This is a banner for a review of We Are All Strangers. Image courtesy of the filmmakers.

The Known Unknowns of ‘We Are All Strangers’ (Berlinale 2026 Film Review)

For a movie designed around a teenage pregnancy it’s a surprise that We Are All Strangers focuses on the baby’s father. What writer-director Anthony Chen is exploring here is how family responsibilities force young men to grow up. The assumption seems to be that women have achieved maturity already, regardless …

Read more

This is a banner for a review of the Cannes Film LA VÉNUS ÉLECTRIQUE (The Electric Kiss.) Image courtesy of the filmmakers.

‘La Vénus Électrique/The Electric Kiss’ Has the Right Touch (Cannes 2026 Film Review)

The Cannes Film Festival normally chooses a lighthearted French movie as its opener, mainly to celebrate the kind of movie that doesn’t always get its due. Tragedy can be very easy to make, but comedy – especially romantic comedy – is tough. You need great control over mood, you need …

Read more

This is a banner for a review of the movie Two Pianos. Image courtesy of the filmmakers.

‘Two Pianos / Deux Pianos’ Film Review: An Off-Key Treasure

First we must congratulate Laura Caselli, the casting director for Two Pianos, for realising the male movie star currently working in France whose vibe best matches Charlotte Rampling’s is François Civil. He has a tendency to play hotheaded romantic heroes and recently carried the two-part adaption of The Three Musketeers …

Read more

This is a banner for a review of the movie Allegro Pastell. Image courtesy of the filmmakers.

‘Allegro Pastell’ is a Non-judgemental Modern Love Story (Berlinale 2026 Film Review)

When the world is a smorgasbord of tastes and sensations you can’t blame someone for wanting to sample it all, but at a certain point you’ve got to admit you know what you prefer. The gimmick of the novel Allegro Pastell is a very good one: it’s the text and …

Read more

This is a banner for a review of the movie The Blood Countess (Die Blutgräfin). Image courtesy of the filmmakers.

‘The Blood Countess’ Film Review: A Deliciously Empty Treat (Berlinale 2026)

A true Europudding includes plenty of gratuitous nudity and loads of sex, but those are the only things missing from the supremely ridiculous The Blood Countess. This movie is not good, but it is such a stupidly fun good time that you should see it anyway. It is always a …

Read more

This is a banner for a review of What Does That Nature Say to You. Image courtesy of the filmmakers.

‘What Does That Nature Say to You’ Film Review: Hong Sang-soo Never Stops

If you think Korean filmmaker Hong Sang-soo’s aesthetics will get more refined after his films have, over the years, preferred a more digitized (read: pixelated, desaturated, out-of-focus) aesthetic, think again! His latest film, within a corpus of slow cinema experiments, What Does That Nature Say to You, contains many of …

Read more

This is a banner for a review of Dead Lover. Image courtesy of the filmmakers.

‘Dead Lover’ Film Review: a Gutsy and Glorious Paean to Love, With all its Smells and Squelches

Grace Glowicki’s Dead Lover arrives as Frankenstein tales are having a real cultural moment. With Guillermo del Toro’s film released last autumn (and picking up three Oscars) and Maggie Gyllenhaal’s The Bride currently in cinemas, Glowicki’s picture as director, co-writer (with Ben Petrie, who also stars) and star may not …

Read more

This is a banner for a review of Love Story. Image courtesy of FX.

‘Love Story: John F. Kennedy Jr. & Carolyn Bessette’ Review – An Intriguing Look At The Weight Of A Family Legacy

The first series in a name chronology series from super-producer Ryan Murphy follows the tragic romance of JFK’s son, John F Kennedy, and publicist Carolyn Bessette. Based on Elizabeth Beller’s book Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy, the limited series charts the couple’s whirlwind romance, marriage …

Read more

This is a banner for a review of Wuthering Heights. Image courtesy of the filmmakers.

‘Wuthering Heights’ Film Review: A Stone Cold, Smoking Hot Banger

Talk about melodrama! It is not so much that this adaption of Wuthering Heights goes to eleven, but that this version of Wuthering Heights starts at eleven and keeps going and going, and going, without losing its momentum for a moment. This over-the-top depiction of secret and dangerous passion makes …

Read more

This is a banner for a review of Heated Rivalry. Image courtesy of the filmmakers.

‘Heated Rivalry’ Season 1 Review – A Turning Point for Representation on Television

The representation of queerness in the past decade on TV has found itself on an uptick. Shows like Heartstopper, Queer Eye, Modern Family, and Schitt’s Creek have led the charge in normalising the existence of queer people on television, and therefore in life. Despite the challenges the queer characters face …

Read more

This is a banner for a review of the film Bonjour Tristesse. Image courtesy of the filmmakers and Greenwich Entertainment.

‘Bonjour Tristesse’ Movie Review: A Modern, Feminist Take on a Coming-of-Age Classic Set on The French Riviera

Already the second film adaptation of Françoise Sagan’s 1954 coming-of-age novel of the same name, Bonjour Tristesse, a debut feature by Canadian director Durga Chew-Bose, offers a modern, feminist spin on the original material, which was an overnight sensation written by the French novelist at age 18. Remakes can become …

Read more

All That's Left of You Review Banner

‘All That’s Left of You’ Film Review

In the history of cinema, the Anglo-Saxon perspective has been the most prominent in mainstream filmmaking. As society seems to include and understand diverse ethnicities, different ethnicities may develop their own viewpoints of reality. Unfortunately, the Palestinian history told by its people took plenty of time to get an opportunity, …

Read more