This is a banner for a review of the Cannes movie Forever Your Maternal Animal. Image courtesy of the filmmakers.

‘Forever Your Maternal Animal’ Film Review: The Compelling Sophomore Effort by Valentina Maurel

In 2022, the debut feature film Tengo Sueños Eléctricos (I Have Electric Dreams) by the Costa Rican filmmaker Valentina Maurel made a potent appearance at that year’s Locarno Film Festival. It won the directing, actor (Reinaldo Amien Gutiérrez), and actress (Daniela Marín Navarro) awards in the main competition. Later, the …

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This is a banner for a review of the animated movie Blaise. Image courtesy of KG Productions.

‘Blaise’ Review: A Satirical Look at a Dysfunctional Family (Cannes Film Festival)

At Cannes, L’ACID presents a range of indie films, including the 2D animation Blaise by Jean-Paul Guigue and Dimitri Planchon.  The film is the sophomore effort by Guigue, following his 2024 The Darwinners (Silex and the City, le film), which also premiered at the same festival previously. The director’s latest work, …

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This is a banner for a review of the Cannes Film LA VÉNUS ÉLECTRIQUE (The Electric Kiss.) Image courtesy of the filmmakers.

‘La Vénus Électrique/The Electric Kiss’ Has the Right Touch (Cannes 2026 Film Review)

The Cannes Film Festival normally chooses a lighthearted French movie as its opener, mainly to celebrate the kind of movie that doesn’t always get its due. Tragedy can be very easy to make, but comedy – especially romantic comedy – is tough. You need great control over mood, you need …

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‘The Girl in the Snow’ Film Review: A Witch Hunt in Rural 1800s France from Louise Hémon

In her first full-length feature, Louise Hémon presents L’engloutie (The Girl in the Snow). A selection in the Quinzaine des Cineastes of this year’s Cannes Film Festival, Hémon designs a vibey film. She narrates the story of Aimée (Galatea Bellugi), a volunteer teacher from an unspecified big French city. She …

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’13 Days, 13 Nights’ Film Review: A French Perspective on Kabul in August 2021

The generic title underplays the importance of this French war film, which does something utterly shocking from an American perspective: it pays respect to France’s allies, too. Not since the days of World War II movies have any American films bothered to mark our allies, even in passing. (A brief …

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‘Amrum’ Film Review: A Squarely German Story That Deserves to go Global

No one quite knows what to do with director Fatih Akin. His explosive early movie Head-On was about the complex convergence of immigration and mental health issues between two Turkish-German punks. It’s one of the most violent and romantic movies ever made and also one of the smartest about intersectional …

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‘Sentimental Value’ Film Review: Joachim Trier on the Problems of Success

Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …

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‘Tell Her I Love Her’ Film Review: Romane Bohringer’s Extremely Personal Story

Romane Bohringer is a French actor who, for her second film as director, has chosen to make an extremely personal story about her search for more information about her mother, Maggy, who left the family before she was a year old and died when Ms. Bohringer was in her early …

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‘Resurrection’ Review: An Enormous, Sumptuous and Magnificent Movie from Bi Gan

This enormous, sumptuous, magnificent movie is almost too much, which is not a complaint. Resurrection is one of those movies that decided to tell the story of a universe starting with a kitchen sink and then built out from there. It’s very long – 160 minutes in this edit – …

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‘Eagles of the Republic’ Film Review: Movies, Governments, and the Truth

The movie with the best title at this year’s Cannes Film Festival is also the kind of movie filmmakers love to make: a movie about making a movie. But less joyously, the setting here is present-day Egypt, a nation not currently enjoying the delights of democracy. The creatives involved, beginning …

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This is a banner for a review of Julia Kowalski's Her Will Be Done/Que ma volonté soit faite.

‘Her Will Be Done’ Review: Julia Kowalski’s Modern Folky Horror Movie

The French/Polish director Julia Kowalski recently premiered her Que Ma Volonté Soit Faite (Her Will Be Done). It is a Quinzaine Des Cineastes selection and the director’s sophomore full-length feature, Crache Cœur (Raging Rose). The film narrates the story of Nawojka (Maria Wróbel), a girl from rural France whose parents …

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