This is a banner for a review of Juror #2. Image courtesy of Claire Fogler and Warner Brothers.

‘Juror #2’ Film Review: Eastwood’s Courtroom Morality Drama For A Simpler Time

Juror #2 could not have come out at a stranger time in world events towards the end of 2024. As a director, Clint Eastwood’s interests have been captured by the contradictions of life and justice in the United States: there are often clear-cut guilty and innocent parties, but who prevails …

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‘The Order’ Movie Review: True Crime Drama Shows Toxic Masculinity’s Extremes

Nicholas Hoult had a theme in 2024. The Order, director Justin Kurzel’s latest dramatic feature based on true events, puts his character in a very similar situation as in Clint Eastwood’s Juror #2. Both Bob Mathews (The Order) and Justin Kemp (Juror #2) are morally compromised men making bad (desperate, …

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This is a banner for an interview with Grace Glowicki and Ben Petrie of the Edinburgh film Dead Lover. Image courtesy of the filmmakers.

Interview: Grace Glowicki and Ben Petrie talk smell-o-vision and ‘Dead Lover’

Toronto-based filmmaker Grace Glowicki is no stranger to the bizarre. Recently she, along with husband Ben Petrie, starred in the schlocky, romantic gothic horror Honey Bunch which premiered at Berlin in 2025. Her feature debut, Tito, was an offbeat comedy where she herself played an agoraphobic man whose world is …

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‘Night Always Comes’ Review: Vanessa Kirby Shines in a Film That Fumbles Its Potential

When Night Always Comes opens with news reports and radio shows hammering the housing crisis – wages too low to cover rent and basic expenses, evictions looming – the promise is clear: a direct plunge into a reality that pushes people to the edge. As the protagonist heads out to …

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‘Nobody 2’ Movie Review: Bob Odenkirk Returns in an Action Sequel That Knows Its Audience

When Nobody (2021) premiered, it was received as a sort of distant cousin to John Wick, but with its own identity rooted mainly in the unexpected charisma of Bob Odenkirk (Better Call Saul) and the spot-on balance between action, violence, and humor. Four years later, the sequel arrives under the …

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Fantasia 2025: ‘Dui Shaw’ Film Review: Nuhash Humayun’s Folklore-fueled Anthology Runs the Tonal Gamut

Dui Shaw, courtesy of Bangladeshi writer-director Nuhash Humayun – who made history as the first filmmaker from Bangladesh to cop an Oscar nomination for the post-apocalyptic short film Moshari (2022), executive produced by horror master Jordan Peele and Sound of Metal star Riz Ahmed – locates grimy, cyclic folklores in …

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Fantasia 2025: ‘Every Heavy Thing’ Film Review: Mickey Reece’s Big Tech Thriller is a Surreal Trip

Every Heavy Thing, the latest feature from prolific indie auteur Mickey Reece which just had its world premiere at Fantasia 2025, is a pulsing technothriller propelled by daring Lynchian experimentations. Essentially, it feels like a standalone Black Mirror episode reckoning with the threat of Big Tech in American suburbs. Mounted …

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Fantasia 2025: Director Alex Phillips on ‘Anything That Moves’ (Interview)

Chicago-based filmmaker Alex Phillips continues to entrench himself in underground and transgressive cinema with his sophomore feature, Anything That Moves. After 2022’s All Jacked Up and Full of Worms, about people eating and getting high on these slithery creatures, he sought another potentially polarizing idea in the vein of a …

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Fantasia 2025: ‘Blazing Fists’ Film Review – A Visceral Work by the Master Takashi Miike

Japanese director Takashi Miike is one of the most prolific directors alive. In 2025, he released three films: Shin Abarenbo Shogun, Sham, and Blazing Fists. He is known for his signature in his work, which usually merges genres. In Blazing Fists, Miike crafts a martial arts film that combines fighting, …

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Fantasia 2025: ‘Hellcat’ Film Review: Dakota Gorman is a Visceral Force in Brock Bodell’s Suffocating Survival Horror

Brock Bodell’s feature directorial debut, Hellcat, which made its world premiere at the 2025 Fantasia International Film Festival, is a chamber survival horror-thriller that manages to be effectively tense and visceral despite a premise that we’ve come across a few too many times before. Produced and shot entirely in Nashville, …

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Fantasia 2025: ‘Lurker’ Review – Théodore Pellerin’s Superb Film Performance

Lurker is the debut feature by Alex Russell. He is an Emmy winner for his work as a supervising producer in Netflix’s miniseries, Beef. Besides the show with Ali Wong and Steve Yeun, the young screenwriter penned episodes of FX’s Dave and The Bear. In 2017, Russell wrote a feature …

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‘She Rides Shotgun’ Movie Review: Ana Sophia Heger Delivers a Star-Making Performance

Based on the novel of the same name by Jordan Harper, She Rides Shotgun follows Nate McClusky (Taron Egerton, Rocketman), an ex-convict who is forced to kidnap his 11-year-old daughter, Polly (Ana Sophia Heger), to protect her from a hit order issued by a neo-Nazi gang after Nate killed their …

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Interview: Joy Rovaris on human trafficking, Bella Thorne and more in ‘Saint Clare’

In the new psychological horror film Saint Clare, actress Joy Rovaris takes on a role that strikes a deeply personal chord. While audiences may recognize her from portraying Bobbi Kristina  opposite Vivica A. Fox, her latest project places her alongside Bella Thorne, Ryan Phillippe, and Rebecca De Mornay in a chilling …

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‘Final Destination: Bloodlines’ Blu Ray: A Diehard Fan & Casual Viewer Must-Have

Final Destination was never a franchise that interested me as a viewer. The bloody and gratuitous violence proved an immediate turn-off. The concept of the series alone was enough to make it something that I simply never found interesting. That is what made Final Destination Bloodlines a mystery. Released back …

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‘Reflection in a Dead Diamond’ Movie Review: A Stylish and Fresh Genre Homage (Fantasia 2025)

The duo of directors Hélène Cattet and Bruno Forzani is known for their approach to genre cinema, especially the giallo, an Italian sub-genre of slasher films marked by its distinctive visual style. They are back with their latest film, Reflection in a Dead Diamond (Reflet dans un diamant mort), a …

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