This is a banner for a review of After the Hunt. Image courtesy of the filmmakers.

‘After the Hunt’ Review: A Reactionary Film from Luca Guadagnino

No deer longs for the hunter’s arrow, and no art designed to maintain the status quo is ever as good as it thinks it is. Say what you will about Luca Guadagnino, he has made three solid movies in the last eighteen months, a level of career output rarely seen since …

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This is a banner for a review of Werner Herzog's documentary Ghost Elephants. Image courtesy of the filmmakers.

‘Ghost Elephants’ Documentary Film Review: Searching for Elephants in Angola

There are other directors who are better, there are others who are more stylish, but there is no director anywhere in the world who is more interesting than Werner Herzog. He was once shot on camera during an interview for British television and actually called the wound “insignificant” as the …

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This is a banner for a review of How to Shoot a Ghost. Image courtesy of the filmmakers.

‘How to Shoot a Ghost’ Review: The Afterlife in Athens with Charlie Kaufman

There has been a disturbing recent trend of setting stories in the afterlife, with the position that growth and change is really only possible after you are dead. This removes our agency, and posits that our situation is more important than our free will. This is especially aggravating when you …

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This is a banner for a review of Frankenstein. Image courtesy of the filmmakers.

‘Frankenstein’ Movie Review: An Instant Classic, A Wonderful Horrible Joy (Venice)

Frankenstein is a masterpiece, an instant classic and a complete and utter triumph. It sticks very close to the source material while managing to be something fresh and new, it maintains its historic setting while never forgetting the current moment, and it all hangs on two extraordinary central performances that …

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‘The Room Next Door’ Movie Review – A Disappointment (Venice)

It’s depressing to realize someone is coasting on their reputation instead of using their talent, and in fact making so little use of their talent that their reputation becomes suspect. This is the sorry state of affairs after seeing The Room Next Door, written and directed by Pedro Almodóvar, that …

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Horizon An American Saga Chapter 2 - Costner

‘Horizon: An American Saga – Chapter 2’ Review: An Ambitious Big-Sky Experience

The most anticipated film of the Venice Biennale this year was the epic Horizon: An American Saga – Chapter 2, which landed with something of a whimper instead of the bang it truly deserves. Kevin Costner’s project, the first part of which had its world premiere in Cannes this past …

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My Everything Movie Review

‘My Everything’ Movie Review: Anne-Sophie Bailly’s Drama (Venice)

The empty nest is notoriously difficult for parents to deal with, but My Everything (Mon Inséparable) has taken a fresh angle to this ordinary dilemma: the adult son who’s ready to flee the coop has an intellectual disability. Joël (Charles Peccia Galletto) is in his late twenties/early thirties and lives …

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Beetlejuice Beetlejuice Movie Review

‘Beetlejuice Beetlejuice’ Review: A Scattershot Sequel (Venice)

Tim Burton’s Beetlejuice Beetlejuice screened out of competition at the 81st Venice International Film Festival on August 28, 2024. There are few directors in which can truly be accredited with the title of ‘auteur’, but Tim Burton, with his affinity for the macabre, can be called just that. Over a …

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