This is a banner for a review of Murderbot - Season 1 Episode 7, Complementary Species. Image courtesy of Apple TV+.

‘Murderbot’ Season 1, Episode 7: Complementary Species

Another action-packed episode, and packed with more than one kind of action, if you know what I mean. It’s Arada the biologist (Tattiawna Jones) who realises quicker than the others what the two creatures are doing on top of the hopper, which has glass panels in its roof. Murderbot (Alexander …

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‘Murderbot’ Season 1, Episode 6: Command Feed

This mid-series run of Murderbot is some of the tightest episodes of television in a while. This episode also contains a great deal of humour, backrubs, some awfully graphic surgery, and then some even more graphic violence. The tonal shifts flow more naturally than that description sounds, which is especially …

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‘Murderbot’ Season 1, Episode 5: Rogue War Tracker Infinite

Before the review begins: an apology. I originally misgendered Murderbot in my reviews of the previous four episodes, which have now been corrected. A publicist got in touch to inform us that Murderbot has no gender; I should not have presumed the gender of the human actor playing it had …

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‘Carême’ Season 1, Episode 7 Review: Confession

After all the machinations of the previous episode it’s no wonder this course of Carême chooses a different focus for all its power struggles. The episode takes place entirely within Talleyrand’s (Jérémie Renier) estate and revolves around Hortense (Lily Taieb) unexpectedly going into labour. For those of you not keeping …

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‘The Alabama Solution’ Documentary Review: Horrifying and Unspeakable but Deserving of Atttention

This movie is horrifying and shaming and unspeakable but it deserves our attention, because all the horrifying, shaming, unspeakable things within it are happening to human beings. This is often forgotten in prison discourse, that every prisoner is a person too. Regardless of the worst things we have ever done, …

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‘The Gas Station Attendant’ Documentary Review: An Elegy for an Entire Way of Life

The fundraising headline of The Gas Station Attendant was clearly that director Karla Murthy’s father, H. N. Shantha Murthy, worked in a gas station while Ms. Murthy was in college. But his life was considerably more complex than the stereotype mainstreamed into American society by The Simpsons. What clearly started …

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’13 Days, 13 Nights’ Film Review: A French Perspective on Kabul in August 2021

The generic title underplays the importance of this French war film, which does something utterly shocking from an American perspective: it pays respect to France’s allies, too. Not since the days of World War II movies have any American films bothered to mark our allies, even in passing. (A brief …

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‘Amrum’ Film Review: A Squarely German Story That Deserves to go Global

No one quite knows what to do with director Fatih Akin. His explosive early movie Head-On was about the complex convergence of immigration and mental health issues between two Turkish-German punks. It’s one of the most violent and romantic movies ever made and also one of the smartest about intersectional …

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‘Sentimental Value’ Film Review: Joachim Trier on the Problems of Success

Sentimental Value won the Grand Prix at this year’s Cannes Film Festival thanks to the three central performances by Renate Reinsve, Elle Fanning and Stellan Skarsgård. Director Joachim Trier has a real talent for pulling out the emotional subtexts of ordinary lives and figuring out why people make the choices …

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‘Tell Her I Love Her’ Film Review: Romane Bohringer’s Extremely Personal Story

Romane Bohringer is a French actor who, for her second film as director, has chosen to make an extremely personal story about her search for more information about her mother, Maggy, who left the family before she was a year old and died when Ms. Bohringer was in her early …

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‘Resurrection’ Review: An Enormous, Sumptuous and Magnificent Movie from Bi Gan

This enormous, sumptuous, magnificent movie is almost too much, which is not a complaint. Resurrection is one of those movies that decided to tell the story of a universe starting with a kitchen sink and then built out from there. It’s very long – 160 minutes in this edit – …

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