There are only so many ways a film like Sweetheart, originally titled Gioia Mia, pans out. Special Jury Prize winner at the 2025 Locarno Film Festival’s Filmmakers of the Present competition, Margherita Spampinato’s debut feature is a predictably compelling take on the coming-of-age genre: a schmaltzy drama about grief and …
Jude Law’s first appearance as Vladimir Putin is so eerily accurate the Venice Film Festival audience around me laughed in surprise. Who would have thought he could do it? Well congratulations to director Olivier Assayas and his casting director Antoinette Boulat, because the performance Mr. Law gives here is one …
It’s summertime. The glowing sun is out, and the air is calm. It’s the perfect excuse to take a swim or lie still on the grass and wonder about what’s next in your life. It’s certainly the case, or at least initially, for a group of working-class teenagers in Ion …
Since its first exhibition, film has played a crucial role in portraying memory and the feeling of daily life. Directors utilize cinema as a tool to immortalize places, stories, and people. It is the case for Amir Aziz, who delivers a homage in the nostalgia-heavy Daroon-e Amir, or Inside Amir. …
There’s a little scene late in Silent Rebellion (À bras-le-corps) where a disgusting boss offers the young heroine, Emma (a wonderful Lila Gueneau), a “chance” at promotion, but is prevented from molesting her by an older female colleague making a scene. The other woman is punished, but she and Emma …
One of the most fascinating aspects of the Toronto International Film Festival’s wavelength section is the combination of local talents with internationally prestigious names in experimental and bold efforts. The programming team, led by Andréa Picard, balances the most courageous work with more unconventional efforts that compose the best section …
Forty-four minutes into Magellan, we see the eponymous Portuguese navigator at the film’s center, deftly portrayed by Gael García Bernal, sitting still inside a 16th-century tavern, his mind drifting elsewhere. He grips a walking cane on one hand, then an oversized hat on the other. Lit candles beside him quietly …
The new Disney+ series Marvel Zombies builds on a single episode from season one of What If…?, What If…Zombies?, which first imagined a world where Earth’s Mightiest Heroes had become its greatest threat. Directed by Bryan Andrews and written by Zeb Wells, the four-episode miniseries introduces a new group of …
It’s not really a surprise that Jim Jarmusch has won the Golden Lion at this year’s Venice Film Festival for Father Mother Sister Brother. He has always been a major filmmaker working in a minor key, and here we have another one of his portmanteau films, this time three thematically …
There is a needle drop in Mother so insane that it either singlehandedly turns the movie into a triumph or ruins it completely, and I still can’t decide which it is. But this is precisely the point director Teona Strugar Mitevska is trying to make with her fictionalised biopic of …
Every episode of House of Guinness, Steven Knight’s newest television creation for Netflix, begins with a disclaimer and promise: “This fiction is inspired by true stories”. While based on many real people and events of 1860s Dublin (and further afield), House of Guinness is first and foremost concerned with being …
Benedetta Porcaroli won the Best Actress prize in the Orrizonti strands of the Venice Film Festival simply because this ridiculous movie would not have been possible without her spectacular performance. The Kidnapping of Arabella (Il rapimento di Arabella) does indeed involve a kidnapping but one in which we are not …
In 2023, the CBC (Canadian Broadcasting Corporation) released a list of the fifty greatest Canadian films ever. At the top of the list, it was not the name of David Cronenberg, Sarah Polley, Jean-Marc Vallée, or Atom Egoyan. It was Zacharias Kunuk with his historical 2001 film, Atanarjuat: The Fast …
Director Maryam Touzani, who co-wrote Calle Málaga with Nabil Ayouch, starts extremely strongly with this tale of an elderly woman finally making her own choices in life, but loses the courage of her convictions. This is ironic as this is very much a story of how you cannot have your …
We don’t choose our family. Love them, hate them, they are our families, and we are stuck with them. Some of us are blessed with living, supportive ones; others not so much, and the rest fall somewhere in between. Black Rabbit is a story of brothers who fall somewhere in …
Cotton Queen is the debut film of Russian-Sudanese writer-director Suzannah Mirghani and very clearly made for an international audience. The establishing shots of laughing teenager cotton workers watching Tiktoks make sure, even if we know nothing about Sudan, we know it’s firmly in the now. And while it is Sudanese …
Comedian Mae Martin’s (Feel Good) first venture into drama is a confused exploration of a dysfunctional town with a mysterious school. What has the potential to be a Lynchian mystery falls flat as it struggles to combine two perspectives. Told through two separate viewpoints, Wayward follows cop Alex Dempsey (Martin) …
Of all the hype bubbles that form around the first reactions to a new release, One Battle After Another generated some of the most effusive of this century. And I mean that almost literally, since many of those reactions contained the pull-quote-ready taglines that marketing departments love so much — …
The Cut, starring Orlando Bloom, is an intense film about all the psychological drama that goes on behind the scenes of a boxer determined to make weight and redeem himself. It’s gritty and massively thrilling and one of the most interesting films of the past year. That’s why I was …
We live in a cinematic era fascinated by the origin stories of founders and their revolutionary creations, but not all of them seem as urgently relevant as that of Whitney Wolfe and Bumble. The promise of exploring the creation of a dating app designed as an antidote to the toxic …