‘The Housemaid’ Movie Review: Paul Feig Delivers a Crowd-Pleaser Driven by an Unhinged Amanda Seyfried

I’ve always supported the idea that entering a movie theater without the weight of preconceived expectations is one of the greatest and rarest luxuries. In the case of The Housemaid, I didn’t read the source material, nor did I seek out details about the premise, allowing my interest to be …

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‘Aontas’ Film Review: Irish Language Thriller Is Worth Watching

This clever no-budget thriller is automatically recommended by me because it’s in the Irish language. Its aspirational depiction of life entirely inside the Irish language, which rarely happens in real life, is just wonderful to see. It is also a heist movie, with three women (two of whom are middle-aged) …

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‘Kill Bill: The Whole Bloody Affair’ Review – Movie Packs It All In

The year was 2003, one of the most formative years of my life as someone trying to discover their own taste in movies. The Matrix Reloaded overwhelmed the cinema zeitgeist for months. Michael Bay arguably made one of his best action films, Bad Boys II, before throwing himself into the …

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‘The Things You Kill’ Film Review: A Psychological Thriller Rendered Surreal And Slippery By A Lynchian Dream Logic

Following its Sundance world premiere in early 2025, The Things You Kill, the third feature from Iranian filmmaker Alireza Khatami, is set to screen in Philippine theaters as part of the 2025 QCinema International Film Festival. Selected as the Canadian submission for the 2026 Oscar Best International Feature Film category, …

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‘A Private Life’ Film Review – Jodie Foster’s Excellent French Story

It’s so ordinary nowadays for crime stories to have an absolutely terrific setup leading to a whimper of an ending, so when one plays its cards as well as A Private Life does it should be praised from the rooftops. In the last twenty or so years Jodie Foster has …

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‘Familia’ Film Review: Italy’s Oscar Entry Offers an Intense Look Into Domestic Abuse and Masculinity in Crisis

Selected as Italy’s official contender for best international feature film at the 2026 Oscars, Francesco Costabile’s sophomore feature Familia carries the thematic preoccupations of their directorial debut Una Femmina: The Code of Silence, a crime drama loosely based on Italian journalist Lirio Abbate’s investigative book, which wrestles with women victims …

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‘Now You See Me: Now You Don’t’ Movie Review: Ruben Fleischer Presents a More Polished Yet Empty Trick

Expectations were low. My relationship with this saga has been, I admit, troubled: mixed feelings regarding the original film and manifestly negative regarding the second chapter. Despite being aware that this third entry, Now You See Me: Now You Don’t, has received the warmest reception of the entire franchise so …

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Interview: Director Stephen Shimek talks ‘Murder at the Embassy’

Director Stephen Shimek recently sat down with us to discuss Murder at the Embassy, his new film that’s out now in theaters and on demand. It’s a murder mystery set in 1930s Cairo starring Mischa Barton along with Mido Hamada and Richard Dillane. It’s the second installment in the Miranda …

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‘If I Had Legs I’d Kick You’ Film Review – Rose Byrne Takes On Motherhood

Rose Byrne’s magnificent performance grounds this takedown of modern motherhood (not parenthood) under capitalism, but If I Had Legs I’d Kick You is really about the flaws of modern American society. Its unmissable message is that America is completely ruled by its addictions and its impossible desire to get without …

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Interview: Mido Hamada talks filming in Egypt and more for ‘Murder at the Embassy’

Travel back to 1930s Cairo in this exclusive interview with Mido Hamada, who discusses his role as the skeptical Head of Security Mamoud in the new murder mystery film Murder at the Embassy with Mischa Barton. It’s the second installment in the Miranda Green series and is a delightfully fun …

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‘Exile’ Film Review: A Genre-bending Vision of Proletarian Inferno

Following his 2021 Filmmakers of the Present debut Streams, Tunisian director and screenwriter Mehdi Hmili made his return at this year’s Locarno Film Festival, with the out-of-competition title Exile, which functions as part revenge thriller and part grief and social drama stylized in a way that evokes visual poetry and …

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