This is a banner for a review of the movie The Wizard of the Kremlin. Image courtesy of the filmmakers.

‘The Wizard of the Kremlin’ Film Review: Paul Dano’s Remarkable Performance

Jude Law’s first appearance as Vladimir Putin is so eerily accurate the Venice Film Festival audience around me laughed in surprise. Who would have thought he could do it? Well congratulations to director Olivier Assayas and his casting director Antoinette Boulat, because the performance Mr. Law gives here is one …

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‘Black Rabbit’ Series Review: Jude Law and Jason Bateman As Brothers

We don’t choose our family.  Love them, hate them, they are our families, and we are stuck with them.  Some of us are blessed with living, supportive ones; others not so much, and the rest fall somewhere in between.  Black Rabbit is a story of brothers who fall somewhere in …

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‘Wayward’ Review: Mae Martin Netflix Thriller Fails To Pay Off The Creepy Premise

Comedian Mae Martin’s (Feel Good) first venture into drama is a confused exploration of a dysfunctional town with a mysterious school. What has the potential to be a Lynchian mystery falls flat as it struggles to combine two perspectives. Told through two separate viewpoints, Wayward follows cop Alex Dempsey (Martin) …

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‘One Battle After Another’ Movie Review: A Star Is Born in One of the Year’s Best and Most Important Films

Of all the hype bubbles that form around the first reactions to a new release, One Battle After Another generated some of the most effusive of this century. And I mean that almost literally, since many of those reactions contained the pull-quote-ready taglines that marketing departments love so much — …

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‘After the Hunt’ Review: A Reactionary Film from Luca Guadagnino

No deer longs for the hunter’s arrow, and no art designed to maintain the status quo is ever as good as it thinks it is. Say what you will about Luca Guadagnino, he has made three solid movies in the last eighteen months, a level of career output rarely seen since …

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‘Juror #2’ Film Review: Eastwood’s Courtroom Morality Drama For A Simpler Time

Juror #2 could not have come out at a stranger time in world events towards the end of 2024. As a director, Clint Eastwood’s interests have been captured by the contradictions of life and justice in the United States: there are often clear-cut guilty and innocent parties, but who prevails …

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‘The Order’ Movie Review: True Crime Drama Shows Toxic Masculinity’s Extremes

Nicholas Hoult had a theme in 2024. The Order, director Justin Kurzel’s latest dramatic feature based on true events, puts his character in a very similar situation as in Clint Eastwood’s Juror #2. Both Bob Mathews (The Order) and Justin Kemp (Juror #2) are morally compromised men making bad (desperate, …

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Interview: Grace Glowicki and Ben Petrie talk smell-o-vision and ‘Dead Lover’

Toronto-based filmmaker Grace Glowicki is no stranger to the bizarre. Recently she, along with husband Ben Petrie, starred in the schlocky, romantic gothic horror Honey Bunch which premiered at Berlin in 2025. Her feature debut, Tito, was an offbeat comedy where she herself played an agoraphobic man whose world is …

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‘Night Always Comes’ Review: Vanessa Kirby Shines in a Film That Fumbles Its Potential

When Night Always Comes opens with news reports and radio shows hammering the housing crisis – wages too low to cover rent and basic expenses, evictions looming – the promise is clear: a direct plunge into a reality that pushes people to the edge. As the protagonist heads out to …

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‘Nobody 2’ Movie Review: Bob Odenkirk Returns in an Action Sequel That Knows Its Audience

When Nobody (2021) premiered, it was received as a sort of distant cousin to John Wick, but with its own identity rooted mainly in the unexpected charisma of Bob Odenkirk (Better Call Saul) and the spot-on balance between action, violence, and humor. Four years later, the sequel arrives under the …

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Fantasia 2025: ‘Dui Shaw’ Film Review: Nuhash Humayun’s Folklore-fueled Anthology Runs the Tonal Gamut

Dui Shaw, courtesy of Bangladeshi writer-director Nuhash Humayun – who made history as the first filmmaker from Bangladesh to cop an Oscar nomination for the post-apocalyptic short film Moshari (2022), executive produced by horror master Jordan Peele and Sound of Metal star Riz Ahmed – locates grimy, cyclic folklores in …

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Fantasia 2025: ‘Every Heavy Thing’ Film Review: Mickey Reece’s Big Tech Thriller is a Surreal Trip

Every Heavy Thing, the latest feature from prolific indie auteur Mickey Reece which just had its world premiere at Fantasia 2025, is a pulsing technothriller propelled by daring Lynchian experimentations. Essentially, it feels like a standalone Black Mirror episode reckoning with the threat of Big Tech in American suburbs. Mounted …

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Fantasia 2025: Director Alex Phillips on ‘Anything That Moves’ (Interview)

Chicago-based filmmaker Alex Phillips continues to entrench himself in underground and transgressive cinema with his sophomore feature, Anything That Moves. After 2022’s All Jacked Up and Full of Worms, about people eating and getting high on these slithery creatures, he sought another potentially polarizing idea in the vein of a …

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Fantasia 2025: ‘Blazing Fists’ Film Review – A Visceral Work by the Master Takashi Miike

Japanese director Takashi Miike is one of the most prolific directors alive. In 2025, he released three films: Shin Abarenbo Shogun, Sham, and Blazing Fists. He is known for his signature in his work, which usually merges genres. In Blazing Fists, Miike crafts a martial arts film that combines fighting, …

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