Derry. The show also deals with child death/harm and mental institutions, so proceed with caution if those are sensitive subjects. The end of episode 1 of It: Welcome to Derry was a significant shocker, with several kids who seemed like …
A pillion is a seat for a passenger behind a motorcyclist. This simple, not-overly-familiar word captures the whole experience of Colin (Harry Melling) in Harry Lighton’s feature directorial debut adapted from the 2020 novel Box Hill by Adam Mars-Jones. In Pillion, Colin is shy, still living at home with his …
The prestigious publication, Screen International, publishes a yearly article about buzzy films they would like to see playing in the festival circuit. In this year’s piece, Forastera by Lucía Aleñar Iglesias is one of the films mentioned there. It is an impressive feature to include in the list alongside notable …
Writer-director-cinematographer-editor-composer Mark Jenkin has an idiosyncratic vision for Rose of Nevada, not just in how many of the behind the camera jobs he does himself, but also in how his corner of England is portrayed onscreen. For Mr. Jenkin is not English but Cornish (and you better believe there’s a …
Back when I was younger, Nicholas Sparks had cornered the market of romance books, with some of the most heartbreaking novels that have ever taken the world by storm. From The Notebook, A Walk to Remember, and Dear John, Sparks’ stories were designed to make readers cry as they volley …
Bradley Cooper’s third directorial feature, Is This Thing On?, is a more low-key and down-to-earth tale of one man’s middle-aged venture into standup comedy. Loosely based on the life of Liverpudlian comedian John Bishop, this story is gentle and rough around the edges about martial separation and finding yourself amid …
As I left the London Film Festival screening of Christy, I heard a stunned young woman telling her friend that this is a horror movie. And it is, of the most ordinary kind. It is also a biopic of sporting triumph about the importance of getting up every single time …