This is a banner for a review of the movie Fuze. Image courtesy of Roadside Attractions.

‘Fuze’ Movie Review: David Mackenzie Misses Again

If you thought that David Mackenzie’s previous film, Relay, was stupid, you haven’t seen anything yet. In his latest disaster, Fuze, Mackenzie, and screenwriter Ben Hopkins somehow screw up a tried-and-true pressure-cooker that should elicit strong popcorn thrills and not total bewilderment. However, instead of sticking to the film’s original …

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‘I Swear’ Film Review – The True Story of John Davidson

Films based on true stories are always a difficult prospect for audiences. While most cases are effective portrayals of real events, other “true stories” can be more fabrications. Movies like I Swear operate somewhere in the middle. I Swear follows John Davidson (BAFTA winner, Robert Aramayo), a child diagnosed with …

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‘Chronicles from the Siege’ Brings Out the Best in Us (Berlinale 2026 Film Review)

There’s a myth that knowing your death approaches brings out the best in you. In these circumstances you will simply rise above the horror of your looming demise to love your family, be kind to your neighbours, save kittens from trees and generally be all excellent until you perish. Anyone …

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This is a banner for a review of the documentary movie Homesick. Image courtesy of the filmmakers.

‘Homesick’ Documentary Film Review: The Intricacies of Transnational Adoption

In recent years, documentaries have become a space for personal histories. Filmmakers saw the non-fiction form as an opportunity to reflect on their lives and eternalize the memories, shadows, and complexities of their backgrounds. Therefore, throughout archival, diary, and poetic structures, directors expose their intimacies, unveiling their emotions and the …

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‘Allegro Pastell’ is a Non-judgemental Modern Love Story (Berlinale 2026 Film Review)

When the world is a smorgasbord of tastes and sensations you can’t blame someone for wanting to sample it all, but at a certain point you’ve got to admit you know what you prefer. The gimmick of the novel Allegro Pastell is a very good one: it’s the text and …

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‘The Blood Countess’ Film Review: A Deliciously Empty Treat (Berlinale 2026)

A true Europudding includes plenty of gratuitous nudity and loads of sex, but those are the only things missing from the supremely ridiculous The Blood Countess. This movie is not good, but it is such a stupidly fun good time that you should see it anyway. It is always a …

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This is a banner for a review of the documentary movie How to Clean a House in Ten Easy Steps. Image courtesy of the filmmakers.

‘How to Clean a House in Ten Easy Steps’ Documentary Review: The Blurry Lines Between Fiction and Reality

Documentary filmmaking also works as a personal chamber for filmmakers to pour their hearts into films. Throughout the diary or poetic non-fiction, the directors can discuss their personal lives, the formality of cinema, and themes they are passionate about. It is a chance to unveil themselves and the world surrounding …

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This is a banner for a review of the Berlinale movie Lali. Image courtesy of the filmmakers.

‘Lali’ Film Review – Something Old and Something New (Berlinale 2026)

The central couple at the heart of this complex Pakistani movie have known each other from around the village since childhood. They are thrown together because everyone else considers them damaged goods. The way they deal with their damage, separately and together, enables an unusual depiction of the power struggles …

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This is a banner for a review of the movie Sukkwan Island. Image courtesy of the filmmakers.

Two Star Turns Make ‘Sukkwan Island’ Worth Visiting (Glasgow Film Festival 2026 Review)

After the movie is over but before the credits there is some explanatory text that makes Sukkwan Island aka My Father’s Island very difficult to review. For one thing, discussing them spoils the entire concept of the film. For another, it blurs the line between fiction and real life in …

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