This Japanese movie is named after an art print a preteen girl buys her terminally ill father. This strange misdirection fits this quietly misguided film, about how that girl passes the time while her parents are too preoccupied for her. This includes some topics on the very edge of what …
Bold, primary colours take centre point within the animated tale Death Does Not Exist (La mort n’existe pas) which convey the film’s blunt messaging effectively. Political in nature and economic in scale, the film lays bare its stance within its opening sequence leaving no doubt about its eat the rich …
The gift Iranian writer-director Jafar Panahi has given to us all is no accident. Palme d’Or winner It Was Just an Accident uses a very simple scenario to ask unanswerable questions about what makes a person good. It does this by offering four people a chance many dream of: the …
You wait your whole life for two female directors to adapt books written by women about artists who are thunderstruck by the prison of motherhood, then two come along in the same year. In December 2024 Marielle Heller gave us Nightbitch, and now this year’s Cannes Film Festival has given …
Sirât is the rare movie that should be seen absolutely cold. I mean it, stop reading this review right now until after you have seen it, then come back for when you need someone to hold your hand afterwards. For Sirât manages to deliver one of the greatest shocks ever …
Everybody knows the greatest thing about Wes Anderson’s movies is their sense of style. Style is the tool he uses to bring lightness to dark and complex subjects such as grief, the creeping threat of fascism and being an insufferable young person. The staging and blocking, the centering of images, …
For his next trick – not his follow-up to Anora, since he did not direct – Sean Baker has co-written, edited and co-produced this Taiwanese movie about a family of three women trying to make it in Taipei. The director (and co-writer) is Shih-Ching Tsou, who has worked with Mr. …
Caravan (Karavan) is the debut feature by Zuzana Kichnerová and is another selection of the Un Certain Regard section of the Cannes Film Festival. The film narrates the story of Ester (Anna Geislerová), a forty-five-year-old woman who spends most of her time caring for her special needs son, David (David …
The Un Certain Regard section is the second most significant section of the Cannes Film Festival. It presents rising directors who already have a presence in world cinema. It is the case of Un Poeta (A Poet), directed by Simón Mesa Soto. The Colombian filmmaker presented his last film, Amparo, …
The ripped-from-the-headlines Case 137 (Dossier 137) combines two genres everybody loves. The first is the detailed bureaucracy of justice and how much easier it is to find objective truth since we all started carrying recording devices (our mobile phones) around at all times. Think Anatomy of a Fall and Saint …
The influence of The Zone of Interest is heavy on Two Prosecutors, a story about Stalinist terror that works as well as it does thanks to its discretion. It’s less about the sound design and more the enveloping knowledge of all the horrors out of frame. Anything that tried to …
The Portuguese director Pedro Pinho presents his latest film, O Riso e a Faca (I Only Rest in the Storm), at the Un Certain Regard section in this year’s Cannes Film Festival. The author’s last full-length feature, A Fábrica de Nada, had its premiere at the Quinzaine des Cineastes in …
The Semaine de la Critique (Critics Week) is a crucial sidebar at the Festival de Cannes. It focuses on debut and sophomore films. A Useful Ghost (Pee Chai Dai Ka) by the Thai director Ratchapoom Boonbunchachoke is another hyped first-time directorial effort. The semaine is responsible for unveiling buzzy titles …
Some years ago I went to Arles for the annual photography festival and discovered that, on Saturday nights, the local bullfighting school put on a show in the Roman amphitheatre. I paid my ten euros and watched three young matadors in training kill their bulls while the locals treated this …
With On Becoming a Guinea Fowl, director and writer Rungano Nyoni returns to Cannes with an exciting sophomore feature after her successful feature film debut with I Am Not a Witch. Nyoni’s latest film competed in the Un Certain Regard section of the festival, where the Zambia-born director won the …
Meeting with Pol Pot is very loosely based on a memoir by an American journalist named Elizabeth Becker, who was at its first screening at the Cannes Film Festival. It must have been a very strange feeling to see a fictionalized version of some of the most important events in …
Roberto Minervini shared the best director prize in the Un Certain Regard strand of this year’s Cannes Film Festival for this mumblecore-style film about soldiers in the Wild West during the American Civil War. It’s the flipside to Kevin Costner’s Horizon: An American Saga (reviewed separately), which has broadly the …
There was one movie at this year’s Cannes Film Festival which was a passion project for the director that got all the attention: Megalopolis. But there was another movie, a passion project for the director, that also played Cannes, albeit not in competition: Horizon: An American Saga – Chapter 1. This …
Alexandre Dumas’ novel The Count of Monte Cristo is kind of the ur-text for the modern adventure story. Published in 1844, it has it all: treachery, sword-fighting, injustice, long cons, false identities requiring elaborate disguises, secret children, hidden treasure, beautiful ladies, villains becoming heroes, heroes becoming villains, and revenge served …
Any description of The Shameless could make it sound like the most exploitative trash, so it’s stunning to realize that despite the grim setting, the exceptionally troubled characters, and the hopelessness of their situation, that it isn’t. This is a testament to the skill of writer-director (and Bulgarian-American) Konstantin Bojanov, …