This is a banner for a review of Dreamers. Image courtesy of the filmmakers.

‘Dreamers’ Review: A Wonderful Film With the Moral High Ground

The plight of asylum seekers/illegal immigrants in the UK has recently become a very hot political potato. Groups of organised racists (or as some mealy-mouthed politicians would have it, ‘concerned citizens’) have attacked the buildings where some of the world’s most desperate people are kept under guard as they wait …

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‘Cain and Abel’ Film Review: A Brocka Tale At Once Biblical And Brutal

Made in 1982, restored and remastered by ABS-CBN Film Restoration Project in 2016, and released by Kani Releasing on Blu-ray in 2022, Lino Brocka’s Cain and Abel now plays on The Criterion Channel as part of the streaming service’s retrospective on the acclaimed Filipino director.  A two-fisted riff on the …

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‘A House of Dynamite’ Movie Review: A Case Study in Filmmaker’s Intent Versus Narrative Impact

The expectations surrounding A House of Dynamite, Kathryn Bigelow’s new and highly anticipated film, were understandably stratospheric. After military tension and psychological analysis masterworks like The Hurt Locker and Zero Dark Thirty, the prospect of Bigelow returning to a theme of war and existential crisis — dealing with the nuclear …

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‘Springsteen: Deliver Me From Nowhere’ Film Review: An Untrustworthy Biopic

It is always, always interesting to see art about the making of other art. The choices people make, why those choices resonate, whether those choices were deliberate or accidental, and how much people get into their own way is always fascinating to watch. It certainly helps if you have a …

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‘Ballad of a Small Player’ Movie Review: A Sensory Overload Carried by Colin Farrell’s Magnetic Performance

Following the intense and visceral rawness of All Quiet on the Western Front and the meticulous religious intrigue of Conclave — both of which are among my absolute favorites from their respective release years — the mere idea of Edward Berger tackling a psychological thriller focused on addiction and moral …

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‘The Voice of Hind Rajab’ Movie Review: An Essential, Uncomfortable Document of Our Era

Before I even sat down to watch The Voice of Hind Rajab, its real-life story had already flooded my soul. Contrary to my personal tendency to go into screenings with little to no familiarity with the respective film, this time, my prior knowledge was complete. My curiosity and, frankly, my …

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‘After the Hunt’ Movie Review: All That Remains of This Hunt is Just the Deafening Void of Pretense

My expectations for Luca Guadagnino’s After the Hunt were, I confess, moderate, but they leaned toward cautious optimism. I like most of his films, with Challengers being my favorite, and I generally admire his work, even if I don’t consider myself an unconditional fan. However, the initial reception of this …

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‘Hamlet’ Movie Review: Poetic Fidelity Suffocates the Modern Concept

Curiosity and hope were my personal feelings going into the cinema to see Hamlet (2025). I knew beforehand this would be another transposition of Shakespeare’s iconic tragedy into a contemporary context, an exercise that’s always risky in itself. However, the decisive factor in giving the film a chance was, without …

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This is a review for the movie A Year of School. Image courtesy of the filmmakers.

‘A Year of School’ A Charming Coming-of-Age Film

The emotional rollercoaster Giacomo Covi’s character undergoes in A Year of School is so relatable it’s obvious why he won the Best Actor prize in the Orrizonti strand of this year’s Venice Film Festival: a new prince has been crowned. In fact all four of the main actors in A …

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‘At Work’ Film Review: Bastien Bouillon is Quietly Compelling

In 2021 a small French movie called The World After Us played the festival circuit because it was one of the first modern movies to address life in the modern gig economy. It was a direct precursor to At Work, in that they are both about a novelist in Paris …

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‘The Last Viking’ Film Review: A Little Too Raw in All Sense of the Word

This comedy-thriller manages to be both very funny and gruesomely violent, with an appetite for the strange and startling that had the Venice Film Festival audience barking with shock as often as laughing. For the most part, the bold mood swings work, largely thanks to a setting which includes several …

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‘Motor City’ Film Review: Alan Ritchson’s 70’s Stunt Spectacular

There is a fascinating new trend in cinema gathering steam: action movies with hardly any dialogue. Finland’s Sisu from 2022 shows Nazis being slaughtered without saying much about it, while America’s No One Will Save You from 2023 has a young woman fighting off an alien attack. And now Detroit …

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