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‘Only Good Things’ Film Review – The Western Traditions in the Brazilian Countryside

The Brazilian director Daniel Nolasco has been creating a trademark for himself as a filmmaker. Drawing inspiration from his personal interests and his academic path, his films approach the stories of the LGBTQIA community in a conservative state. In his debut feature, Vento Seco (Dry Wind), he approaches the monotonous …

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‘The RajaSaab’ Movie Review: All Shock, No Awe

A mishmash of moods held together by preposterous musical numbers is part of the appeal of most Indian cinema, but Telugu-language The RajaSaab holds together worse than most. There are three movies inside The RajaSaab struggling to get out: a haunted-house horror thriller, a paean to the grandmothers who raised …

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‘Dreams’ Movie Review: Jessica Chastain and Isaac Hernández’s Ballet Drama

This examination of privilege in the modern American moment tries to have its cake and eat it, and while there’s nothing necessarily wrong with that, the badly-titled Dreams botches the recipe. Considering that ballet is at the center of this movie and director Michel Franco (and his cinematographer Yves Cape) …

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‘Wicked: For Good’ Review: Film Questions Perceptions, Destiny and Female Agency

After one year of waiting with bated breath to view the powerhouses of Ariana Grande and Cynthia Erivo respectively reprising their roles as Glinda and Elphaba on the big screen, it almost seemed unbearable for fans and converted audiences alike. Audiences need not have feared as the Wicked: For Good immersed …

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‘Blue Moon’ Film Review – Richard Linklater’s Latest is Worth Watching More Than Once

This could have been a play and may well get a second life as a play, because its single set, very talky script and clever staging keep us in the room for the 100-minute runtime. It is heavily inspired by real events but also plays fast and loose as required …

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‘Pillion’ Film Review: A Tender, Awkward, BDSM Love Story

A pillion is a seat for a passenger behind a motorcyclist. This simple, not-overly-familiar word captures the whole experience of Colin (Harry Melling) in Harry Lighton’s feature directorial debut adapted from the 2020 novel Box Hill by Adam Mars-Jones. In Pillion, Colin is shy, still living at home with his …

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‘Hedda’ Movie Review: Thompson and Hoss Go All Guns Blazing

“Just Hedda is fine.” With these prickly, precise words, Hedda (Tessa Thompson) immediately establishes her self-image and control thereof. Hedda is the recently married wife of up-and-coming scholar George Tesman (Tom Bateman), but the legacy left by her father General Gabler – including his guns – is one she takes …

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‘Roofman’ Film Review: On The Fantasy of Fatherhood

It’s something of a surprise that Roofman has done the festival circuit. It’s the kind of comfortable movie that Hollywood used to churn out by the dozen: casually dripping with stars, a plot that handles serious issues with a light touch, product placement that combines the American fervours for nostalgia …

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