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‘All of a Sudden’ Has an Appetite for Discussion (Cannes 2026 Film Review)

Cannes Film Festival liked doing things in pairs in 2026. It jointly awarded All of a Sudden’s two lead actresses, the French Virginie Efira and the Japanese Tao Okamoto, the Best Actress prize. (Ms. Okamoto beginning her acceptance speech by referring to herself as a “mediocre Japanese actress” prompted a …

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‘Coward’ Changes the Name of the Game (Cannes 2026 Film Review)

It is a pleasant surprise that the two lead performances of Coward shared the Best Actor prize at this year’s Cannes. In the announcement, the jury mentioned that is because these performances change how masculinity is normally portrayed onscreen. But what the performances in Coward do is meet the current …

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‘Titanic Ocean’ Film Review: The Visually Intriguing Debut by Konstantina Kotzamani

The Greek director Konstantina Kotzamani has a massive short film haul in her career, most of which have played at the world’s central events. Washingtonia premiered at the Berlinale. Yellow Fieber and What Mary Didn’t Know were at Locarno. Electric Swam was at the Venice Film Festival, and Limbo was …

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African First Wives Club ‘So Long a Letter’ is More Than Your Feminist Duty (Film Review)

The Un Certain Regard Jury for the 2026 Cannes Film Festival was announced in April, and included three women: French actress Leïla Bekhti as jury president as well as Italian director Laura Samani and Senegalese director-producer Angèle Diabang. It’s clear Ms. Diabang was chosen because her movie So Long a …

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‘Virginia Woolf’s Night & Day’ Sparkles (Film Review)

This charming little movie doesn’t reinvent the wheel, but it does do three things. It makes the case that Haley Bennett is one of our most overlooked movie stars, it introduces Austrian actor Elyas M’Barek to English-speaking audiences, and it tells a serious story of unsupported female ambition with a …

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‘The Story of Documentary Film: 1970s’ Documentary Review: A Joyful Look at the Past of Non-Fiction

The prolific filmmaker and theorist Mark Cousins returns to the festival circuit with his 16-part project, The Story of Documentary Film. Recently, he presented the segment 1970s at the Cannes Film Festival. The film is a two-halves project that narrates the production of non-fiction in the decade. Firstly, in the …

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The Futuristic Failures of ‘Sheep in the Box’ (Cannes 2026 Film Review)

When someone writes, directs and edits their own film, this can be a promising sign of an expert knowing exactly how to deliver the idea they have in their head. It can also be an exercise in the worst kind of self-indulgence, the kind that brooks no feedback and maintains …

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Careful and Thoughtful ‘Fatherland’ is Beautiful and Extraordinary (Cannes 2026 Film Review)

Paweł Pawlikowski shared the Best Director prize at this year’s Cannes with the directors of The Black Ball, who spoke first. When he finally gained the podium for his own speech, Mr. Pawlikowski laughed and (accurately) said the staging of this moment was terrible. No such mistakes were made for …

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‘9 Temples to Heaven’ Film Review: An Overlong Debut by Sompot Chidgasornpongse

Two decades after his extensive and impactful work with Apichatpong Weerasethakul, Chidgasornpongse presents his debut feature, 9 Temples to Heaven (9 วัด สู่สวรรค์). The film is a selection of the Quinzaine des Cineastes of the Cannes Film Festival. The film follows a huge family of 9, who take their dying …

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‘La Perra’ Film Review: Dominga Sotomayor’s Atmospheric Work

Dominga Sotomayor is one of the biggest names of the new generation of the Chilean cinema. Alongside Pablo Larraín and Sebastian Lelio, her films achieved the international recognition and received attention for their boldness. Her debut feature, De Jueves a Domingo, premiered at the International Film Festival Rotterdam.  Her most …

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