This is a banner for a review of the film Honeyjoon.

‘Honeyjoon’ Film Review: Lillian T. Mehrel on Mothers and Daughters

In her debut feature premiering at this year’s Tribeca, Lillian T. Mehrel narrates about the relationship between a mother and daughter in Honeyjoon. In the film, June (Ayden Mayeri) and Lela (Amira Casar) travel to Açores in Portugal to celebrate the first anniversary of the family patriarch’s death. In their …

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‘Inside’ Film Review: Charles Williams’ Debut Feature

Australian director Charles Williams presents his debut feature: Inside. Williams won the short film Palme d’Or in 2018 at Cannes for All These Creatures and soon became a potential talent for the future. Six years later, the director narrates the story of a young man, Mel (Vincent Miller), who is …

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‘The Travel Companion’ Film Review: Travis Wood and Alex Mallis’ Achingly Moving Debut Feature

After working on their respective short films and co-directing the documentary short Dollar Pizza Documentary, Brooklyn-based filmmakers Travis Wood and Alex Mallis are upping the ante as their debut feature The Travel Companion is having its world premiere in the US Narrative Competition section of the 2025 Tribeca Film Festival. …

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’13 Days, 13 Nights’ Film Review: A French Perspective on Kabul in August 2021

The generic title underplays the importance of this French war film, which does something utterly shocking from an American perspective: it pays respect to France’s allies, too. Not since the days of World War II movies have any American films bothered to mark our allies, even in passing. (A brief …

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‘Amrum’ Film Review: A Squarely German Story That Deserves to go Global

No one quite knows what to do with director Fatih Akin. His explosive early movie Head-On was about the complex convergence of immigration and mental health issues between two Turkish-German punks. It’s one of the most violent and romantic movies ever made and also one of the smartest about intersectional …

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‘Runa Simi’ Documentary Review: Fernando Valencia’s Quechua Dream

The Peruvian director Augusto Zegarra presents his debut feature, Runa Simi, at the 2025 Tribeca Film Festival. The film narrates the story of Fernando Valencia, an indigenous man from Cusco, Peru. He has been passionate about voice work since he was a young child, inspired by Walt Disney animations that …

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‘Cuerpo Celeste’ Film Review: Nayra Ilic García’s Debut Feature is a Poetic Snapshot of post-Pinochet Chile

In Cuerpo Celeste, the symbolically loaded debut feature from Chilean writer-director Nayra Ilic García, the past not only fractures the present and future but actively exists along with it as if they are all one and the same. The film explores that threshold, the possibility to re-encounter even something we …

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‘Sentimental Value’ Film Review: Joachim Trier on the Problems of Success

Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …

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‘Backside’ Film Review: A Look at the Working Class Behind the Kentucky Derby

In his debut feature, Backside, Mexican director Raúl O. Paz-Pastrana tells the untold stories behind one of the most crucial sports events in the United States, the Kentucky Derby. Every May, more than a hundred thousand people attend the traditional horse racing event at Churchill Downs in Louisville, Kentucky. Besides …

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‘Deep Cover’ Movie Review: Orlando Bloom in Full Chaotic Glory

Without knowing absolutely anything about Deep Cover, I began watching it at home with zero expectations – sometimes, that’s truly the best way to discover little cinematic surprises throughout the year. The lack of anticipation allows one to fully enjoy the unpredictability of the humor and the narrative lightness of …

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‘A Bright Future’ Review: An Deliciously Absurd and Intriguing Sci-Fi Film

The Uruguayan director Lucia Garibaldi presents her sophomore feature, Un Futuro Brillante (A Bright Future), at this year’s Tribeca Film Festival. Her first film, Los Tiburones (The Sharks), premiered at the 2019 Sundance Film Festival. Consequently, her subsequent work became a highly anticipated title on the festival circuit, and it …

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‘Tell Her I Love Her’ Film Review: Romane Bohringer’s Extremely Personal Story

Romane Bohringer is a French actor who, for her second film as director, has chosen to make an extremely personal story about her search for more information about her mother, Maggy, who left the family before she was a year old and died when Ms. Bohringer was in her early …

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‘Resurrection’ Review: An Enormous, Sumptuous and Magnificent Movie from Bi Gan

This enormous, sumptuous, magnificent movie is almost too much, which is not a complaint. Resurrection is one of those movies that decided to tell the story of a universe starting with a kitchen sink and then built out from there. It’s very long – 160 minutes in this edit – …

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This is a banner for a review of season 1 of Mobland. Photo credit to Christine Ramage.

‘MobLand’ Season 1 TV Review: All The Classic Mob Tropes, But More Fun

British gangster content has become a popular pastime for entertainment media enthusiasts. There’s a heightened quality that’s proven uproariously entertaining for viewers. British gangster classics such as Snatch, Lock, Stock & Two Smoking Barrels, Layer Cake, and the old-school The Long Good Friday proved this correct. One commonality amongst some …

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‘Murderbot’ Season 1, Episode 4: Escape Velocity Protocol

Now here is where things get very good. There’s a sense of humour in Escape Velocity Protocol which we haven’t seen before, just as we haven’t seen violence this serious in Murderbot before. But the main issue here is the dichotomy between the world as Murderbot (Alexander Skarsgård) understands it …

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‘Murderbot’ Season 1, Episode 3 Review: Risk Assessment

We’re off to the races! Can free planets handle themselves? Can Murderbot (Alexander Skarsgård) stand to be “stuck with these people and their pheromones in a small craft”? Although for someone who claims not to care about people, it sure does spend a lot of time paying close attention to …

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