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‘Allegro Pastell’ is a Non-judgemental Modern Love Story (Berlinale 2026 Film Review)

When the world is a smorgasbord of tastes and sensations you can’t blame someone for wanting to sample it all, but at a certain point you’ve got to admit you know what you prefer. The gimmick of the novel Allegro Pastell is a very good one: it’s the text and …

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‘The Blood Countess’ Film Review: A Deliciously Empty Treat (Berlinale 2026)

A true Europudding includes plenty of gratuitous nudity and loads of sex, but those are the only things missing from the supremely ridiculous The Blood Countess. This movie is not good, but it is such a stupidly fun good time that you should see it anyway. It is always a …

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‘Lali’ Film Review – Something Old and Something New (Berlinale 2026)

The central couple at the heart of this complex Pakistani movie have known each other from around the village since childhood. They are thrown together because everyone else considers them damaged goods. The way they deal with their damage, separately and together, enables an unusual depiction of the power struggles …

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‘Everything Else is Noise’ Film Review: Nicolás Pereda’s New Adventure in Observing the Mundane

The Mexican director Nicolás Pereda has proven himself as one of the most prominent filmmakers of the new generation. In the last three years, he released three films. Lázaro de Noche premiered at the 2024 FIDMarseille, and Cobre was also a world premiere at the French experimental film event in …

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‘Fiz Um Foguete Imaginando que Você Vinha’ Film Review: A Playful Road Trip that Challenges Logic and Time

In the Brazilian cinema history, there are classic examples of road trip films. One of them is Iracema by Jorge Bodansky and Orlando Senna, a time capsule on the Northern region of the country during the military dictatorship. Regionally, a landmark of the sensorial cinema in the country is Viajo …

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Interview: Director Ryan Machado on ‘Raging’ (Berlinale 2026)

Another small-town story set in its director’s hometown, Romblon island, Filipino filmmaker Ryan Machado’s sophomore feature Raging follows a young man (played by Elijah Canlas) in the aftermath of sexual abuse. Unfolding in the mid-1990s, the film is pensive and unhurriedly paced, portraying its central character’s conflicts as more inward …

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‘Cesarean Weekend’ Film Review: A Bold, Formal Iranian Film

In 1979, Iran underwent a severe transformation after the Iranian Revolution. Mohammad Reza Pahlavi, the last Shah of the country, fell due to the dissatisfaction of the population, which organized itself politically. The figure of that revolution grew to power, Ayatollah Khomeini, a central individual who established the morality police …

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‘Black Lions – Roman Wolves’ Documentary Review: Haile Gerima’s Anti-Colonial Epic

Throughout the more than a hundred and twenty-five years of filmmaking, the film history organized itself into canons and critical retrospectives that analyzed cinema through various prisms. Similar to all of the arts, this canon is white-centered and Anglo-European, excluding the works of people of color, women, and those located …

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‘Eight Bridges’ Documentary Review: James Benning’s Relentless Portrayal of the American Landscape (Berlinale 2026)

James Benning is one of the most prominent experimental directors in history. Labeled as a researcher of the American landscapes, his work features a formally rigorous study of the United States and its structures. His interest in the composition of the country is evident in his most well-known films: The …

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‘Isabel’ Film Review: A Sweet Toast to Failure (Berlinale 2026)

The Brazilian director Gabe Klinger has built his career entirely in the United States. Based in Chicago, he directed the documentary Double Play: James Benning and Richard Linklater, Porto, and the short film Bergman’s Ghosts, a complementary work to Bergman Island, the Cannes film by Mia Hansen-Løve. For the first …

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‘A Fabulosa Máquina do Tempo’ Documentary Review: A Clever Exercise of Imagination (Berlinale)

In 2023, the Brazilian documentary veteran, Eliza Capai, released her Incompatível com a Vida (Incompatible with Life). Despite being a mix of talking head with diary documentary, it is an utterly personal telling of her experience with the traumatic loss of her baby in her womb. The director tells her …

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‘Rosebush Pruning’ is Tasteless and Pointless (Berlinale 2026 Film Review)

I think we can blame the English royal family. When TV shows like Succession, The Righteous Gemstones and Yellowstone decide to examine the interpersonal struggle for power within an unbelievable wealthy family, they’ve all worked from the same template: tyrannical father and absent or dead mother with three sons and …

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‘Good Luck, Have Fun, Don’t Die’ is a Gonzo Thrill Ride (Berlinale 2026 Film Review)

Good Luck, Have Fun, Don’t Die takes the worst nightmares of the current moment and turns them into comedy, but the kind of comedy where if you didn’t laugh you’d cry. This is done in the lighthearted comic blockbuster style best described as a mash-up where 1990s French horror-comedy Delicatessen …

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‘The Red Hangar’ is Subtle Like a Knife (Berlinale 2026 Review)

This Chilean-Argentinian coproduction is a Chilean story but was filmed in Argentina for reasons its subject matter makes obvious. The military coup in Chile in 1973 that started with the murder of Salvador Allende brought about (speaking with understatement here) such a traumatic time to the nation that the after-effects …

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