This is a banner for a review of The Echo Chamber. Image courtesy of the filmmakers.

The Hollow and Empty ‘The Echo Chamber’ (Venice 2026 Film Review)

Alicia Vikander has had an impressive year of making extremely interesting choices but, with the noble exception of Hope, unfortunately those choices have not worked out. Some of that is because of the difficulty of the topics, but in the case of The Echo Chamber it’s because of its frightful …

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Sisters Before Misters in the Winning ‘Sense and Sensibility’ (Film Review)

In the UK Sense and Sensibility has a U rating – suitable for all – which is the equivalent of an American G rating. For a movie about the romantic choices of two adult sisters this is an incredible achievement, even if it’s an adaption of a Jane Austen novel. …

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‘Practical Magic 2’ Film Review: Who Is This For?

Does anyone have reverence for Griffin Dunne’s Practical Magic? Scratch that – did anyone actively ask for a sequel to Practical Magic? Because, as far as I’m concerned, Susanne Bier’s Practical Magic 2 has no genuine justification for existing. It’s a toothless, unfunny, dull “comedy” that proves the detractors of …

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All the Beauty and the Bloodshed in ‘The Black Ball / La Bola Negra’ (Cannes 2026 Film Review)

In The Black Ball directors Javier Ambrossi and Javier Calvo (known as Los Javis) and cinematographer Gris Jordana have created an unusually beautiful work of art. The Black Ball is kind and tender, very clear-eyed about the trauma of war and the misery of addiction. But above all it is …

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‘The Cutting Edge: Chasing the Dream’ Review – Matt Lanter, Francia Raisa, and Peak ABC Family Movies

The algorithm recently recommended that I watch the third The Cutting Edge movie, Chasing the Dream. It’s a little strange to suggest a deep cut like that, but since I’m on my umpteenth rewatch of Timeless (starring Matt Lanter, among others) and recently finished Off-Campus, it’s a little less crazy. …

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Book Review: ‘The Love Hypothesis’ by Ali Hazelwood

Olive Smith loves rom-coms: funny, cute meets, impractical circumstances, unlikely love- it’s great. But not when she’s living one! You see, her best friend, Anh, is really into a guy that Olive dated like once and didn’t even like that much. But Anh won’t date him because of “girl-code”. Olive …

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‘Back to the 90s’ Film Review – The Best Kind of Boy Band Nostalgia

Back to the 90s is a story of friendship, self-discovery, and incredible music.  Directed by Facundo Scalerandi and written by Marian Grönwoldt, Juliana Lima Dehne, and Joy C. Mitchell, it is the most unexpected sort of time travel story. It’s a German-language film, but because of the music, English-speaking audiences will …

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‘Coward’ Changes the Name of the Game (Cannes 2026 Film Review)

It is a pleasant surprise that the two lead performances of Coward shared the Best Actor prize at this year’s Cannes. In the announcement, the jury mentioned that is because these performances change how masculinity is normally portrayed onscreen. But what the performances in Coward do is meet the current …

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‘Virginia Woolf’s Night & Day’ Sparkles (Film Review)

This charming little movie doesn’t reinvent the wheel, but it does do three things. It makes the case that Haley Bennett is one of our most overlooked movie stars, it introduces Austrian actor Elyas M’Barek to English-speaking audiences, and it tells a serious story of unsupported female ambition with a …

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The Known Unknowns of ‘We Are All Strangers’ (Berlinale 2026 Film Review)

For a movie designed around a teenage pregnancy it’s a surprise that We Are All Strangers focuses on the baby’s father. What writer-director Anthony Chen is exploring here is how family responsibilities force young men to grow up. The assumption seems to be that women have achieved maturity already, regardless …

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