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‘The Phoenician Scheme’ Movie Review: Wes Anderson’s Stylish Misfire

Everybody knows the greatest thing about Wes Anderson’s movies is their sense of style. Style is the tool he uses to bring lightness to dark and complex subjects such as grief, the creeping threat of fascism and being an insufferable young person. The staging and blocking, the centering of images, …

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‘The New Boy’ Film Review: A Contemplative Look at Colonization and Faith

Stories about colonization seldom humanize the colonizers, and for good reason. Focusing on the victims of abuse should always be the priority. However, there is value in examining a colonizer’s motivations. In his film The New Boy, writer and director Warwick Thornton examines some of those motivations through the lens of …

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‘Case 137’ Film Review: France and Lessons Learned From 2018

The ripped-from-the-headlines Case 137 (Dossier 137) combines two genres everybody loves. The first is the detailed bureaucracy of justice and how much easier it is to find objective truth since we all started carrying recording devices (our mobile phones) around at all times. Think Anatomy of a Fall and Saint …

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Interview: Emmanuel Courcol on ‘The Marching Band’

In French director Emmanuel Courcol’s comedy drama, The Marching Band (En fanfare), the celebrated orchestra conductor, Thibaut Desormeaux (Benjamin Lavernhe) is diagnosed with leukemia. To his surprise, the tests to identify a bone marrow donor reveal that he was adopted. The search for his brother leads him to Jimmy (Pierre Lottin), …

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‘Warfare’ Movie Review: Garland and Mendoza Strip the Genre to Its Rawest Form

Alex Garland, known for his thought-provoking storytelling in films like Ex Machina and Civil War, joins forces with war veteran Ray Mendoza to create one of his most ambitious projects to date. Co-written by the two filmmakers, Warfare aims to depict a military surveillance mission with the utmost realism – …

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‘Last Night in Soho’ Review: A Disappointingly Toothless Horror Film

Edgar Wright, acclaimed cult director of Baby Driver and Hot Fuzz fame, directs Last Night In Soho with a breezy smoothness, but this vibrant, pulpy horror is disappointingly toothless. In contemporary Cornwall, naive and fresh faced 18 year old Eloise ‘Ellie’ Turner (Thomasin McKenzie) is standing in her room. Fashion …

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‘Chasers’ Pilot Review: A Bold, One-Shot Exploration of Dreams, Love, and Showbiz Struggles

In recent years, there has been a massive influx of movies and TV series that showcase the reality of the entertainment industry and how youngsters navigate the world of showbiz. Most importantly, these titles exhibit how young people navigate through life while trying to achieve something, which makes them raw …

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